Just like farm-to-table, your guitar, voice, and whatever else you’re cooking up needs a reliable delivery source.
If you're putting your first home recording rig together, or have been at it for years, you simply can't undervalue the importance of a good microphone or two—or five. There are hundreds of great options, so where to start? Here, to assist you on your search, we've rounded up a small gathering of solid ribbons, dynamics, and condensers.
Bluebird SL
This mic's onboard switchable 100 Hz high-pass filter and -20 dB pad opens the flexibility to track a wide variety of sound sources, from detailed vocals to full-frequency guitar recordings.
SM57
Long considered a studio and stage staple, this versatile and affordable dynamic mic is uniquely designed to handle the high-pressure sound that explodes from amps and cabs.
MD 421-II
Continuing in the tradition of the company’s popular MD 421, this dynamic mic’s full-bodied cardioid pattern and 5-position bass control makes it a solid choice for many instruments.
ATM650
This neodymium-magnet-equipped dynamic mic features a multi-stage, flat-grille design for precise, close-in positioning, and has a frequency response tailored for the clear sound reproduction of guitar cabs.
NTI
Whether recording vocals, acoustic instruments, or amp rigs, this 1"-diaphragm condenser features a handmade capsule designed for the smooth sound players expect from a vintage, solid-state mic.
C414 XLII
This condenser mic doesn’t come cheap, but it provides nine polar patterns to choose the ideal setting for multiple applications/environments, and boasts an impressive dynamic range of 152 dB.
R-10
This passive ribbon mic is said to offer a balanced sound field with a flat frequency response and a maximum SPL of 160 dB at 1 kHz, so players can close-mic loud sources without fear of overload.
X1 R
The tough construction of this mic was designed to handle any SPL, and its hybrid old and new ribbon technology provides all the organic qualities of ribbon sound, but with more versatility.
M 160
This double-ribbon mic that’s been used on countless rock classics in many applications features a hypercardioid pickup pattern, and is known for its transparency, transient response, and warmth.
CR-14
The dual, low-mass ribbon element of this mic is reported to possess a better sensitivity rating than most single-ribbon designs, leading to fast and accurate transient response and a 148 dB SPL capability.
[Updated 7/26/21]
- The Recording Guitarist: Two Mics Are (Sometimes) Better than One ... ›
- Studio Legends: Alan Parsons on "Dark Side of the Moon" - Premier ... ›
- Eliminate Mic-Placement Guesswork with the "Shavering ... ›
- Fontaines D.C. Conor Curley & Carlos O'Connell Talk Guitar - Premier Guitar ›
- Fontaines D.C. Conor Curley & Carlos O'Connell Talk Guitar - Premier Guitar ›
- Fontaines D.C. Rig Rundown ›
Swirl deeper in an excellent rotary speaker simulation’s complex, intoxicating charms.
Wide-ranging controls enable a wide spectrum of subtle-to-powerful modulation textures. Intuitive.
Jewel bypass/rate LED can be blinding.
$299
Keeley Rotary
robertkeeley.com
Certain facets of a rotary speaker’s mystery and magic can be approximated via phasers, vibratos, choruses, or flangers. But replicating anything more than a small percentage of a rotary speaker’s sonic complexity in a stompbox takes a keen-eared designer, a fair bit of R&D, and a digital engine that can crunch a few numbers. As a consequence, really good rotary simulations are typically pretty expensive. And because a lot of players view them as one-trick ponies, they are relatively few in number.
Keeley’s Rotary, as the name suggests, specializes in emulating the ineffable, Doppler-y, delicious tones of a Leslie. But it is hardly limited. In addition to super-thick, syrupy, and head-spinning sounds, the rangeful blend control enables many subtle, subdued, and just-barely-there modulation washes—the kind that add critical, transformative, animating energy to spare arrangements. The drive control is a tasty thickening agent that adds color, equalization nuance, and significant push at more pronounced modulation levels. Keeley also added a 3-position mid boost—presumably to help overcome perceived volume loss inherent to modulation effects, but also to add pep in moments where phase cancellation seems to swipe energy. In concert with the drive, it can be used as a dedicated tone control—helping match the pedal to different pickups, amps, and musical moods. Secondary controls for chasing extra-slow speeds and customizing ramp rates also make it easy to tailor the Rotary for very specific placement in a mix or an arrangement. But the real value in the Rotary for many will be the wobbly prettiness of the many modulations here—particularly in stereo—and the musical provocation they so readily supply.
Bergantino revolutionizes the bass amp scene with the groundbreaking HP Ultra 2000 watts bass amplifier, unlocking unprecedented creative possibilities for artists to redefine the boundaries of sound.
Bergantino Audio Systems, renowned for its innovative and high-performance bass amplification, is proud to announce the release of the HP Ultra 2000W Bass Amplifier. Designed for the professional bassist seeking unparalleled power and tonal flexibility, the HP Ultra combines cutting-edge technology with the signature sound quality that Bergantino is known for.
