november 2020

Fig. 1

Here's how to clean up low-end mud and add definition to mixes.

Welcome back to the Dojo. This time we're going to look at the mighty high-pass filter (HPF) and how you can use it to clear out muddy, low-end frequency build-up in your mix, and get more separation between your guitars, bass, and kick drum.

A high-pass filter does exactly what the name implies: It attenuates the low frequencies while allowing the higher frequencies to “pass through" and be heard. You can find HPFs in many different places, but the best place to look is an EQ (either analog or digital). All DAWs come with EQs, so put one on your track and follow along.

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Can an entry-level modeler hang with the big dogs?

Excellent interface. Very portable. Nice modulation tones.

Some subpar low-gain dirt sounds. Could be a little more rugged.


HeadRush MX5


The allure of portability and sonic consistency has become too much to ignore for some guitarists, making smaller digital modelers more appealing than ever.

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Emily Wolfe lets loose, with an Epiphone Sheraton around her shoulders. Her signature Sheraton Stealth was released in 2021. "The guitar is the perfect frequency range for my soul," she says.

Photo by Brittany Durdin

The rising guitar star blends classic and stoner rock, Motown, and more influences with modern pop flourishes in songs replete with fat, fuzzy, fizzy tones from her new Epiphone Sheraton signature.

For so many artists, the return of live shows means the return of the thrill of performing, much-needed income, and, in a way, purpose. The third definitely goes for guitarist Emily Wolfe, who, when asked about her goals, immediately responds, "I just want to play arenas every night for the rest of my life. When I go up there, something could hit me at any point—an emotion that I felt 10 years ago could come out in a bend on the low E."

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