Silky playability, sublime sounds, and top quality add up to a small-body super value.
RatingsPros:High quality and great attention to detail. Excellent playability. Sparkling high-mid tones. Superb tonal balance. Accessible price Cons: Some low-mid tones can be boxy. Street: $549 Yamaha CSF3M usa.yamaha.com | Tones: Playability: Build/Design: Value: |
On days where every guitar you touch feels alien, a strum on a parlor-sized acoustic can be a very grounding and elemental experience. In both proportion and sound, parlor guitars are very much human-scale instruments, leading to musical interactions that can feel a lot more intimate and conversational. Yamaha’s delightful CSF3M parlor possesses all of those qualities. But it also has an air of refinement and modest luxury, as well as a musical liveliness that surprises when you consider the sub-$550 street price.
A Joy to Hold
There’s a real ease about the CSF3M. It’s light. It tends to feel like an extension of yourself from the moment you pick it up. And the playability is positively inviting. Each of these virtues seems aided by an attention to detail that’s plain to see. The guitar is, for the most part, outwardly flawless. The frets are smooth and seated perfectly. So are the nut and saddle. The gloss polyester tobacco sunburst finish (which has a softer, warmer amber hue than most ’bursts likened to old Virginia’s favorite cash crop) seems a bit thick in places, but not egregiously so given the price and the nature of poly finishes.
It’s a lovely compliment to the solid Sitka spruce top, too, which doesn’t have a ton of figuring or character in the grain, but which assumes honey-toned glow behind the sunburst finish. The solid mahogany back and sides and rosewood fretboard are also very nice pieces of wood. And though the guitar is minimally adorned, the abalone rosette and maple binding add dashes of subdued flash and style. In total, it’s a very handsome little flattop that, in many respects, looks more expensive than it is.
Pop and Precision
One of the reasons the CSF3M feels as inviting and approachable as it does is the guitar’s near-perfect setup. Action is relatively low—something of a rarity on guitars in this price category. Intonation, meanwhile, is spot-on over the entirety of the neck’s expanse. The two factors conspire to make the guitar sound and feel fluid, lyrical, and welcoming to adventurous and extended chord shapes and fingerpicking patterns.
Fingerstyle techniques are also rewarded by the Yamaha’s sparking high-mid-forward voice, which takes on pleasing harpsichord shades in arpeggiated patterns. Unlike a lot of inexpensive, small-bodied guitars, the CSF3M is more than just midrange-y. It’s easy to hear the warm, dry, and naturalistic tones of the solid mahogany back. And the earthy mahogany tone colors both seamlessly compliment and organically contrast the sparkly top end, even when they tend toward the boxy side of the frequency spectrum.
Another welcome byproduct of the Yamaha’s cohesive tone signature is the guitar’s capacity for detail. Individual notes tend to pop—even bristle—with clarity and in perfect balance to each other. And while some players (who perhaps shouldn’t bother with parlor-sized instruments in the first place) will lament a lack of body in the low-frequency range, the trade off is a string-to-string evenness that enlivens fingerpicking patterns and feathery strumming with a light pick.
The little Yamaha’s balance also translates to a cool heavy-strumming voice, which, in spite of lacking low-end heft, is punchy and potent without feeling compressed, distorted, or harmonically blurry. In fact, in many ways the CSF3M is an ideal guitar for recording strummed rhythm parts—particularly if you’re multitracking rhythm parts or like to situate the rhythm guitar in a specific, focused frequency band. The CSF3M’s controlled presence makes this style of arrangement easier. And if it doesn’t quite have the tough, outsized dreadnought thump that an aspiring Steven Stills or Neil Young might prefer, budding Jeff Lynnes will love the Yamaha’s concise presence in a dense mix.
The Verdict
Though I’ve encountered some great acoustic guitar values over the years, I can’t remember a flattop that betters the CSF3M in terms of bang for the buck. It delivers almost everything you could want from a small-bodied guitar: detail, balance, playability, and comfort that make interaction with the instrument feel natural and effortless. The guitar’s shortcomings—most notably some midrange tones that are boxy and dull where they could be a little huskier and characterful—are few, and even typical of a guitar of this size. This little Yamaha’s virtues, however, are many. And the ease with which you can imagine it excelling in the studio, onstage, or just as the musical muse on your couch makes it a very appealing proposition, even before you consider the very nice price.
Day 4 of Stompboxtober brings a chance to win a pedal from TWA: The Chemical-Z! Don’t miss out—enter now and return tomorrow for more!
TWA CHEMICAL-Z
Roy Z signature overdrive pedal designed by TubeScreamer creator Susumu Tamura. Inspired by Maxon OD808, OD808X, and APEX808 circuits, Chemical-Z features the "Magic" IC used in APEX808 for less compression & more even frequency response than a standard 808. Increased output level. Two footswitch-selectable clipping modes - normal & hot.
Fuchs Audio introduces the ODH Hybrid amp, featuring a True High Voltage all-tube preamp and Ice Power module for high-powered tones in a compact size. With D-Style overdrive, Spin reverb, and versatile controls, the ODH offers exceptional tone shaping and flexibility at an affordable price point.
Fuchs Audio has introduced their latest amp the ODH © Hybrid. Assembled in USA.
Featuring an ODS-style all-tube preamp, operating at True High Voltage into a fan-cooled Ice power module, the ODH brings high-powered clean and overdrive tones to an extremely compact size and a truly affordable price point.
Like the Fuchs ODS amps, the ODH clean preamp features 3-position brite switch, amid-boost switch, an EQ switch, high, mid and low controls. The clean preamp drives theoverdrive section in D-Style fashion. The OD channel has an input gain and outputmaster with an overdrive tone control. This ensures perfect tuning of both the clean andoverdrive channels. A unique tube limiter circuit controls the Ice Power module input.Any signal clipping is (intentionally) non-linear so it responds just like a real tube amp.
The ODH includes a two-way footswitch for channels and gain boost. A 30-second mute timer ensures the tubes are warmed up before the power amp goes live. The ODH features our lush and warm Spin reverb. A subsonic filter eliminates out-of-band low frequencies which would normally waste amplifier power, which assures tons of clean headroom. The amp also features Accent and Depth controls, allowing contouring of the high and low response of the power amp section, to match speakers, cabinets andenvironments. The ODH features a front panel fully buffered series effects loop and aline out jack, allowing for home recording or feeding a slave amp. A three-position muteswitch mutes the amp, the line out or mute neither.
Built on the same solid steel chassis platform as the Fuchs FB series bass amps, the amps feature a steel chassis and aluminum front and rear panels, Alpha potentiometers, ceramic tube sockets, high-grade circuit boards and Neutrik jacks. The ICE power amp is 150 watts into 8 ohms and 300 watts into 4 ohms, and nearly 500 watts into 2.65 ohms (4 and8 ohms in parallel) and operates on universal AC voltage, so it’s fully globallycompatible. The chassis is fan-cooled to ensure hours of cool operation under any circumstances. The all-tube preamp uses dual-selected 12AX7 tubes and a 6AL5 limiter tube.
MAP: $ 1,299
For more information, please visit fuchsaudiotechnology.com.
Jackson Guitars announces its first female signature artist model, the Pro Series Signature Diamond Rowe guitar.
“I‘m so excited about this new venture with the Jackson family. This is a historic collaboration - as I am the first female in the history of Jackson with a signature guitar and the first female African American signature Jackson artist. I feel so honored to have now joined such an elite group of players that are a part of this club. Many who have inspired me along this journey to get here. It’s truly humbling.” says Diamond.
Diamond Rowe is the co-founder and lead guitarist for the metal/hard rock band Tetrarch. Since co-founding the band in high school, Tetrarch has become one of the most talked about up-and-coming bands in the world - with several press outlets such as Metal Hammer, Kerrang, Revolver, Guitar World and many others boldly naming Diamond Rowe the world’s next guitar hero. Tetrarch has connected with many fans while performing on some of the world's biggest stages garnering spots alongside several of the heavy music world’s biggest names such as Guns N’ Roses, Slipknot, Lamb of God, Disturbed, Avenged Sevenfold, Sevendust, Rob Zombie, Trivium, and many many others. The Jackson Pro Series Signature Diamond Rowe DR12MG EVTN6 is based on Jackson’s single-cut Monarkh platform and is a premium guitar designed for progressive metal players seeking precision and accuracy.
