This odd-couple guitar duo complement each other with a melodic mix of breakneck notes and juggernaut riffs, all effortlessly executed on 7-string shred sticks from Ibanez and Jackson.
Before ERRA’s headlining show at Nashville’s Brooklyn Bowl in support of their latest album, Cure, cofounding member Jesse Cash and newcomer Clint Tustin—a pair of proficient guitar-playing pyrotechnicians—invited PG’s Chris Kies onstage for a conversation that was both lighthearted and enlightening. They cover their speedy 7-strings from Jackson and Ibanez, explain why they landed on their preferred DiMarzio and Fishman pickups, and reveal all the ways the Neural DSP Quad Cortex has condensed, streamlined, and optimized the duo’s stage attack.
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Cassius Play
Jesse Cash is a creative force. He plays, he writes, and that’s pretty much where his love for guitar starts and ends. He’s not into gear specs nor does he overthink his setup: If it works, it works. For a decade-plus, Ibanez RG-profile guitars have been getting the job done. His current ride-or-die is the above Ibanez Prestige RG2027XL that is pretty stock aside from a few key upgrades, including a set of and DiMarzio D Activator 7 humbuckers, an EverTune bridge for tuning stability, gold hardware for eye candy, and a pearloid pickguard that Jesse likes to make his muscle car look a bit classier. It features a basswood body, Wizard-7 neck with maple and wenge tonewoods, a bound Macassar ebony fretboard, and a 27" scale length. The band tunes to drop G# and lets the Quad Cortex technology transpose any other lowered tunings so they can tour with minimal guitars and maintain a familiar feel.
Sandblasted
Clint Tustin is all Jackson, all day. The above model is the Jackson Pro Series Dinky DK Modern Ash HT7. It’s built with an exposed ash body decorated in a dazzling “baked blue” textured finish, a 26.5" scale length, a sturdy, graphite-reinforced, bolt-on 3-piece maple-wenge-maple neck with a compound radius (12" –16") and a Jackson Speed Neck profile, bound ebony fretboard, a Graph Tech TUSQ XL nut, and active multi-voiced Fishman Fluence Open Core PRF-CO7 humbuckers. This is his only touring guitar without an EverTune bridge.S
Prestige Production
Before acquiring the RG2027XL, Cash’s main seven was this production-line 2017 Prestige 752LWFX that was featured heavily on ERRA’s albums Neon and Erra. Like the 2027XL, it has a basswood body, but this one is decked out with an African black limba top, a rosewood fretboard, a 25.5" scale length, a Gibraltar Standard II bridge, and of course, the pickguard and gold hardware. They do share the same heartbeat—a set of DiMarzio D Activator 7 humbuckers. The standard scale length helps Jesse move around the fretboard quicker, so this RG sees stage time for the band’s older material.
Gold Tone
This stunner is Clint Tustin’s Jackson Pro Plus Series DK Modern EverTune 7. It’s completely stock and features nearly the same DNA as his previous Dinky DK, but it has a basswood body and an EverTune bridge.
Silver Surfer
Another DK Modern EverTune 7 for Tustin that was modified by a friend to have this big-flake, bass-boat sparkle finish—including the pickups—that can be seen from the last row of the venue, or probably even space. This one has a set of Fishman Fluence Modern humbuckers.
Problem Solved
These dudes are pragmatists. As digital modeling technology has improved, ERRA has evolved their live setups to achieve quicker setups, less headaches, and decreased traveling costs. Jesse and Clint are currently both using the Neural DSP Quad Cortex direct to front of house. They have no cabs or monitors onstage, and hear themselves via in-ear monitors and the PA.
As noted before, their guitars stay in G♯ tunings, and they let the Quad Cortex transpose any lower tunings. (They did say that pitch-shifting up via the Neural setting is less accurate and so they manually tune their instruments.) They depend on the QC to make tone changes, so they are free to roam the stage and entertain the crowd.To that end, they both utilize the Sennheiser EW G4 units for wireless and in-ears. A lot of their core tones and sounds are based around a STL Tones DZL Herbert import for rhythms, Neural’s Misha Mansoor Archetype for leads, and their Plini Archetype for cleans.
