Name: Leslie Porter Miller

Hometown: Honolulu, Hawaii
Guitar: Fifty Les Porter

Over the years, I’ve built myself a stack of Stratocaster- and Telecaster-style guitars, using both actual Fender necks and bodies and various replacements, occasionally giving them to my airbrush guy to go wild on. They get gigged heavily for a month or two and then I get the itch and build another one. It’s fun, and as far as “addictions” go, pretty benign.

When my big half-century birthday was looming, I decided to make myself something unique

I saw a picture of Billy Gibbons with a single-pickup goldtop and thought, “Damn! I want that!” So, I found a Canadian company, Precision Guitars, that sells unassembled set-neck-style instruments and ordered a neck and body with a single pickup and wraparound bridge. Unfortunately, I neglected to specify the pickup route as P-90 style so ended up with a humbucker hole instead.

I found a guy on eBay who does custom waterslide headstocks, got my local luthier to paint the headstock and put it on, and ta-da! My name is Leslie Porter, so this is my Fifty Les Porter model. I’ve also done some “Teleporter” and “Portercaster” waterslides as well, because, it’s funny!

But what color to paint it if not goldtop? I saw a story on George Harrison’s Les Paul Standard “Lucy,” and ding—an idea! Robert over at Lapidary Dreams painted her a really lovely cherry red. It was a bit of a pain to get the maple to read the same red as the mahogany. The top is slightly lighter, but I’m beyond stoked, and got it back just before birthday No. 51.

The truss-rod cover has my name in Japanese and the wraparound bridge is a TonePros with compensation/intonation milled in. Originally, I went with a GFS Zebra Alnico 5 humbucker but ended up putting that in a different guitar, so now this guitar has a Seymour Duncan Slash humbucker. She’s maybe 300 gigs in? Lots of scratches and love.

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