The twin-channel MM200 is built around a 200W power amp incorporates a pair of AER's trademark 8" twin-cone speakers.
Anaheim, CA (January 14, 2014) -- German amp manufacturer AER (Audio Electric Research) has teamed up with guitarist Monte Montgomery to develop the new signature MM200 acoustic amp. The amp will be unveiled at NAMM 2014.
The Austin, TX-based guitarist first gained notoriety in 1999, when as a relatively unknown talent he delivered a jaw-dropping live performance on an episode of the PBS series "Austin City Limits." Throughout his career, Montgomery has been named one of the “Top 50 All-Time Greatest Guitar Players” by Guitar Player Magazine, has won the "Best Acoustic Guitar Player" Award at the SXSW's Austin Music Awards seven years in a row, and has released 10 albums.
Montgomery's hunt for an acoustic amp that could handle his demanding, powerful playing style and wide textural range without sacrificing subtlety and precision led him to AER. The company is well-known among professional guitarists for the sound quality, compact size, and simplicity of their amps.
"I couldn't be happier about the partnership with AER," attests Montgomery. "We worked together every step of the way to dial this amp in, from the power amp and speaker configuration right down to the mute switch. I wanted something that I was proud to have my name on, and the MM200 is exactly that."
The twin-channel MM200 is built around a 200W power amp that delivers unprecedented dynamic headroom. The amp incorporates a pair of AER's trademark 8" twin-cone speakers. The result is a powerful amp with a versatile tonal range that shines particularly in the mid-ranges, where it remains distinct and controlled, avoiding feedback issues.
Retail Price: $2099
For more information:
AER Amps
Stompboxtober is rolling on! Enter below for your chance to WIN today's featured pedal from Peterson Tuners! Come back each day during the month of October for more chances to win!
Peterson StroboStomp Mini Pedal Tuner
| The StroboStomp Mini delivers the unmatched 0.1 cent tuning accuracy of all authentic Peterson Strobe Tuners in a mini pedal tuner format. We designed StroboStomp Mini around the most requested features from our customers: a mini form factor, and top mounted jacks. |
Fuchs Audio introduces the ODH Hybrid amp, featuring a True High Voltage all-tube preamp and Ice Power module for high-powered tones in a compact size. With D-Style overdrive, Spin reverb, and versatile controls, the ODH offers exceptional tone shaping and flexibility at an affordable price point.
Fuchs Audio has introduced their latest amp the ODH © Hybrid. Assembled in USA.
Featuring an ODS-style all-tube preamp, operating at True High Voltage into a fan-cooled Ice power module, the ODH brings high-powered clean and overdrive tones to an extremely compact size and a truly affordable price point.
Like the Fuchs ODS amps, the ODH clean preamp features 3-position brite switch, amid-boost switch, an EQ switch, high, mid and low controls. The clean preamp drives theoverdrive section in D-Style fashion. The OD channel has an input gain and outputmaster with an overdrive tone control. This ensures perfect tuning of both the clean andoverdrive channels. A unique tube limiter circuit controls the Ice Power module input.Any signal clipping is (intentionally) non-linear so it responds just like a real tube amp.
The ODH includes a two-way footswitch for channels and gain boost. A 30-second mute timer ensures the tubes are warmed up before the power amp goes live. The ODH features our lush and warm Spin reverb. A subsonic filter eliminates out-of-band low frequencies which would normally waste amplifier power, which assures tons of clean headroom. The amp also features Accent and Depth controls, allowing contouring of the high and low response of the power amp section, to match speakers, cabinets andenvironments. The ODH features a front panel fully buffered series effects loop and aline out jack, allowing for home recording or feeding a slave amp. A three-position muteswitch mutes the amp, the line out or mute neither.
Built on the same solid steel chassis platform as the Fuchs FB series bass amps, the amps feature a steel chassis and aluminum front and rear panels, Alpha potentiometers, ceramic tube sockets, high-grade circuit boards and Neutrik jacks. The ICE power amp is 150 watts into 8 ohms and 300 watts into 4 ohms, and nearly 500 watts into 2.65 ohms (4 and8 ohms in parallel) and operates on universal AC voltage, so it’s fully globallycompatible. The chassis is fan-cooled to ensure hours of cool operation under any circumstances. The all-tube preamp uses dual-selected 12AX7 tubes and a 6AL5 limiter tube.
MAP: $ 1,299
For more information, please visit fuchsaudiotechnology.com.
Cort Guitars introduces the GB-Fusion Bass Series, featuring innovative design and affordable pricing.
Cort Guitars have long been synonymous with creating instruments that are innovative yet affordably priced. Cort has done it again with the GB-Fusion Bass series. The GB-Fusion builds upon Cort’s illustrious GB-Modern series and infuses it with its own distinctive style and sound.
It starts with the J-style bass design. The GB-Fusion features a solid alder body – the most balanced of all the tonewoods – providing a fantastic balance of low, mid, and high frequencies. The visually stunning Spalted maple top extends the dynamic range of the bass. A see-through pickguard allows for its spalted beauty to show through. The four-string version of the GB-Fusion is lacquered in a supreme Blue Burst stained finish to show off its natural wood grain. The five-string version features a classic Antique Brown Burst stained finish. A bolt-on Hard maple neck allows for a punchier mid-range. An Indian rosewood fretboard with white dot inlays adorns the 4-string Blue Burst version of the GB-Fusion with an overall width of 1 ½” (38mm) at the nut, while the GB-Fusion 5 Antique Brown Burst features a Birdseye Maple fretboard with black dot inlays and an overall width of 1 7/8” (47.6mm) at the nut. Both come with glow in the dark side dot position markers to help musicians see their fretboard in the dark. The headstock features Hipshot® Ultralite Tuners in classic 20:1 ratio. They are cast of zinc with aluminum string posts making them 30% lighter than regular tuners providing better balance and tuning accuracy.
