Dashboard Confessional's Chris Carrabba's Gear
First Look: Strymon Cloudburst
Fly high with a ticket to ethereal and outrageous reverbs.
The Strymon Cloudburst is a reverb pedal designed to stand out, all wrapped in a smaller form factor that houses full stereo I/O, TRS MIDI and USB-C connectors on the back panel. Coupled with the powerful ambience processing is a brand-new Ensemble engine, capable of creating pads and soundscapes that follow your playing organically - so if you change pickups or play in a different place on the neck you get different results. It’s unlike anything you’ve ever heard or played before, all wrapped in a smaller form factor that still manages to house full stereo I/O, TRS MIDI and USB-C connectors on the back panel. Prepare to be inspired!
Godin Radium X Demo | PG Plays
John Bohlinger demos the Godin Radium-X! Showcasing both acoustic and electric tones, this Canadian made guitar could be an ultra-versatile addition to your rig.
Godin Radium-X Rustic Burst
After over 30 years of hand-crafting award-winning multi-voice guitars, celebrated by players world-wide, we are proud to introduce the Godin Radium-X! Designed to be ultra versatile, the Godin Radium-X delivers both electric and acoustic tones, right at your fingertips! Proudly made in Canada, this two-voice guitar features a chambered Mahogany body, carved Swamp Ash top, 25.5” scale Mahogany neck and Rosewood Fingerboard. With a Seymour Duncan Jazz SH-2 at the neck and a Bare Knuckle Boot Camp True Grit Zebra at the bridge, the Radium-X is a powerhouse of tone. This diverse magnetic pickup combo is capable of delivering powerful, warm distortion to clear, glassy tones, appealing to a wide range of players and musical styles. The Radium-X’s stunning acoustic voice comes courtesy of a custom-designed LR-Baggs X-Bridge tremolo with six built-in “HEX” saddle transducers. This electronic combination can be controlled independently or blended together and offers an unprecedented range of electric-acoustic options to explore. The Radium-X also incorporates dual output jacks that can be used as separate ‘electric/acoustic’ outs, or as a combined ‘mix’ out. It also has a traditional magnetic volume, tone and 3-way toggle, plus an ‘acoustic/mix/magnetic’ 3-way mini-selector and ‘acoustic volume/blend’ control to easily sculpt your sound. Elevate your performance with the two-voice Radium-X!
Learn More: https://godinguitars.com/product/radium-x-rustic-burst
The DiMarzio Model J is designed to be 50 percent quieter than the original Fender Jazz bass single coil pickups, and it's 60 percent louder.
Tanya O’Callaghan, famed for her dynamic stage presence, in-the-pocket timing, and world-class touring resume talks about her new favorite bass pickup, the DiMarzio Relentless J.
Tanya has toured with Whitesnake, Bruce Dickinson (Iron Maiden), Maynard James Keenan (Tool/APC), Dee Snider (Twisted Sister), Steven Adler (Guns N’ Roses), Nuno Bettencourt (Extreme), The Riverdance, The Voice, Orianthi, Michael Angelo Batio, Kevin Godley, Sharon Corr (The Corrs) and David Grey, to name a few…
DiMarzio introduced the world’s first Fender Jazz bass replacement pickups at the NAMM show of 1977. DiMarzio invented the dual bar ceramic magnet structure for extra power and included twin hum-cancelling coils for decreased noise. The DiMarzio Model J is 50 percent quieter than the original Fender Jazz bass single coil pickups, and it's 60 percent louder.
We also added adjustable pole pieces to improve the string balance and designed them in our signature cream color. At its introduction, the DiMarzio Model J immediately become an industry standard and has been the pickup of choice on thousands of hit recordings.
With the introduction of the Relentless P bass pickups, co-designed with Billy Sheehan, we began to think how we could make our Jazz Bass pickup even better.
As with the Relentless pickups, we removed all the hard edges from the standard J Bass pickup and added an arch to the top of the pickup to bring the sensing coils and pole pieces closer to the strings. These improvements increase the dynamic range and make active circuits unnecessary.
We invented (patent pending) parallelogram-shaped coils to add dimension, punch, and dynamics to the Relentless J sound, and we incorporated metal covers with foil-shielded cables to further suppress the background noise.
DiMarzio’s extra shielding makes the Relentless J better for both recording and stage performances. We mounted it onto a robust .09375” thick circuit board base plate so we could eliminate the annoying protruding mounting screws — ultimately creating a more comfortable and consistent foundation to rest your fingers on.
Tanya O'Callaghan for DiMarzio Relentless J Bass Pickups
To improve the balance when both pickups are used together, we made the bridge position pickup louder than the neck position pickup. When the pickups are blended, you get a better volume match.
The Relentless pickups incorporate Neodymium magnets and produce 70 percent more output than traditional passive pickups, and they’re dead quiet. We’ve expanded the mid-range punch, adding snappy highs and precise lows. These pickups have a broad magnetic field so you can even bend notes without volume dropout.
Relentless J pickups will breathe new life into any bass, increase playability, and work well for any style of music from Motown to metal.
For more information, please visit dimarzio.com.