
The ubiquitous brightly colored boxes and their predecessors seem simple, but getting the right amount of juice to fire them up in top form can be tricky.
Boss pedals, as we most familiarly know them, started being produced in 1978. Prior to that, the pedals began their journey under the Roland moniker, nestled inside massive enclosures that were oozing with style.
Photo courtesy of Soundgas.com
Shortly thereafter, the first Boss-named pedals arrived—still in big boxes. The Boss CE-1, in particular, became very popular and its sound became a staple of ’80s rock.
By the late ’70s, Boss pedals underwent a massive redesign. The result was the Boss Compact Pedal Series that we all know. The rugged yet stylized design of the enclosures combined with the overall good, solid sounds they produce make these pedals a great value in a small package. Boss pedals could now be powered via wall wart adapters instead of heavy, internal transformers and required much less pedalboard real estate, which made them an instant hit with players.
Photo courtesy of Soundgas.com
I adore Boss pedals. I collect anything I can get my hands on that Boss has made over the years. Even if the sound a pedal produces is not for me, I enjoy taking a poke around inside to look at the circuitry and wiring. I’ve had the opportunity to refurbish quite a few and have learned a thing or two about them in the process.
When someone asks me to take a look at a Boss pedal that’s not working correctly, the first thing I ask is, “Can you tell me what power supply you’re using?” I find that in many cases they’re simply not using the appropriate juice to give the pedal what it needs to function properly. While most Boss units do run on the same type of power, there are a few exceptions.
Many of the older Boss pedals don’t use the 9V center-negative power supply that we’ve grown accustomed to as a sort of standard. Several power supplies have been manufactured by Boss over the years. They all have different specifications, and trust me … these things matter! I’ve definitely blown up a beloved Boss pedal or two in my lifetime by accidentally plugging the wrong one in. (Don’t worry! I fixed them.) Some of you might know what that feels like. It’s the worst! Even if the pedal doesn’t ultimately get damaged, under- or over-powering it can prohibit the thing from sounding its best.
The ideal way to check what power supply you should use with any pedal is, of course, to read the label on the back. Those who collect older Boss pedals know that often, when you buy the pedal used, the label has already been removed.
When someone asks me to take a look at a Boss pedal that’s not working correctly, the first thing I ask is, "Can you tell me what power supply you’re using?"
Stinkfoot.se has a great list of all the Boss pedals and the corresponding adapter the manufacturer suggests should be used for each one. There’s a handy serial number decoder here. In some cases, a particular model’s circuitry will undergo a power section change or two, so an older version needs a different adapter than a newer incarnation. You can date the pedal via the serial number listed in the battery compartment, or, sometimes, on a sticker located near the base of it. Once you know approximately when the pedal was manufactured, it’s much easier to match it to the suggested power requirements for that unit. Also, there is sometimes a tiny label next to where you plug in the power, which identifies which power supply you need.
Those who prefer to use multi-power-supply units might have a slightly more difficult time getting all the different power needs for these pedals out of one dedicated unit, although new-generation power supplies are highly flexible.
I would say eight times out of 10, a Boss pedal that would normally come in for repair … doesn’t. I’ll recommend the manufacturer’s suggested power supply for that unit to its owner, who then buys it, and—BOOM—it’s back in business.
For more reading on the history of Boss compact pedals, visit roland.com. It explains the progression of how the company evolved pedal designs over the years and implemented changes in the way the stomps are powered, arguably improving the overall sound quality. To read about Boss adaptors and their design, go to bossarea.com. And if you want to go further down the rabbit hole, check out the mojostompboxes.com blog.
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D'Addario's new Bridge Pin Puller and Tour-Grade Peg Winder are designed to make string changes a breeze.
The Bridge Pin Puller is designed to be the fastest, easiest, and safest way to remove bridge pins from an acoustic guitar. Small enough to fit in your pocket, the standalone bridge pin puller is a great way for acoustic players to avoid fumbling with bridge pins during string changes and maintenance. The ergonomic design comfortably fits in hand but won’t place extra pressure on the instrument or bridge during use. Best of all, the clamp design encloses the pin, keeping it secure inside the puller until it’s released.
The Tour-Grade Peg Winder offers next-level performance for luthiers, techs, or anyone who wants to change strings with maximum speed and ease. The multi-tool design brings together a ball bearing, non-damaging socket for smoother winding, molded grips, and a spring-loaded bridge pin puller, delivering an all-in-one option to handle most standard string changes.
From the straight-forward simplicity of the Bridge Pin Puller to the all-around convenienceof the Tour-Grade Peg Winder, D’Addario has your string changes covered.
