How the Bend, Oregon, builders create slimmed-down instruments that have full-bodied sound—blending modern acoustic science with traditional craftsmanship.
While thinline acoustic guitars have been on the scene for some time, they’ve typically required a compromise between ergonomic comfort and a full-depth instrument’s warm, rich sound. Eliminating this compromise was core to the vision behind Breedlove’s new thinline guitar body shape. Our goal was to create an acoustic guitar body nearly an entire inch shallower, while retaining the full-depth tone and response guitarists expect from a Breedlove.
The story behind this modern guitar advancement combines our passion for art and acoustic innovation. It was an exercise in thoughtfully melding the application of our proprietary Sound Optimization technology with astute craftsmanship and, like any worthwhile pursuit, a lot of time, trial, and error.
Let’s dive into the technology-driven R&D process and explain the tonal benefits of our Sound Optimization process. We also encourage you to pick up one of these Breedlove Thinlines yourself to hear how the thin, ultra-light body responds to the room, coming alive in your hands. Tuck it close and give it a strum.
But first, let’s start with the advantage a thinline body offers: comfort. Thinline guitars have a shallower depth than standard body shapes. You can tuck them in close to your own body and feel more engaged with the strings. The lack of bulk and heft are also fantastic for smaller players fatigued by larger-bodied acoustics. Ultimately, you feel more connected when playing a thinline.
Breedlove craftsman Ian Cook explains, “Bringing a thinline guitar in tight is an intimate feeling that connects you with the instrument. When you can combine that with playing comfort and inspiring full-depth-like tone, you’re experiencing something special.”
MEET YOUR MAKERS: Breedlove Guitar's Ian Cook
Breedlove builder Ian Cook explains the company’s Sound Optimization process—a mix of scientific assessment and hands-on craftsmanship.
In the Beginning
Here’s how we made a guitar body thinner and maintained the desired sound. We knew we wanted to use our Concert body shape as the platform for this new design. We had already engineered it for optimal ergonomics and tonal balance. We just had to figure out how to slim it down while keeping everything, sonically, that makes it a Breedlove favorite.
First, we tested quite a few body depths to find the perfect starting point. We also had to achieve the ideal taper from the sound box’s heel block to the tail block on the lower bout. This was much more complicated than slicing inches off the body. Then came the really hard part.
Crafting the Tone
So much of an acoustic guitar’s tone comes from its size. The bigger the body, the more air that can move inside the soundbox, producing the big, billowing low end we all love. In the past, if you thinned a guitar down, you lost that tone.
Though nearly an inch thinner than our standard Concert, the Breedlove Thinline body achieves its full-size tone via specialized bracing that we fine-tuned through our Sound Optimization process. If this is the first time you’ve heard of Breedlove Sound Optimization, click this link to learn more about it. Then, watch the video below to see the process for yourself.
Breedlove Sound Optimization
See how much of Breedlove’s Sound Optimization process is based on embracing the nature of wood. Not every potential top or back makes the grade.
We built countless prototypes, fine-tuning each one until our designers and builders cracked the code, creating an acoustic guitar with the ergonomics and intimacy of a thinline body and the voice of a full-depth instrument—all of the benefits, none of the compromises.
Sounds too good to be true? Breedlove Wood Management and Product Development Manager Angela Christensen thought so, too. “The results even surprised us,” she says. “If you couldn’t see the guitar that was being played, you would never guess it had such a thin profile!”
These new guitars come in three distinctly different models, now playable at your local Breedlove dealer’s shop. Here’s a look at each one.
Premier Concert Thinline Edgeburst CE
The first Thinline in our Made in Bend Premier Series is the Premier Concert Thinline Edgeburst CE. This slimmed-down acoustic brings together solid redwood and rosewood without losing any of those woods’ articulation or bell-like projection. It also retains the Concert’s signature low-end warmth. Through Sound Optimization, we fine-tune each piece of these tonewoods for optimal frequency response, creating a guitar that sounds as captivating as it is comfortable to play.
Breedlove Premier Concert Thinline Edgeburst CE Acoustic Guitar
This articulate redwood and rosewood instrument is hand-voiced and entirely handmade in our Custom Shop, to achieve ultimate comfort and tone.
