Fake Fruit bandleader Hannah D’Amato tells a tale of two Neils as she, PG staff, and reader Kevin Ramsay dig into their songbooks.
Question: Which artist have you learned the most songs by?
Guest Picker: Hannah D’Amato – Fake Fruit
A: Neil Young. I think he’s an incredible human archivist who knows exactly how to distill the highs and lows of being an alive person better than almost anyone. Playing his songs is about as cathartic as it gets. His straight-down-the-barrel soloing is a huge inspiration, too.
The one and only Neil Young.
Obsession: My current obsession is a Karina cover of Neil Sedaka’s “Oh! Carol.” Originally written from the male “Don’t leave me” perspective, the Spanish translation very sneakily urges Carol not to bend to the man’s will and to chase her own happiness without looking back—badass.
Reader of the Month: Kevin Ramsay
Kevin Ramsay, welcome to our pages!
A: I’ve learned the most songs by John Lee Hooker. His raw, hypnotic blues style captivates me. His mastery of the guitar and distinctive voice make his songs unforgettable. Learning his repertoire taught me about blues rhythms, storytelling in music, and the emotional depth that can be conveyed through powerful lyrics.
This album is classic solo Hooker—a live jewel in his catalog.
Obsession: My latest music-related obsession is Maryanne Amacher and otoacoustic emissions. Amacher’s pioneering work with sound and perception, particularly exploring otoacoustic emissions, fascinates me. Her innovative approach to sonic art challenges conventional boundaries, inspiring me to delve deeper into the intersection of science, sound, and human perception in music.
Assistant Editor: Luke Ottenhof
Our man in Montreal, assistant editor Luke Ottenhof.
A: I think it would have to be Weezer. I went through an all-consuming Weezer phase after my older cousins introduced me to them, then binged Blue Album, Pinkerton, and Green Album. I forced my poor, brilliant guitar teacher to show me how to play those songs instead of teaching me stuff that surely would have made me a better player today. Thanks for indulging me, Scott!
Weezer’s 1994 debut album.
Obsession: Creating different types of sonic mayhem through pedals. I always think it’s funny when you get a crazy new pedal that makes your signal virtually unrecognizable and someone says, “That doesn’t sound very useful.” I’m thankful for the imaginative builders who don’t just make what sounds “useful,” and to artists who create sounds beyond the call of capital.
Chief Videographer: Perry Bean
Don’t mess with Perry Bean!
A: If you’re gonna riff, riff with me! At the risk of sounding boring or rudimentary, I probably know the most songs by the Misfits. I discovered them as I was learning guitar, and while not complicated or hard, those barre chords set me up with a foundation to build from. More importantly, learning those songs made guitar an interesting and fun hobby for me. I hated lessons at first because I was forced to learn and play music I had no desire to listen to, let alone play. (Sorry, Elvis!) Besides, guitar is supposed to be fun, right? Long live the Misfits!
The Misfit’s ultra-recognizable logo.
Obsession: Introducing my son to a vast world of good music. Last thing I’d ever want for him is the embarrassment of saying something like, “Dave Matthews is awesome!” in a public setting, for lack of knowing better.
- On the Road with Clapton ›
- Hooked: Bahamas' Afie Jurvanen on Neil Young's "Harvest Moon" ›
- Rig Rundown: Doyle Wolfgang von Frankenstein ›
At a recent outdoor NHL Stadium Series performance, it was so cold that my hands went numb. So, I had to improvise. Last month, I wrapped the NHL Stadium Series at Nashville’s Nissan Stadium in front of 68,619 screaming fans and an army of TV production, crew, etc. The network chose to lean into Nashville’s Music City theme by including performances by 12 of the city’s biggest names in music. About a month ago, the director, Michael Dempsey, whom I worked with on several award shows, hired me as the music director. Here’s how it went....
FINNEAS, known for his Grammy Award-winning collaborations with Billie Eilish, collaborates with Fender on his signature Acoustasonic.
Having picked up his first guitar at the age of 12, FINNEAS' guitar-playing journey has been a key element in his career. Known for his ability to seamlessly blend acoustic and electronic elements, his music resonates with authenticity and emotional depth. In March 2019, he garnered widespread acclaim for his Grammy-winning contributions to Billie Eilish's breakthrough album When We All Fall Asleep, Where Do We Go?. FINNEAS then stepped into the spotlight with his own debut, the Blood Harmony EP in 2019, followed by his debut full-length album, Optimist, in 2021. His latest collaboration with Billie Eilish on her album HIT ME HARD AND SOFT continues to push musical boundaries and has garnered critical acclaim, further solidifying their impact on the music industry. Together, they have captivated a global audience, inspiring a new generation of artists to explore and embrace authenticity and vulnerability in their music. Their dynamic partnership has become a beacon for those seeking to innovate and express genuine emotion through their art.
Exploring the Finneas Acoustasonic Collection | Fender Artist Signature | Fender - YouTube
“The most important thing to me about a guitar is versatility,” said FINNEAS. “I was first introduced to the Acoustasonic guitar in 2019 when I was on tour with Billie, and I played it at every show that year. When we started conversations about my signature model, I knew this guitar was great in a live setting, and I wanted to find ways to take it into the studio and make it a versatile, expressive studio instrument. This is the result of that. ”
In addition to the release of his first-ever signature guitar, FINNEAS has just released his latest single, “For Cryin’ Out Loud!”, now available on all major streaming platforms. This track is a precursor to his much-anticipated sophomore album, For Cryin’ Out Loud!, which is set to be released on October 4.