Operating at 1000W with an 8-ohm load and 2000W with a 4-ohm load, the HPUltra offers exceptional headroom and output, ensuring a commanding presence on stage and in the studio. This powerhouse amplifier is engineered to deliver crystal-clear sound and deep, punchy bass with ease, making it the perfect choice for demanding performances across any genre.
The HP Ultra incorporates the same EQ and feature set as the acclaimedBergantino Forté HP series, offering advanced tonal control and versatility. It includes a highly responsive 4-band EQ, Bergantino’s signature Variable RatioCompressor, Lo-Pass, and Hi-Pass Filters, and a re-imagined firmware that’s optimally tuned for the HP Ultra’s power module. The intuitive user interface allows for quick adjustments and seamless integration with any rig, making it an ideal solution for both seasoned professionals and rising stars.
As compared to previous forte HP iterations (HP, HP2, HP2X), Ultra is truly its own amp. Its behavior, feel, and tonal capabilities will be well noted for bass players seeking the ultimate playing experience. If you’ve been wishing for that extreme lead sled-type heft/force and punch, along with a choice of modern or vintage voicings, on-board parallel compressor, overdrive; high pass and lowpass filters, and more—all in a 6.9 lb., 2ru (8” depth) package...the BergantinoHP Ultra is worth checking out.
Building on the forte’ HP2X’s leading edge platform (including a harmonic enriching output transformer (X) and 3.5db of additional dynamic headroom (2),the HP Ultra’s power focus is not about playing louder...it’s about the ability to play fuller and richer at similar or lower volumes. Many players will be able to achieve a very pleasing bass fill, with less volume, allowing the guitars and vocals to shine thru better in a dense mix. This in turn could easily contribute to a lower stage volume...win-win!
Key Features of the Bergantino HP Ultra 2000W Bass Amplifier:
- Power Output: 1000W @ 8ohms / 2000W @ 4ohms, 1200W RMS @2-Ohms (or 1700W RMS @2.67-Ohms-firmware optimizable via USB
- Dual Voicing Circuits: offer a choice between vintage warmth and modern clarity.
- Custom Cinemag Transformer: elevates harmonic enrichment to new heights
- Variable Low-Pass (VLPF) and Variable High-Pass (VHPF) filters, critical for precise tone shaping and taming of the most challenging gigging environments.
- 4-Band Tone Controls: Bass: +/-10db @40hz, Lo-Mid:+/-10db @250hz,Hi-Mid: +/-10db @ 1khz, Treble: +/-10db @ 3.5khz
- Punch Switch: +4db @110hz
- Bright Switch: +7db @7kHz or +6db @2khz – user selectable● Built-in parallel compression - VRC
- 3.5dB of additional dynamic headroom
- New Drive Circuit featuring our proprietary B.S.D (Bergantino SmartDrive) technology
- Auxiliary Input and Headphone Jack: for personal monitor and practice
- Rack Mountable with optional rack ears
- Effects send and return loop
- Studio quality Direct Output: software selectable Pre or Post EQ
- UPS – Universal power supply 115VAC – 240VAC 50/60Hz
- Weight: 6.9 pounds
- Dimensions: 13.25”W x 8.375”D x 3.75”H
- Street Price: $1895.00
For more information, please visit bergantino.com
The NEW Bergantino Forté HP ULTRA!!! - YouTube
Featuring a 25.5" scale length, mahogany body, gold hardware, and 490R/498T pickups. Stand out with the unique design and comfortable playing experience of the Gibson RD Custom.
Initially released in 1977, the Gibson RD model has been a cult classic for years. It is famous for its unique appearance, which takes inspiration from both the Gibson Explorer and Firebird designs, as well as its functionality and use by several popular guitarists across multiple genres.
Now, the iconic RD Custom joins the Gibson Custom core lineup for the first time. Not only is this the first Custom Shop-built RD model, but it is also the first 25.5” scale length solidbody core model offered by Gibson Custom. Complete with the classic and comfortable RD body shape, including a rear tummy cut for extra comfort, this model also features a mahogany body with multi-ply top binding, Gibson Custom aesthetics, including gold hardware and mother-of-pearl block inlays on the neck, and a mother-of-pearl Custom split diamond headstock inlay. The RD Custom also has a 25.5” scale mahogany neck with a Medium C profile and long neck tenon, a bound ebony fretboard with 22 medium jumbo frets, and a bound headstock with Grover Rotomatic tuners. The updated electronics include 490R and 498T pickups, CTS potentiometers, and a hand-wired harness.
The Gibson RD Custom is designed to help players stand out from the crowd with its longer scale length, curvaceously elegant body, and classic design. Now is your opportunity to experience the unique and comfortable playing experience of the cult-favorite Gibson RD Custom for yourself. A Custom Shop hardshell case is also included.
For more information, please visit gibson.com.
Gibson partners with Warren Haynes to release the Warren Haynes Les Paul Standard, featuring P-90 DC pickups and a 15 dB boost for modern functionality in a traditional 50s-era Les Paul design.