Shop ERRA's Rig
Ibanez Prestige RG2027XL
DiMarzio D Activator 7 Humbuckers
Ibanez Prestige 752
Jackson Pro Plus Series DK Modern EverTune 7
Fishman Fluence 7-String Modern Humbuckers
Neural DSP Quad Cortex
Sennheiser EW G4 IEM Wireless
- Hot-Rodding at Home! ›
- Jackson Guitars & Charvel Guitars Factory Tour ›
- ERRA's Jesse Cash on As I Lay Dying's "Elegy" ›
It’s almost over, but there’s still time to win! Enter Stompboxtober Day 30 for your shot at today’s pedal from SoloDallas!
The Schaffer Replica: Storm
The Schaffer Replica Storm is an all-analog combination of Optical Limiter+Harmonic Clipping Circuit+EQ Expansion+Boost+Line Buffer derived from a 70s wireless unit AC/DC and others used as an effect. Over 50 pros use this unique device to achieve percussive attack, copious harmonics and singing sustain.
A 1000-watt speaker cabinet crafted for musicians who demand power and precision. Sunn Amps intends to reinvent the standard 4x12 configuration with the introduction of this new cabinet.
The Sunn Amps DoomBox is built to accommodate both guitar and bass, offering an impressive 1000-watt handling capacity—making it the first commercially available 4x12 cabinet with such high power handling. With four specially designed 12” drivers rated at 250 watts each, this cabinet provides clean, unrestrained sound levels that can maintain power integrity across all frequencies, ideal for high-volume performances.
Inspired and developed using feedback from artists and bands who rely on the depth of lower tunings and high volume genres, the DoomBox was engineered to meet the unique demands of professional musicians looking for a robust, high-efficiency cab that can translate the raw power of their sound without compromise.
Premium Craftsmanship and Materials
The Doom Box cabinet is crafted from solid finger-jointed Baltic Birch plywood, ensuring both durability and tonal clarity. Each cabinet is constructed by hand in the U.S.A. using original 1930s machinery, the DoomBox reflects Sunn’s historic commitment to quality, contrasting with some of the mass-produced, MDF-based cabinets on the market today. The cabinet’s aluminum basket, ferrite magnet, and custom Sunn weave Tolex with a custom grill design complete its professional-grade build.
Technical Specifications:
• Power Handling: 1000W
• Inputs: 1 x ¼”
• Impedance: 8 Ohm
• Drivers: 4 x Sunn 12S250
• Construction: Marine Grade Baltic Birch
• Dimensions: 29.25” X 30” X 14”
• Weight: 107 lbs
• Price: $2399.00
With clear low-end punch, even sound response, and ample air movement, the Doom Box ensures that every note reaches the audience with clarity and power. This cabinet is a game-changer for musicians who need high-performance, road-ready equipment that enhances their unique sound.
Does the guitar’s design encourage sonic exploration more than sight reading?
A popular song between 1910 and 1920 would usually sell millions of copies of sheet music annually. The world population was roughly 25 percent of what it is today, so imagine those sales would be four or five times larger in an alternate-reality 2024. My father is 88, but even with his generation, friends and family would routinely gather around a piano and play and sing their way through a stack of songbooks. (This still happens at my dad’s house every time I’m there.)
Back in their day, recordings of music were a way to promote sheet music. Labels released recordings only after sheet-music sales slowed down on a particular song. That means that until recently, a large section of society not only knew how to read music well, but they did it often—not as often as we stare at our phones, but it was a primary part of home entertainment. By today’s standards, written music feels like a dead language. Music is probably the most common language on Earth, yet I bet it has the highest illiteracy rate.
Developed specifically for Tyler Bryant, the Black Magick Reverb TB is the high-power version of Supro's flagship 1x12 combo amplifier.
At the heart of this all-tube amp is a matched pair of military-grade Sovtek 5881 power tubes configured to deliver 35-Watts of pure Class A power. In addition to the upgraded power section, the Black Magick Reverb TB also features a “bright cap” modification on Channel 1, providing extra sparkle and added versatility when blended with the original Black Magick preamp on Channel 2.
The two complementary channels are summed in parallel and fed into a 2-band EQ followed by tube-driven spring reverb and tremolo effects plus a master volume to tame the output as needed. This unique, signature variant of the Black Magick Reverb is dressed in elegant Black Scandia tolex and comes loaded with a custom-built Supro BD12 speaker made by Celestion.
Price: $1,699.