Oregon Series Concert Thinline Stormy Night
Also handcrafted in Bend, the Breedlove Oregon Concert CE in our Stormy Night finish showcases myrtlewood’s unparalleled beauty. The tonewood and Thinline Concert body shape deliver a balanced, detailed voice with a rich resonance equally suited for strumming and nuanced fingerstyle, even when plugged in via its onboard L.R. Baggs electronics.
OREGON CONCERT THINLINE STORMY NIGHT MYRTLEWOOD ACOUSTIC GUITAR
Crafted with full sustainable Oregon myrtlewood, this instrument has a finish inspired by a desert storm over an Arizona night sky—as visually striking as it is inspiring to play.
Performer Pro Performer Thinline
The Organic Pro Performer Thinline is our production thinline acoustic guitar. Although it was initially designed to accommodate players preferring a smaller instrument, we quickly realized that no one in the shop wanted to put the guitar down. It’s just so comfortable! With a solid European spruce top and solid Indian rosewood or African mahogany back and sides, this no-compromise guitar gives an intimate and ergonomic feel to a classic look and sound.
Add in Fishman Flex Plus-T electronics, and you have a pro-level, stage-ready acoustic-electric guitar you’ll want to play for hours on end. For more information on all of Breedlove’s handcrafted acoustic guitars, visit breedlovemusic.com.
Revv Amplification's limited-edition G-Series V2 pedals offer three fresh flavors of boutique Canadian tone, with V2 circuit revisions.
Celebrating 10 years of Revv & 5 years since the release of the G2, Revv is debuting V2 circuit revisions of the G2, G3, & G4, implementing new designs for more tone in 3 little pedals, in a limited edition colorway.
The Revv Amplification 5th Anniversary G-Series V2 Lineup features:
- 3 Fresh Flavors of Boutique Canadian Tone - G-Series pedals are sonic recreations of 3 of Revv’s boutique amp channels used by Nashville session stars & metal touring artists alike.
- The Standard, Redefined - V2 circuit revisions are based on the Generator 120 MK3 Rev. B & incorporate new design elements for the most tube-like response & tone ever.
- Limited Edition - Exclusive new colorway featuring a black enclosure w/ custom graphics, embossed Revv badge, & color-coded knobs.
- Find Your Sound - The G2 is a powerful & versatile overdrive capable of everything from touch-sensitive boost to organic vintage stack tones, taken from Revv’s Green Channel.
- High Gain Clarity - The G3 utilizes Revv’s legendary Purple Channel, a tight & responsive high gain tone perfect for drop tuning & cutting through any mix.
- Fat Solo Tones - The G4 is based on Revv’s thick & saturated Red Channel, the ideal sound for chewy crunch, modern rock wall of sound, & liquid sustaining solos.
- Made in Canada - 100% analog circuit w/ top jacks, true bypass, & 2 year warranty.
Revv’s G-Series pedals have a street price of $229 & can be ordered immediately through many fine dealers worldwide.
For more information, please visit revvamplification.com.
Revv G3 Purple Channel Preamp/Overdrive/Distortion Pedal - Anniversary Edition
G3 Purple Ch Preamp/Hi-Gain Pedal - AnniversaryGuest picker Carmen Vandenberg of Bones UK joins reader Samuel Cosmo Schiff and PG staff in divulging their favorite ways to learn music.
Question: What is your favorite method of teaching or learning how to play the guitar?
Guest Picker - Carmen Vandenberg, Bones UK
The cover of Soft, Bones UK’s new album, due in mid-September.
A: My favorite method these days (and to be honest, from when I started playing) is to put on my favorite blues records, listen with my eyes closed, and, at the end, see what my brain compartmentalizes and keeps stored away. Then, I try and play back what I heard and what my fingers or brain decided they liked!
Bone UK’s labelmade, Des Rocks.
Obsession: Right now, I am into anyone trying to create sounds that haven’t been made before—bands like Queens of the Stone Age, Jack White, and our labelmate, Des Rocs! There’s a Colombian band called Diamanté Electrico who I’ve been really into recently. Really anyone who’s trying to create innovative and inspiring sounds.
Reader of the Month - Sam C. Schiff.
Sam spent endless hours trying to learn the solo Leslie West played on “Long Red,” off of The Road Goes Ever On.