Crafted in partnership with Diamond, this model boasts a 25.5 “ scale, Monarkh-styled nyatoh body draped with a gorgeous poplar burl top, three-piece nyatoh set-neck with graphite reinforcement, and 12˝ radius bound ebony fingerboard with 24 jumbo frets. The black chrome-covered active EMG® 81/85 humbucking bridge and neck pickups, three-way toggle switch, single volume control, and tone control provide a range of tonal options. The Evertune® bridge ensures excellent tuning stability, while the Dark Rose finish with a new custom 3+3 color-matched Jackson headstock and black hardware looks simply stunning.
To showcase the Pro Plus Signature Diamond Rowe DR12MG EVTN6, Diamond shares her journey as a guitarist, delving into the inspiration behind her unique design specifications and the influential artists who shaped her sound within a captivating demo video. This video prominently features powerful performances of Tetrarch’s latest release, “Live Not Fantasize,” and “I’m Not Right” showcasing the DR12MG EVTN6’s unparalleled tonal versatility and performance capabilities.
MSRP $1699.99
For more information, please visit jacksonguitars.com.
Tetrarch's Diamond Rowe Unveils Her New Signature Pro Series DR12MG EVTN6 | Jackson Guitars - YouTube
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.Jackson Pro Series Signature Diamond Rowe Electric Guitar - Dark Rose
Signature Diamond Rowe, Dark RoseCort Guitars introduces the GB-Fusion Bass Series, featuring innovative design and affordable pricing.
Cort Guitars have long been synonymous with creating instruments that are innovative yet affordably priced. Cort has done it again with the GB-Fusion Bass series. The GB-Fusion builds upon Cort’s illustrious GB-Modern series and infuses it with its own distinctive style and sound.
It starts with the J-style bass design. The GB-Fusion features a solid alder body – the most balanced of all the tonewoods – providing a fantastic balance of low, mid, and high frequencies. The visually stunning Spalted maple top extends the dynamic range of the bass. A see-through pickguard allows for its spalted beauty to show through. The four-string version of the GB-Fusion is lacquered in a supreme Blue Burst stained finish to show off its natural wood grain. The five-string version features a classic Antique Brown Burst stained finish. A bolt-on Hard maple neck allows for a punchier mid-range. An Indian rosewood fretboard with white dot inlays adorns the 4-string Blue Burst version of the GB-Fusion with an overall width of 1 ½” (38mm) at the nut, while the GB-Fusion 5 Antique Brown Burst features a Birdseye Maple fretboard with black dot inlays and an overall width of 1 7/8” (47.6mm) at the nut. Both come with glow in the dark side dot position markers to help musicians see their fretboard in the dark. The headstock features Hipshot® Ultralite Tuners in classic 20:1 ratio. They are cast of zinc with aluminum string posts making them 30% lighter than regular tuners providing better balance and tuning accuracy.
Cort’s brand-new Voiced Tone VTB-ST pickups are the perfect J-style single coil with clear and robust bass sounds and classic warmth. The GB-Fusion comes with a 9-volt battery-powered active preamp to dial in the sound. With push/pull volume, blend knob, and 3-band active electronics, players can access a wide array of tones. The MetalCraft M Bridge is a solid, high-mass bridge. It provides better tone transfer and makes string changes easy. Strings can be loaded through the body or from the top giving players their choice of best string tension. The MetalCraft M4 for 4-string has a string spacing of 19mm (0.748”) while the MetalCraft M5 is 18mm (0.708”). Speaking of strings, D’Addario® EXL 165 strings complete the GB-Fusion 4. D’Addario EXL 170-5SL strings complete the GB-Fusion 5.
Cort Guitars prides itself on creating inventive instruments musicians love to play. The GB-Fusion Bass Series is the latest and greatest for musicians looking for a stellar bass guitar that is not only economical, but has the reliable robust sound needed to hold up the back end in any playing situation.
GB-Fusion 4 Street Price: $699.99
GB-Fusion 5 Street Price: $849.99
For more information, please visit cortguitars.com.