Want to play different pedal sequences in a flash? These handy boxes provide more tone solutions than you might realize.
There is no right or wrong way to wire a pedalboard. It’s really a matter of personal taste and what our ears find pleasing. Every musician has their own thing, and our pedalboards are certainly an extension of that. For some, reconfiguring the pedalboard is a lifelong process, and adding a new device often means something has got to go, because real estate is crucial!
Whether you are a fan of effects loops or not, they can be useful tools. One of the go-to pedals in my collection isn’t an effect. It’s a standalone effects loop order switcher, which is basically a pair of dedicated effects loops (A and B) in an aluminum pedal enclosure. There are quite a few companies that make a version of this type of device. Some of these units have many other options included and some are very basic, with no knobs at all. I like to have a somewhat simple one hanging around, with an input, an output, and two sets of send/return jacks. Each channel needs a volume knob, a foot switch, and a bypass indicator light.
A loop switcher can be an especially useful tool when putting together a pedalboard, or even just adding a new stompbox to the mix. Signal paths can be auditioned to see how pedals will interact together before committing them to Velcro. I find it is also super fun and handy to use a switcher when doing sound explorations and, ultimately, in my writing and recording processes. There are so many more options sound-wise, depending on how effects are ordered. The rather simple unit I made allows for quick changes, which helps me economize my time. In fact, it’s so useful that I have one living full-time on my pedalboard, in a really accessible spot, so I can plug and unplug on the fly if something isn’t working out sound-wise.
Fancier loop-switching devices can have true bypass switching, buffers, lots of sends and returns, knobs, signal paths routed any which way.... The options are nearly endless. Plenty of pedal builders out there can build custom units for a reasonable price, tailored to anyone’s specific taste. You might even go the rackmounted, pro-audio hardware route if you want to get extra fancy!
There are several different commercial A/B loop switcher units available that are on the simpler end of the spectrum, like the JHS Switchback A/B Effects Loop Switcher ($102 street) and the MXR M196 A/B Box Pedal ($59 street). The EarthQuaker Devices Swiss Things Pedalboard Reconciler ($249 street) is an awesome utility pedal with a few more helpful options. My absolute favorite simple go-to is the Boss LS-2 Line Selector Pedal ($113 street). It’s got a small footprint and does all the basics. Plus, it’s Boss, so it’s built like a tank. Mine has survived 20 years of abuse so far.
Whether you are a fan of effects loops or not, they can be useful tools.
Some pedals sound totally different when inserted into an effects loop instead of being inserted directly in line. It’s really informative to be able to hear those differences. I feel like a whole new world opened up to me when I started using the LS-2. Some of my favorite sounds that I have been able to create came from putting pedals in the loop that normally get chained up in line directly. Give it a try! And for those who DIY, check out Beavis Audio Research’s awesome site. There are several different iterations to build.
A streamlined switcher that includes MIDI, 8 programmable loops, and more.
Denmark (March 22, 2021) -- The Carl Martin Octaswitch, already a legend in the guitar effect switching world, is on it's third evolution since the original.
The fourth version, named "The Strip" is the smallest and most advanced, taking all the technology used in the first three and adding some amazing features that make the Octaswitch The Strip the most versatile and simplest all-analog switching pedal on the market! At first glance, the 'Octaswitch The Strip' (designed once again and refined by Thomas Guldman), has all the same features as before. There are 8 fx loops that can be programmed into 8 banks. The loops are all true-bypass, impedance free gold relays so you can run all your pedals (old and new) without issue. The main input can be true bypass, or it can be switched to buffered for large stages or long cable runs. There are 8 blue LEDs that indicate which of the 8 loops is being used, and 8 green LEDs that indicate which Bank is being used. This is where the technology changes.....
US MAP: USD $499
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Carl Martin
Tone suck or lifesaver? Here’s how to decide if you can bear the cost—both economic and sonic—of this fancy technology.
When helping clients design their ideal pedalboards, we try to answer a series of “Five W”-inspired questions. The “who” is easy enough—that’s you. The “why” usually involves sounding awesome, but sometimes includes impressing guitar-playing friends and/or compensating for not practicing enough. The “what” is all those pedals you’ve bought, burgled, or bartered for. The “how” is critical but often unclear. A given set of pedals can be arranged in countless ways to satisfy the same number of players, and when it comes to working with the pedalboard, whether or not you use a loop switcher fundamentally affects that arrangement.
A loop switcher is a device that houses pairs of send and receive ports (the loops) that send signal to and receive signal from each one of your pedals, allowing remote control of whether that pedal is in or out of your signal flow. You can typically activate each of those loops with a footswitch, but some loop switchers forego the stomps for a collection of relays controlled by MIDI or some other protocol.
Players often ask if their rig should have a loop switcher. There isn’t a hard-and-fast answer, but carefully weighing the benefits and pitfalls can help you determine whether a switcher is right for your rig. Here are preconceptions about loop switchers to consider.
• A loop switcher will give me the ability to have presets and instant access to any combination of pedals.
Many loop switchers do allow this. RJM, Boss, and Disaster Area all make preset-able switchers. Presets make showtime simpler by avoiding multiple button presses for each song cue, but you will need to spend time in pre-production setting up your presets to serve your sounds, songs, and setlist.
• A loop switcher will preserve my tone by true-bypassing each pedal and its tone-sucking connecting cables.
A true-bypass type switcher will negate pedals with poor bypass schemes, and eliminate the capacitive losses caused by cables connecting the pedal to the looper. A potential issue arises when you’re running multiple pedals. In a non-loop switcher pedalboard, the pedals are joined with a series of short cables. With a loop switcher, your average cable length increases since each pedal has a discrete connection to the switcher. When engaging multiple pedals, you might run through more cable than you otherwise would, and have additional capacitive load via the loop’s switching elements and jacks.
• A loop switcher will make my rig more reliable by allowing me to “remove” failing pedals and cables from my signal flow.
If a cable shorts or pedal smokes, the damage can be excised with a bypassed loop. If you have pedals that are prone to misbehaving, a true-bypass loop switcher can remove them instantly. That said, it is worth noting that the likely things to fail in a typical pedal are its footswitch and jacks, and many loop switchers are, at their core, a collection of footswitches and jacks. A solidly built product will serve you well, but don’t let it lull you into a false sense of security.
Unfortunately, loop switchers will increase the size and cost of your build. Not only do you need to purchase the switcher (they range from a little over $100 to a little under $1,000, depending on size and functions), but you’re essentially doubling the amount of cables needed to connect your pedals to that looper. You’ll also need room on the board for the switcher and the cable and plugs that must connect to it. On the positive side, a loop switcher can greatly improve your workflow. In the middle of a breakneck show or high-pressure session, it can be tricky to quickly discern the state of a large pedalboard. When there’s a myriad of devices spread over a large area, it is entirely possible to miss that a pedal is on when it should be off, or vice versa. A loop switcher can give you a simple way to survey your kingdom and quickly ascertain what is engaged and what isn’t.
Is a loop switcher the best thing for your rig? That depends on a lot of factors: Tally the pluses and minuses above as you consider whether a loop switcher will enhance your next build.