
Technology has not been our friend this week—and, yes, our Instagram was hacked. But fear not, our IG will soon be back to its former glory.
Apparently, everyone who likes animated family-friendly flicks thought last year’s The Mitchells Vs. the Machines was the shit. Critics such as The New York Times’ Ty Burr raved, “The movie is zippy, inventive, and appreciably silly—it tosses believability aside and asks us to just hop in and hold on … [it has a] breakneck gift for comic timing and a willingness to throw anything at the screen if it’ll get a laugh.” Sure, Mitchells had some cool animation, but I personally loathed it.
Almost as much as I’ve loathed this past week. We’ve been on deadline for our April issue, so it would’ve already been stressful under normal circumstances, but the way the last few days have been going, it seems our own machines have also “tossed believability aside” and seemingly thrown anything and everything at the collective Premier Guitar screen. It’s definitely gotten some laughs at our expense, too.
Bear with us—we’re close to a solution with Instagram’s support team … we’ll be back in the saddle with the usual smorgasbord of kick-ass guitar content before you know it.
I won’t bore you too much with the gory details—including cloud servers being a huge pain in the ass, videoconferencing software glitching and losing recorded footage in back-to-back interviews, or, “best” of all, having our Instagram hacked by some asshole from halfway around the world.
If IG is your means of following what PG does, you’ve no doubt noticed we haven’t posted any cool guitar stuff for the last few days, and that our account’s bio pic was cheekily changed to an image of the character Tokyo from the Spanish TV series Money Heist. The hacker didn’t change existing posts or add anything new. But they did try to bait us into buying back our content via WhatsApp. Fuck that guy.
So bear with us—we’re close to a solution with Instagram’s support team. Meanwhile, the wannabe TMZ-ers of guitardom will continue to “make hay while the sun shines,” but soon this asshole will be kicked off our page (and hopefully have his IP address blocked), and we’ll be back in the saddle with the usual smorgasbord of kick-ass guitar content before you know it.
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Legendary shredder Joe Satriani was the first ever guest on Wong Notes, so it makes sense that he’s the first returning sit-in with Cory Wong.
He teases a new song with Sammy Hagar, plus delves into the intricacies of Eddie Van Halen’s playing and why he can’t quite replicate it—every guitarist has their strengths and deficiencies, claims Satch. And believe it or not, Satriani didn’t figure standing in front of huge crowds to be one of his strengths when he was younger. Fate figured otherwise.
Satriani goes deep on one of his favorite tools, the Sustainiac pickup, and talks about how it’s defined his playing—just like his trademark sunglasses, even in dark rooms. (“Stupid idea, right?” he jokes.)
And young guitarists, listen up: Satriani has some wise words on the importance of rigorous practice while you’re budding on the instrument. The big takeaway? Learn. Your. Scales.
The New ToneWoodAmp2 is smaller, lighter, rechargeable, and offers foureffects simultaneously, along with a mobile app and much more.
ToneWoodAmp has released the second generation of its popular accessory that brings a wide array of special effects to acoustic guitars without needing to plug into an external amplifier.
The ToneWoodAmp2 has been redesigned with portability, ease of use, and enhanced performance in mind, featuring a lighter and more compact design while adding more features and capabilities. The new ToneWoodAmp2 has a powerful DSP, a rechargeable battery that lasts for more than 10 hours, and it provides more creative tools as well as the ability to play with up to four simultaneous effects. A new smartphone app allows users to operate the device from either their phone or the device itself.
Reverb Basics | ToneWoodAmp2 Effects Guide
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.The upgraded product is also a fully professional preamp. In addition to the built-in effects, it includes a powerful EQ, compressor, “Feedback Assassin” tools, and more. “While the firstToneWoodAmp provided a breakthrough technology in how acoustic guitar players experience their guitar playing mostly off-stage, the new ToneWoodAmp2 doubles as an on-stage professional pre-amp device with many new capabilities, a perfect tool for performing musicians who need a professional set of tools in a very small footprint package,” says Ofer Webman, CEO of ToneWoodAmp and its inventor.Like the original ToneWoodAmp, the ToneWoodAmp2 attaches to any acoustic guitar via an innovative magnetic X-brace. A new and unique guitar attachment system, called the LiftKit, allows the second-generation device to attach to any acoustic guitar, even a guitar with a curved back.
TonewoodAmp2 features expanded capabilities by its new smartphone app: With its built-inBluetooth®, guitarists can now connect the ToneWoodAmp2 to a free smartphone app for extended control, intuitive adjustments, preset management, and on-the-fly tweaks. The new app is compatible with all modern iOS and Android devices.“The new device is a massive improvement from the original ToneWoodAmp,” says MikeDawes, the U.K.-based guitar player who has twice been named the Best Acoustic Guitarist in the World Right Now by MusicRadar and Total Guitar's end-of-year poll. “This thing is not only reverb or delay or chorus on your guitar it’s everything and more at once. The reason why this is so good is that it’s reducing every barrier that I would have to creativity.”The new ToneWoodAmp2 is available for $300.
For more information, visit www.tonewoodamp.com.
The country artist and session weapon packed a range of acoustics for some recent studio time.