A: The best way to learn guitar is to listen to some good guitar playing! Put on a record, hear something tasty, and play on repeat until it comes out of your fingers. For me, it was Leslie West playing “Long Red” on the Mountain album, The Road Goes Ever On. I stayed up all night listening to that track until I could match Leslie’s phrasing. I still can’t, no one can, but I learned a lot!
Smith’s own low-wattage amp build.
Obsession: My latest musical obsession is low-wattage tube amps like the 5-watt Fender Champ heard on the Laylaalbum. Crank it up all the way for great tube distortion and sustain, and it’s still not loud enough to wake up the neighbors!
Gear Editor - Charles Saufley
Charles Saufley takes to gear like a duck to water!
A: Learning by ear and feel is most fun for me. I write and free-form jam more than I learn other people’s licks. When I do want to learn something specific, I’ll poke around on YouTube for a demo or a lesson or watch films of a player I like, and then typically mangle that in my own “special” way that yields something else. But I rarely have patience for tabs or notation.
The Grateful Dead’s 1967 debut album.
Obsession: Distorted and overdriven sounds with very little sustain—Keith Richards’ Between the Buttons tones, for example. Jerry Garcia’s plonky tones on the first Grateful Dead LP are another cool, less-fuzzy version of that texture.
Publisher - Jon Levy
A: I’m a primitive beast: The only way I can learn new music is by ear, so it’s a good thing I find that method enjoyable. I’m entirely illiterate with staff notation. Put sheet music in front of me and I’ll stare at it with twitchy, fearful incomprehension like an ape gaping at the monolith in 2001: A Space Odyssey. I’m almost as clueless with tab, but I can follow along with chord charts if I’m under duress.
The two-hit wonders behind the early ’70s soft-rock hits, “Fallin’ in Love” and “Don't Pull Your Love.”
Obsession: Revisiting and learning AM-radio pop hits circa 1966–1972. The Grass Roots, Edison Lighthouse, the Association, the Archies, and Hamilton, Joe Frank & Reynolds—nothing is too cheesy for me to dissect and savor. Yes, I admit I have a serious problem.
Diamond Pedals introduces the Dark Cloud delay pedal, featuring innovative hybrid analog-digital design.
At the heart of the Dark Cloud is Diamond’s Digital Bucket Brigade Delay (dBBD) technology, which seamlessly blends the organic warmth of analog companding with the precise control of an embedded digital system. This unique architecture allows the Dark Cloud to deliver three distinct and creative delay modes—Tape, Harmonic, and Reverse—each meticulously crafted to provide a wide range of sonic possibilities.
Three Distinct Delay Modes:
- Tape Delay: Inspired by Diamond’s Counter Point, this mode offers warm, saturated delays with tape-like modulation and up to 1000ms of delay time.
- Harmonic Delay: Borrowed from the Quantum Leap, this mode introduces delayedoctaves or fifths, creating rich, harmonic textures that swirl through the mix.
- Reverse Delay: A brand-new feature, this mode plays delays backward, producing asmooth, LoFi effect with alternating forward and reverse playback—a truly innovativeaddition to the Diamond lineup.
In addition to these versatile modes, the Dark Cloud includes tap tempo functionality with three distinct divisions—quarter note, eighth note, and dotted eighth—ensuring perfect synchronization with any performance.
The Dark Cloud holds special significance as the final project conceived by the original Diamondteam before their closure. What began as a modest attempt to repurpose older designs evolved into a masterful blend of the company's most beloved delay algorithms, combined with an entirely new Reverse Delay setting.
The result is a “greatest hits” of Diamond's delay technology, refined into one powerful pedal that pushes the boundaries of what delay effects can achieve.
Pricing: $249
For more information, please visit diamondpedals.com.
Main Features:
- dBBD’s hybrid architecture Analog dry signal New reverse delay setting
- Three distinct, creative delay modes: Tape, Harmonic, Reverse
- Combines the sound and feel of analog Companding and Anti-Aliasing with an embedded system delay line
- Offering 3 distinct tap divisions with quarter note, eighth note and dotted eighth settings for each of the delay modes
- Pedalboard-friendly enclosure with top jacks
- Buffered bypass switching with trails
- Standardized negative-center 9VDC input with polarity protection
Dark Cloud Multi-Mode Delay Pedal - YouTube
Curious about building your own pedal? Join PG's Nick Millevoi as he walks us through the StewMac Two Kings Boost kit, shares his experience, and demos its sound.