The FINNEAS Acoustasonic Player Telecaster and the Limited Edition FINNEAS Acoustasonic Telecaster guitars mark Fender’s first-ever Acoustasonic artist signature guitars. Distinguished by custom electronics curated by FINNEAS, these models combine a magnetic Acoustasonic Shawbucker pickup and a Fishman undersaddle transducer to deliver clean electric, small-body acoustic, and dreadnought acoustic tones. Additionally, both models feature an onboard chorus effect selected by FINNEAS, seamlessly integrating added sonic characters.
The key differences lie in their finishes and places of manufacture: the standard model boasts a modern Cappuccino Fade satin finish on its solid spruce top, while the LE features an all-Arctic White satin finish for a premium aesthetic. Both guitars share a Modern Deep “C”-shape neck for a confident yet comfortable feel and a Shawbucker magnetic pickup known for its tonal charm and noiseless performance, ideal for studio use. The standard model is made at Fender’s Ensenada facility in Mexico, whereas the limited edition is crafted at Fender’s historic facility in Corona, California.
“We are incredibly proud to collaborate with FINNEAS on his first signature guitar,” said Justin Norvell, Justin Norvell, EVP of Product at FMIC. “The FINNEAS Acoustasonic Player Telecaster and LE FINNEAS Acoustasonic Telecaster capture the unique blend of acoustic, electric and onboard effected tones that characterize his music. This guitar is more than an instrument; it's a versatile tool meant to inspire the next generation of producers and artists to explore new sonic landscapes and push their creative boundaries. FINNEAS's innovative spirit and dedication to authenticity shine through in every detail of these signature models.”
FINNEAS Acoustasonic Player Telecaster ($1,399.99) Purposefully streamlined and equally versatile, the Fender Acoustasonic intuitively transitions from acoustic to electric thanks to revolutionary magnetic and under saddle piezo electronics with 3-way switching co-designed with Fishman to deliver an unmatched acoustic experience. This evolution of the Acoustasonic Player Telecaster offers a set of six voices chosen by FINNEAS to range from clean electric to small-body and dreadnought acoustic, and includes a hand-selected onboard chorus effect in two positions for a versatile array of studio-worthy sounds. Built with uncompromising tonewoods including a braced solid spruce top, mahogany body and neck, and a rosewood fingerboard and bridge, this Acoustasonic is crafted to deliver the organic sonic nuance that is sure to resonate. Other personalizations include a Cappuccino Fade satin finish and an engraved FINNEAS signature on the back of the headstock. A deluxe padded gig bag is also included to provide premium protection and portability.
Limited Edition FINNEAS Acoustasonic Telecaster ($2,499.99) This limited edition American Acoustasonic Telecaster offers a set of ten voices chosen by FINNEAS to range from clean electric to various flavors of acoustic and includes a hand-selected onboard chorus effect in two positions for a versatile array of high-fidelity studio-worthy sounds. Built with premium tonewoods including a braced solid spruce top, mahogany body and neck, and an ebony fingerboard and bridge, this Acoustasonic is crafted to deliver organic sonic nuance that is sure to resonate. Other personalizations include an all-Arctic White satin finish and a FINNEAS signature on the back of the headstock. A deluxe molded hardshell case is also included to provide premium protection and security while traveling.
For more information, please visit fender.com.
Fender Finneas Signature Acoustasonic Player Telecaster - Cappuccino Fade
FINNEAS Sig American Acoustasonic Tele, CappuccinoTom Petty’s righthand man proved time and again that he could get to the heart of the matter and find the perfect guitar part for a song.
Tom Petty’s right-hand man proved time and again that he could get to the heart of the matter and find the perfect guitar part for a song. But he’s also cooked up plenty of hits as a player and writer for artists such as Don Henley—with whom he co-wrote two of his biggest hits—Stevie Nicks, Roy Orbison, Matthew Sweet, Brian Setzer, and so many others. Plus, his Blue Stingrays and Dirty Knobs are like candy for the deepest of guitar-tone nerds.
Shop at fender.com and receive free shipping on orders $50+
Pure nickel wound strings designed to capture classic tones. Available in popular gauges (9s and 10s), these strings are intended to offer rich, warm tones and longer string life.
The Seymour Duncan Antiquity series of pickups have always given musicians access to the true vintage tones of the most famous guitars ever produced. To further our commitment to capturing these influential sounds, Seymour Duncan is now pleased to offer the perfectly voiced companion, a set of Antiquity Vintage Modern Strings.
Before nickel-alloy plated strings became commonplace, pure nickel wound strings were found on most electric guitars. Their rich, warm tone became a crucial ingredient to the sounds of classic blues and rock & roll. An added benefit of a pure nickel wrap is a longer string life and a more consistent tone between string changes. Now our Antiquity Vintage Modern Strings bring you even closer to the sound of electric guitar’s early heyday. Pure nickel wound and available in your favorite modern gauges (9s and 10s), Antiquity Vintage Modern Strings are the perfect start to your signal chain in the quest to unlock your favorite classic guitar sounds.
For more information, please visit seymourduncan.com.