Grammy Award-winning artist Warren Haynes is a cornerstone of the American music landscape, lauded as one of the most formidable and prolific guitarists, vocalists, songwriters, and producers of the modern era. Gibson is proud to announce its partnership with Warren Haynes for the release of his first signature guitar, the Gibson Warren Haynes Les Paul Standard. The Warren Haynes Les Paul Standard from Gibson is available worldwide now at the Gibson Garage Nashville and London, at authorized Gibson dealers, and on Gibson.com.
“I’ve always been a Gibson guy—I got hooked on that sound as a teenager and have been playing them ever since,” says Warren Haynes. “Needless to say, I’m honored to be partnering with Gibson to release my Signature Les Paul Standard. Being traditionally a humbucker guy, I’m really loving the hum-free P-90s. It’s a really cool tonal change, and the boost offers even more tonal options. I’m really enjoying playing this guitar on stage and looking forward to using it in the studio. I’m equally psyched that other guitar players will now have the opportunity to own and play one as well.”
Warren Haynes effortlessly cross-pollinates genres and unfurls solos that broil with passion in his distinctive, signature playing style. Renowned and highly regarded for his work in rock, blues, and Americana music through his work with the Allman Brothers Band, as a founding member of Gov’t Mule, the leader of The Warren Haynes Band, a solo artist, and as a session guitarist and sideman for numerous famous friends and groups. As one of music’s most treasured storytellers, Haynes and his artistry have led to thousands of memorable performances and millions of album and track sales. A master of multiple styles and genres, Warren has also shared his expertise with other players via multiple instructional videos. A self-described “Gibson man,” Warren has used several Gibson models throughout the years, including his cherished ’61 ES-335™, among others.
The new Warren Haynes Les Paul Standard is another standout, with features tailored specifically to Warren’s preferences, including a mahogany body with a plain maple cap, a 60s Cherry finish, a mahogany neck with a chunky 50s vintage profile like all of Warren’s favorite Les Pauls, a rosewood fretboard with acrylic trapezoid inlays and 22 medium jumbo frets, a pair of P-90 DC pickups that deliver hum-free performance with all the sonic nuances of traditional P-90 DC pickups, and a 15 dB boost that can be activated via a mini toggle switch. The quick-access battery compartment is mounted into the control cover on the rear, and the guitar will still function, even if the battery dies, by simply flipping the mini toggle switch to the off position.
Bearing the traditional looks and feel of a 50s-era Les Paul coupled with modern features like hum-free P-90 DC pickups and an onboard boost, the Warren Haynes Les Paul Standard bridges modern and traditional and is a great choice for players who, like Warren, want both a traditional appearance and modern functionality in one outstanding guitar.
Last fall, Warren Haynes released his fourth solo album, Million Voices Whisper, via Fantasy Records. Haynes sounds as energetic and focused as ever on the self-produced album, powering through an 11-song set of soulful blues-rock, his first solo collection in nearly a decade. Accompanying Warren on the collection are members of his current all-star band, including John Medeski on keyboards, longtime drummer Terence Higgins (of the Dirty Dozen Brass Band), and Gov’t Mule bassist Kevin Scott. Million Voices Whisper also features guest appearances from his Allman Brothers Band compatriot Derek Trucks, whose unmistakable guitar sound toughs up three tracks on the album that were co-produced with Haynes, and his Last Waltz tour co-stars Lukas Nelson and Jamey Johnson, who are featured on the forceful “Day Of Reckoning.” Joining Haynes in the studio for the first time since the final sunset of the ABB, one of the featured tracks with Trucks on guitar is “Real Real Love,” a song initially co-written with Gregg Allman that Warren finished in Allman’s style and methods as if Gregg were singing it to honor his friend.
Buzzing through the chart-topping album is the question of how to make things better—in love, in life, in the world—led by Haynes’s soaring vocals and the poignancy of his six-string mastery. Million Voices Whisper opens with “These Changes,” a co-write with Trucks, leading into “Go Down Swinging,” co-written with Johnson, which features a horn section and a Van Morrison vibe. Then, there’s the soulful power ballad “Till The Sun Comes Shining Through,” driven by Warren’s impassioned vocals and slide guitar skills. The expressive pipes of touring backup singer Saundra Williams are also heard on multiple tracks, including the lead single “This Life As We Know It,” which reached Top 15 on the Americana singles chart and Top 40 at Triple A radio. Among the four bonus tracks on the deluxe CD version is a new version of the Trucks-Haynes composition “Back Where I Started” featuring Warren on lead vocals and slide guitar and the power trio of Haynes, Nelson, and Johnson covering the CSNY classic “Find The Cost Of Freedom” into an extended version of “Day Of Reckoning.” Million Voices Whisper combines the eloquent musicianship of a triple-threat blues-rocker with the glowing spirit of a vital creative artist at the peak of his powers.
For more information, please visit gibson.com.