Going from one speaker to two can add depth, dimension, and punch. Here are 10 from across the stylistic spectrum.
Zilla Fatboy 2x12
This oversized closed-back 2x12 aims to emulate the response of a 4x12 with added low-end punch and can be preloaded with a handful of different speaker options.
Starts at $432 street
zillacabs.com
Blackstar St. James 212VOC
This newly designed cab is up to 35 percent lighter than a normal 2x12 set up. It also has a removable rear panel and comes loaded with Celestion Zephyr speakers.
$749 street
Mesa/Boogie Rectifier Compact 2x12
Modern metal-ers will rejoice with this 120-watt closed-back cab that is constructed with marine-grade Baltic birch. The rear-mounted Celestion V30 speakers round out the package along with the twisted jute-dipped grille filters.
$749 street
Avatar 3D Vertical Forte Replica
The standout feature of this cab are the side vents, which give your sound a wider feel. It’s constructed with 13-ply void-less Baltic birch and is available with either customized speaker options or totally bare.
$698 street
Marshall ORI212A Origin
Classic styling meets modern construction in this retro-flavored vertical cab. The Celestion Seventy 80 speakers offer 160 watts of power, and the angled setup is decidedly British.
$549 street
Orange PPC 212
You can’t miss the trademark Orange vibe of this beefy horizontal 2x12 cab. Brit-style tones are right at home with a pair of Celestion Vintage 30 speakers and a closed-back design.
$899 street
Vox V212C
For fans of that unmistakable chime, this Vox cab not only matches the vibe of an AC30 but spreads the sound out a bit with its open back. A pair of Celestion G12M speakers aim to offer clarity and warmth.
$599 street
EVH 5150III 2x12 Extension Cab
Designed to King Eddie’s demanding specs, this straight-front cab is a powerhouse and features old-school tilt-back legs. Inside is a pair of Celestion G12H speakers and a very handy built-in head-mounting mechanism for the EVH 50-watt head.
$599 street
PRS HDRX 2x12
As a tribute to the sound of late-’60s rock guitar, the PRS HDRX line is vintage flavored and full of vibe. This closed-back cab features the decidedly British Celestion G12H-75 Creamback speakers and poplar plywood construction.
$899 street
MojoTone 2x12 West Coast Cab
The wood wizards in the cab shop at MojoTone offer a mind-boggling number of options, right down to the piping and Tolex. This one comes stocked with Celestion G12M-65 Creamback speakers and an oval-ported rear panel.
$774 street
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3. Guitar Tech Screwdriver Set - 3000
4. Nut File Set (for medium guitar strings) - 0882
8. String Spacing Ruler - 0673
9. Nut and Saddle Files - 4556
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There’s nothing subtle about Billy Idol, so it tracks that there’d be nothing subtle about the guitars used onstage by his longtime guitarist, Steve Stevens. Famous for his guitar work with Idol and the Grammy-winning symphony of sustain “Top Gun Anthem,” Stevens brought a brigade of eye-popping signature electrics and some choice other jewels out on the road with Idol this spring.
The tour touched down at Bridgestone Arena in downtown Nashville in May, and while Stevens was jetting into town, PG’s John Bohlinger met up with tech and guitar builder Frank Falbo to learn the ins and outs of Stevens’ rig.
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Cherry Pie
This cherryburst is one of a score of single-cut Knaggs Steve Stevens signature models in Stevens’ arsenal. He plays with heavier Tortex picks and uses Ernie Ball strings, usually .010–.048s.
More, More, More (Sustain)
This Knaggs Steve Stevens Severn XF, complete with a Sustainiac pickup system, was designed to mimic the look of one of his old guitars, and the stage lights make this finish go insane. It comes out for three to four songs in any given set, including “Rebel Yell.”
Songs from the Sparkle Lounge
This Knaggs Steve Stevens, finished in silver sparkle, is outfitted with a killswitch, push-pull control knobs, and Fishman Fluence pickups. Falbo was on the R&D team that helped design the Fluences.
Other guitars backstage include a red sparkle Knaggs with PAFs, a Godin LGXT with piezo saddles and Seymour Duncan pickups that sends three signals (synth, electric, and piezo), a pair of piezo- and MIDI-equipped Godin nylon-string guitars, a dazzling Gibson Les Paul with stock Gibson pickups, a Suhr T-style electric, and a Ciari Ascender for travel and dressing-room rehearsal.
Tube Heart, Digital Brains
Stevens runs through a pair of Friedman heads—a B100 and Steve Stevens SS100, plus a third backup—with each panned hard to either the left or right. Both signals run through a Neve 8803 rack EQ into two RedSeven Amplification Amp Central Evo loadboxes, and through their impulse response programs to front of house. A Neural Quad Cortex is on hand as a backup and for fly dates.
Steve Stevens’ Pedalboard
Stevens’ pedal playground is masterminded by an RJM Mastermind GT, which lives on its own board alongside a Fractal FM3 MK II. He orchestrates most of the changes himself, but Falbo is ready to flip switches backstage in case Stevens is away from his board for a key moment.
The centre hub, built on a Tone Merchants board, carries a TC Electronic PolyTune2 Noir, Xotic Effects Super Sweet Booster, Vox wah, Ernie Ball volume pedal, Mission Engineering expression pedal, DigiTech Whammy Ricochet, Suhr Discovery, JHS Muffuletta, DigiTech Drop, ISP DECI-MATE, Walrus Voyager, Suhr Koji Comp, Zvex Super Ringtone, DryBell Vibe Machine, and Ammoon EX EQ7. An Ebtech Hum Eliminator, two Strymon Ojais, and a Strymon Zuma keep the wheels greased.
The board to the right carries a Boss RV-500, Fender Smolder Acoustic OD, Lehle Dual Expression, Boss GM-800, Empress Bass Compressor, Grace Design ALiX preamp, Fishman Aura, and a Peterson tuner. Utility boxes include an Ernie Ball Volt and a Radial J48.
