Premier Guitar features affiliate links to help support our content. We may earn a commission on any affiliated purchases.

Which Solidbody Guitar Is Best for You?

Which Solidbody Guitar Is Best for You?
- YouTube

PG contributor Tom Butwin takes us through three exceptional solidbody electric guitars: the versatile Gibson Les Paul Studio, the uniquely styled Zemaitis SCW22, and the dynamic PRS CE 24. Each brings a distinct flavor—find out which one matches your style!


Gibson Les Paul Modern Studio Electric Guitar - Worn White

When a guitar is “the one,” you know it. It feels right in your hands and delivers the sounds you hear in your head. It becomes your faithful companion, musical soulmate, and muse. It helps you express your artistic vision. We designed the Les Paul™ Studio to be precisely that type of guitar: the perfect musical companion, the guitar you won’t be able to put down. The one guitar you’ll be able to rely on every time and will find yourself reaching for again and again.

Gibson
$1999.00

PRS CE 24 - Faded Blue Smokeburst

Classic PRS design and quality meets bolt-on construction with the CE 24. Its 25” scale length sits comfortably between short and longer scales and dual 85/15 pickups and patented PRS tremolo bring modern appeal.

PRS
$2699.00

Zemaitis SCW22

The body shape without metal top but developed based on an iconic Zemaitis Disc Front model.

Zemaitis guitar without a metal top, but you still see the legacy of Zemaitis in detail.

Zemaitis
$1,199

The two-in-one “sonic refractor” takes tremolo and wavefolding to radical new depths.

Pros: Huge range of usable sounds. Delicious distortion tones. Broadens your conception of what guitar can be.

Build quirks will turn some users off.

$279

Cosmodio Gravity Well
cosmod.io

4.5
4
4
4.5

Know what a wavefolder does to your guitar signal? If you don’t, that’s okay. I didn’t either until I started messing around with the all-analog Cosmodio Instruments Gravity Well. It’s a dual-effect pedal with a tremolo and wavefolder, the latter more widely used in synthesis that , at a certain threshold, shifts or inverts the direction the wave is traveling—in essence, folding it upon itself. Used together here, they make up what Cosmodio calls a sonic refractor.

Read MoreShow less

The author in the spray booth.

Does the type of finish on an electric guitar—whether nitro, poly, or oil and wax—really affect its tone?

There’s an allure to the sound and feel of a great electric guitar. Many of us believe those instruments have something special that speaks not just to the ear but to the soul, where every note, every nuance feels personal. As much as we obsess over the pickups, wood, and hardware, there’s a subtler, more controversial character at play: the role of the finish. It’s the shimmering outer skin of the guitar, which some think exists solely for protection and aesthetics, and others insist has a role influencing the voice of the instrument. Builders pontificate about how their choice of finishing material may enhance tone by allowing the guitar to “breathe,” or resonate unfettered. They throw around terms like plasticizers, solids percentages, and “thin skin” to lend support to their claims. Are these people tripping? Say what you will, but I believe there is another truth behind the smoke.

Read MoreShow less

Featuring a preamp and Dynamic Expansion circuit for punch and attack, plus switchable amp simulations.

Read MoreShow less
Photo by Chuck Brueckmann

Creed extend their sold-out Summer of ’99 Tour with 23 additional dates.

Read MoreShow less