For more information, please visit daddario.com.
With built-in effects, headphone output, and AUX connectivity, these compact devices are designed to provide ultimate versatility for practice sessions at home or on stage.
Aguilar is introducing the amPlug3 Tone Hammer, a portable headphone amplifier inspired by the iconic Tone Hammer sound. Ideal for practicing anywhere, this compact device packs dual channel Clean and Drive modes for ultimate versatility. To help keep practice sessions inspiring, the unit includes reverb, chorus, and compression as built-in, onboard effects and a built-in rhythm feature to keep any players favorite basslines in time. Lastly, the amPlug3 features AUX connectivity to allow players to play along with tracks, or via a TRRS cable, record straight to a phone or laptop with ease. Whether at home, in the studio, or on the road, the amPlug3 Tone Hammer offers a convenient practice solution without compromising tone.
In addition to the amPlug 3 Tone Hammer, Aguilar has revamped their iconic Tone Hammer Preamp pedal. Built upon the original design that has become an essential tool for bass players seeking tone and flexibility. Incorporating customer feedback and refining key features, the new Tone Hammer Preamp offers enhanced drive functionality featuring an expanded gain range with a separate "drive" control for greater tonal precision, allowing users to refine their overdriven and clean tones independently. New Practice-friendly features include the addition of a headphone output and auxiliary input, allowing the pedal to double as the perfect practice companion at home or on the road. The updated, compact enclosure has a modern aesthetic, complementing the Tone Hammer series of amplifiers.
“We are thrilled to expand the Tone Hammer family with these new products,” said Jordan Cortese of Aguilar Amplification. “The reimagined Preamp/DI pedal and the all-new amPlug3 Tone Hammer provide bassists with even more options to achieve their perfect sound, whether they’re on stage or practicing on the move.”
Street Prices:
- Tone Hammer Preamp Pedal $299.99
- amPlug3 Tone hammer $59.99
Aguilar amPlug 3 Tone Hammer Bass Guitar Headphone Amplifier
amPlug 3 Tone Hammer Mini AmpFralin launches custom Prewired Tele Deluxe ’72 Pickguard featuring Lindy Fralin’s Wide Range Humbuckers.
"Our custom pickguards are not just upgrades; they are transformations. Each pickguard is skillfully built with the legendary Lindy Fralin’s Wide Range Humbuckers, renowned for their rich, full-bodied sound that will take your tone to the next level.
Paired with CTS Pots that provide unmatched reliability and precise control of your sound, every strum and pick will resonate with clarity and depth."
Features
- The ultimate “Build Your Own” Telecaster Deluxe ’72 Pickguard
- USA-Made pickups & electronics for superior quality
- Hand-wired with USA-Made vintage cloth lead for a traditional look
- Fully customizable – from appearance to function
- Hand-assembled, signed, and dated by our pickguard craftsman
- 10-year warranty on materials and craftsmanship
For more information, please visit fralinpickups.com.
With buffered bypass and top-mounted jacks, this compact pedal is perfect for adding punch to your playing.
Carl Martin has introduced the Tone Tweaker, a 12dBboost pedal designed to unleash the full potential of your favorite gear. This subtle yet powerful booster pedal is built with an internal voltage booster that provides extra headroom and makes your beloved tube amp sound even better. It is perfect for cutting through the mix during solos and adding extra punch to your rhythm playing.
Tone Tweaker features an efficient 3-band equalizer, allowing you to fine-tune your sound with dedicated controls for Mid, Treble, and Bass. Whether you want to add warmth to your midrange, more sharpness to your treble, or extra depth to the low end, Tone Tweaker gives you the tools to shape your sound with exceptional effect – subtle yet powerful.
Key Features
- 12dB Boost: Instantly enhance your signal with a clean, transparent boost that preserves the integrity of your original tone.
- Internal Voltage Booster: Increases the amount of voltage sent into the pedal’s circuitry, providing extra headroom and boost.
- 3-Band Equalizer: Customize your sound with precise adjustments using the Mid, Treble, and Bass controls. It's far more powerful than you think.
- Buffered Bypass: Preserves signal strength and tone quality, ensuring your sound remains consistent even when the pedal is not engaged.
- Top-Mounted In/Out Jacks and Compact Design: Designed to take up minimal space on your pedalboard, with top-mounted jacks saving space and providing a cleaner setup.
You can purchase The Tone Tweaker for $149 directly from Carl Martin and, of course, also at leading music retailers worldwide.
For more information, please visit carlmartin.com.