Cort’s brand-new Voiced Tone VTB-ST pickups are the perfect J-style single coil with clear and robust bass sounds and classic warmth. The GB-Fusion comes with a 9-volt battery-powered active preamp to dial in the sound. With push/pull volume, blend knob, and 3-band active electronics, players can access a wide array of tones. The MetalCraft M Bridge is a solid, high-mass bridge. It provides better tone transfer and makes string changes easy. Strings can be loaded through the body or from the top giving players their choice of best string tension. The MetalCraft M4 for 4-string has a string spacing of 19mm (0.748”) while the MetalCraft M5 is 18mm (0.708”). Speaking of strings, D’Addario® EXL 165 strings complete the GB-Fusion 4. D’Addario EXL 170-5SL strings complete the GB-Fusion 5.
Cort Guitars prides itself on creating inventive instruments musicians love to play. The GB-Fusion Bass Series is the latest and greatest for musicians looking for a stellar bass guitar that is not only economical, but has the reliable robust sound needed to hold up the back end in any playing situation.
GB-Fusion 4 Street Price: $699.99
GB-Fusion 5 Street Price: $849.99
For more information, please visit cortguitars.com.
This four-in-one effects box is a one-stop shop for Frusciante fans, but it’s also loaded with classic-rock swagger.
Great, lively preamp sounds. Combines two modulation flavors with big personalities. One-stop shop for classic-rock tones. Good value.
Big. Preamp can’t be disengaged. At some settings, flanger effect leaves a little to be desired.
$440
JFX Deluxe Modulation Ensemble
jfxpedals.com
When I think of guitarists with iconic, difficult-to-replicate guitar tones, I don’t think of John Frusciante. I always figured it was easy to get close enough to his clean tones with a Strat and any garden-variety tube amp, and in some ways, it is. (To me, anyway.) But to really nail his tone is a trickier thing.
That’s a task that Jordan Fresque—the namesake builder behind Sault Ste. Marie, Ontario’s JFX Pedals—has committed significant time and energy into tackling. His Empyrean is a five-in-one box dedicated to Frusciante’s drive and dirt tones, encompassing fuzz, boost, and preamp effects. And his four-in-one, all-analog Deluxe Modulation Ensemble reviewed here is another instant Frusciante machine.
The Frusciante Formula
Half of the pedal is based off of the Boss CE-1, the first chorus pedal created. The CE-1 is renowned as much for its modulation as for its preamp circuit, which Boss recently treated to its own pedal in the BP-1W. The other half—and the pedal’s obvious aesthetic inspiration—is the Electro-Harmonix Deluxe Electric Mistress, an analog flanger introduced in the late ’70s. Frusciante fans have clamored over the guitarist’s use of the CE-1 for decades. The Chili Peppers 6-stringer reportedly began using one in the early ’90s for his chorus and vibrato tones, and the preamp naturally warmed his Strat’s profile. Various forum heads claim John dug into the Electric Mistress on tracks like “This Is the Place” off of 2002’s By the Way. The Deluxe Modulation Ensemble aims to give you the keys to these sounds in one stomp.
JFX describes the DME as “compact,” which is a bit of a stretch. Compared to the sizes of the original pedals its based on? Sure, it’s smaller. But it’s wider and deeper than two standard-sized pedals on a board, even accounting for cabling. But quibbles around space aside, the DME is a nice-looking box that’s instantly recognizable as an Electric Mistress homage. (Though I wish it kept that pedal’s brushed-aluminum finish). The knobs for the Mistress-style as well as the authentic Boss and EHX graphics are great touches.
The flanger side features a footswitch, knobs for range, rate, and color, and a toggle to flip between normal function and EHX’s filter matrix mode, which freezes the flange effect in one spot along its sweep. The CE-1-inspired side sports two footswitches—one to engage the effect, and one to flip between chorus and vibrato—plus an intensity knob for the chorus, depth and rate knobs for the vibrato, and gain knob for the always-on preamp section. The DME can be set to high- or low-input mode by a small toggle switch, and high boosts the gain and volume significantly. A suite of three LED lights tell you what’s on and what’s not, and Fresque even added the CE-1’s red peak level LED to let you know when you’re getting into drive territory.
The effects are wired in series, but they’re independent circuits, and Fresque built an effects loop between them. The DME can run in stereo, too, if you really want to blast off.
I Like Dirt
The DME’s preamp is faithful to the original in that it requires a buffered unit before it in the chain to maintain its treble and clarity. With that need satisfied, the DME’s preamp boots into action without any engaging—it’s a literal always-on effect. To be honest, after I set it to low input and cranked it, I forgot all about Frusciante and went to town on classic-rock riffs. It souped up my Vox AC10 with groove and breadth, smoothing out tinny overtones and thickening lead lines, though higher-gain settings lost some low-end character and overall mojo.
The chorus nails the wonky Frusciante wobble on “Aquatic Moth Dance” and the watery outro on “Under the Bridge,” and the vibrato mode took me right through his chording on 2022’s “Black Summer.” On the flanger side, I had the most fun in the filter matrix mode, tweaking the color knob for slightly different metallic, clanging tones, each with lots of character.
The Verdict
If you’re a Frusciante freak, the Deluxe Modulation Ensemble will get you within spitting distance of many of his most revered tonal combinations. If you’re not, it’s still a wickedly versatile modulation multitool with a sweet preamp that’ll give your rig instant charisma. It ain’t cheap, and it ain’t small, but JFX has squeezed an impressive amount of value into this stomp