Unplugged, the Timbre produced a clean, dry tone across the rosewood fretboard. It’s one of the louder acoustic bass guitars I’ve had my hands on in recent memory, and the sound projected well across my not-huge living room, but I was also on my own. As with other instruments in this category, you’ll be plugging in if you’re playing with others and want to be heard.
The Fishman Presys+ preamp is capable of wide-ranging tone shaping through its 3-band EQ and brilliance dial. Rich, earthy tones came forth with the Timbre plugged in, and I especially liked what I heard with the mids dialed down and the bass, treble, and brilliance set around 1 o’clock. The clean, woody sound had plenty of thump for walking bass lines along the Timbre’s comfy neck. If you’re after acoustic low-end tones without the heft and hassle of an upright and you like the idea of an acoustic bass guitar with an aesthetic different than most others, a Timbre tryout could be time well spent.
Test gear: Gallien-Krueger 800RB, Orange OBC212, Focusrite Scarlett 2i4Recorded direct with Focusrite Scarlett 2i4 interface into GarageBand.
Clip 1 - Preamp settings: bass 2 o’clock, middle 11 o’clock, treble 2 o’clock, brilliance noon, phase off, notch at noon.
Good build. Top-notch electronics. Nice tones. Visually striking.
A touch pricey compared to others in its class.
Ease of Use: