A new version (with a half-power switch and some notable configuration options) is now available.

Stevensville, MD (August 20, 2014) -- The Archon amplifier was introduced by PRS Guitars in 2013 and has enjoyed a great reception from artists, dealers, and players alike. The 100-watt, high-gain amp head offered musicians a new tool that could achieve lush, bone-crushing gain while providing an exceptional clean channel not normally found on amps with so much crunch. A new 50-watt version (with a half-power switch and some notable configuration options) is now available and opens up the Archon’s articulate, modern platform to players of all genres.

Keeping the original Archon’s lush gain and remarkable clean channel, the Archon 50/25 continues the Archon’s promise of delivering full, lush gain while offering a clean channel that players of all genres will appreciate. With 50 watts, switchable to 25 via the amp’s back panel, the Archon 50 breaks up at a lower volume, resulting in a more classically driven tone than its predecessor. The added option of 6L6 or EL34 power tubes allows players to further personalize the tone and feel of the Archon 50/25. 6L6 tubes offer plenty of versatility and warmer, more balanced tone across the full range of frequencies. They will also push with less saturation for a bit of a sweeter, smoother tone. EL34 tubes offer focused, tight, punchy gain. They run a little hotter, distort earlier, and deliver a wider range of overdriven, crunch tones that are great for rock distortion.

Jon Croft, PRS Guitars Acoustic and Amplifier Manager offers the following about the new Archon 50 watt, “The Archon 50 is a high gain heavyweight and breathes fire like the Archon 100 watt. You can push the 50’s power amp to get some power amp clip for that classic feel and we’re really excited about how the lower wattage translates on the “clean” side. This is where the power amp clip shines. Crank it up and it brings to mind the classic rock tones of yesteryear. Switch it down to half power mode to 25 watts and enjoy all that tube goodness.”

On configurations, Croft offers: “We’ve added a 1X12 combo with a Celestion G12-75T speaker, for players looking for portability and who don’t need to push so much air. With the combo you’ve got a killer amp that you can use at home, in the rehearsal room or the clubs. If you need to move more air, you can run an extension cab off of the combo and it will give you all the bottom end that you need. Overall, the Archon 50 is just a fun amp to play. It’s versatile, sounds great and is inspiring to play.”

Now offered as a head or a 1x12 combo, the Archon 50/25 can back players from metal to rock to country to blues.

Watch the company's video demo:

For more information:

Rig Rundown: Adam Shoenfeld

Whether in the studio or on his solo gigs, the Nashville session-guitar star holds a lotta cards, with guitars and amps for everything he’s dealt.

Adam Shoenfeld has helped shape the tone of modern country guitar. How? Well, the Nashville-based session star, producer, and frontman has played on hundreds of albums and 45 No. 1 country hits, starting with Jason Aldean’s “Hicktown,” since 2005. Plus, he’s found time for several bands of his own as well as the first studio album under his own name, All the Birds Sing, which drops January 28.

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Diatonic sequences are powerful tools. Here’s how to use them wisely.



• Understand how to map out the neck in seven positions.
• Learn to combine legato and picking to create long phrases.
• Develop a smooth attack—even at high speeds.

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Knowing how to function in different keys is crucial to improvising in any context. One path to fretboard mastery is learning how to move through positions across the neck. Even something as simple as a three-note-per-string major scale can offer loads of options when it’s time to step up and rip. I’m going to outline seven technical sequences, each one focusing on a position of a diatonic major scale. This should provide a fun workout for the fingers and hopefully inspire a few licks of your own.
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