Charlie Worsham was just wrapping up some tracking down at Sony Studios in Nashville when PG’s John Bohlinger caught up with him for a look at what tools he packs for a recording gig. Worsham had with him some of his most treasured acoustics, electrics, mandolins, banjos, and more, plus a collection of primo picks for all applications. Check out the highlights below.
Brought to you by D’Addario.
Guitar So Nice, He Bought It Twice
This 1963 Martin D-28, gifted to him from his parents, was Worsham’s first serious vintage guitar. Around 12 years ago, he took it into a shop for a refret, and after a freak in-store accident left it in pieces, Worsham accepted a check for the guitar’s value, and walked away.
A while later, he noticed it hanging on the wall of the same store—reassembled and fit for service again. Worsham couldn’t help himself; he bought it back, making it “the guitar so nice, [he] acquired it twice.”
He runs it with D’Addario XS strings and likes bluegrass gauges: mediums for the E, A, and D strings, and lights for the G, B, and high E strings. It’s kitted out with an LR Baggs HiFi pickup. And the scratches around the soundhole and pickguard? Those came courtesy of John Osborne’s heavy picking hand.
Check, Please
Worsham reckons he’s probably played this treasured Gibson J-50 on more records than any other guitar he owns. After he took the check from the busted Martin D-28, he used it to buy this one.
Family Jewel
This Parker mando used to belong to John Osborne, Worsham’s former bandmate. Worsham was always borrowing this mandolin, so when Osborne decided to sell it, Worsham picked it up to keep it in the family.
Burkett from ’Bama
This mini Burkett was built by luthier James Burkett in Alabama. Its nut is equivalent to a capo on the third fret of a regular acoustic.
Tune in to the full video to see Worsham’s Ohm open-back banjo, P-90-equipped Gibson mandolin, an Osborne-owned Strat, and a super-special wedding-gift ES-335 from Vince Gill.
Tweed Fit for a Prince(ton)
Worsham took Tom Bukovac’s wisdom and got himself a Fender Princeton Reverb, which he still loves, and he runs it alongside a Nashville Amp Works clone of a golden-era tweed Fender Deluxe.
Charlie Worsham’s Pedalboard
At his feet, Worsham runs a pedalboard with a Sonic Research ST-300 tuner, Browne Amplification Protein, Mythos Mjolnir, Guyatone ST2, Electro-Harmonix Canyon, Neunaber Immerse, Strymon El Capistan, and Chase Bliss Warped Vinyl HiFi.
PG contributor Tom Butwin demos seven direct boxes — active and passive — showing off sound samples, features, and real-world advice. Options from Radial, Telefunken, Hosa, Grace Design, and Palmer offer solutions for any input, setting, and budget.
Grace Design m303 Active Truly Isolated Direct Box
The Grace Design m303 is an active, fully isolated DI box, delivering gorgeous audio performance for the stage and studio. Our advanced power supply design provides unbeatable headroom and dynamic range, while the premium Lundahl transformer delivers amazing low-end clarity and high frequency detail. True elegance, built to last.
Rupert Neve Designs RNDI-M Active Transformer Direct Interface
Compact design, giant tone. The RNDI-M brings the stunning tone & clarity of its award-winning counterparts to an even more compact and pedalboard-friendly format, with the exact same custom Rupert Neve Designs transformers and discrete FET input stage as the best-selling RNDI, RNDI-S and RNDI-8.
Telefunken TDA-1 1-channel Active Instrument Direct Box
The TDA-1 phantom powered direct box uses high-quality components and classic circuitry for rich, natural sound. With discrete Class-A FET, a European-made transformer, and a rugged metal enclosure, it delivers low distortion and a broad frequency response. Assembled and tested in Connecticut, USA, for reliable performance and superior sound.
Hosa SideKick Active Direct Box
The Hosa SideKick DIB-445 Active DI delivers clear, strong signals for live and studio use. Ideal for guitars, basses, and keyboards, it minimizes interference over long runs. Features include a pad switch, ground lift, and polarity flip. With a flat frequency response and low noise, it ensures pristine audio.
Radial JDI Jensen-equipped 1-channel Passive Instrument Direct Box
The Radial JDI preserves your instrument’s natural tone with absolute clarity and zero distortion. Its Jensen transformer delivers warm, vintage sound, while its passive design eliminates hum and buzz. With a ruler-flat response (10Hz–40kHz) and no phase shift, the JDI ensures pristine sound in any setup.
Radial J48 1-channel Active 48v Direct Box
The Radial J48 delivers exceptional clarity and dynamic range, making it the go-to active DI for professionals. Its 48V phantom-powered design ensures clean, powerful signal handling without distortion. With high headroom, low noise, and innovative power optimization, the J48 captures your instrument’s true tone—perfect for studio and stage.
Palmer River Series - Ilm
The Palmer ilm, an upgraded version of the legendary Palmer The Junction, delivers studio-quality, consistent guitar tones anywhere. This passive DI box features three analog speaker simulations, ensuring authentic sound reproduction. Its advanced filter switching mimics real guitar speaker behavior, making it perfect for stage, home, or studio recording sessions.