Undoing the belief that mastery is the goal can enable you to truly unleash your creative potential.
The great Zen master Shunryū Suzuki once said, “In the beginner’s mind, there are many possibilities, but in the expert’s, there are few.” Reflect for a moment on how we spend the majority of our lives constantly accumulating, winnowing, and refining, with the majority of our efforts geared towards attaining greater and greater efficiency through massive repetition, which in turn deeply ingrains habits. This is considered to be the path towards mastery. But it is also the path towards fewer and fewer choices, an unconscious reliance on those ingrained habits (the good and the bad), and diminishing creativity.
Over the last several years, I’ve written about a wide variety of topics related to audio, gear, and vintage and modern recording techniques. This time I’d like to shift focus and talk about the real drive for everything—creativity—as well as share some thoughts on words like “mastery” and “expertise.” Tighten up your belts, the Dojo is now open.
Having music-making gear and the knowledge of how to use it is always valuable and continually needed, but it will all lie dormant unless you have that creative “spark” and are feeling inspired to make art. How do we stay creative? And moreover, how can we make progress on our journey towards becoming an expert, and possibly a master?
“Expert” and “master”: Let me parse out the meaning of those two words. In my humble estimation, their concepts are galaxies apart. One is attainable; the other, not. Both are something you should never call yourself. If others use those terms when describing you, you should be curious as to whom they are talking about!
For me, the word “expert” describes someone who has attained a tremendous amount of experience (and hopefully wisdom) in a particular field of activity. The word “master” is problematic for me. Mostly because it carries with it significant cultural baggage and an implied perspective that no further effort is necessary—everything possible has been grasped, judged, and assimilated—end of story.
“In my humble estimation, their concepts are galaxies apart. One is attainable; the other, not.”
If there is one thing I’ve learned so far in my musical journey, it’s that I’m a perpetual student and I must always be aware of and be willing to break those deeply ingrained habits I’ve developed along the way towards becoming an “expert.” There is a term in Zen Buddhism called “shoshin” (meaning “beginner’s mind”), and it is something that I always strive to maintain (even though I catch myself slipping back into old habits all the time). The beginner’s mind is open to any possibility, free of habits and self-judgment, flexible, activated, and simultaneously innocent and wise. Here are some creative strategies that can shake things up and help you stay in touch with your beginner’s mind.
Embrace curiosity. Remember the feeling of wonderment and awe when you first started playing and didn’t know your scales, modes, and chords? Recall how you were always curious and trying new things because there were no rules to follow? Play like a total beginner.
Think divergently. Allow yourself the freedom to brainstorm as many ideas as possible without judgment or other forms of editorializing. Give yourself permission to really imagine.
Forget about results. Let yourself go and enjoy the process. Remember that the point of a journey is not the arrival!
Embrace failure. Give yourself the permission to fail. Breakthroughs come from taking risks and stepping outside your comfort zone. If you’re not failing, you’re not trying new things.
It’s not a competition. Stop comparing yourself to others and create from a pure place of joy and expression rather than trying to compete with your heroes.
Relieve pressure. This is a big one that I unconsciously fall into. Treat each work as a snapshot of your musical journey and evolution rather than assuming it’s your magnum opus that will define you for all eternity. Think of your baby pictures and yearbook photos, and then look at yourself now.
Record the process. Be sure to record everything as you try these techniques. I’ll be willing to bet that you’ll inevitably play something in the heat of the moment that will surprise and delight you. Knowing that those moments are already being recorded takes any pressure off of you to remember exactly what you did. Besides, those moments become invaluable as they can lead you to greater exploration and discovery afterwards.
These are just some ideas for you to experiment with and build upon to help supercharge your creativity and keep the red light glowing!
Until next time, namaste.
- Recording with Reverb... The Big No-No! ›
- 10 Essential Recording Tips ›
- How to Record Like the Beatles ›
Four-time Grammy Award-winning guitarist Gary Clark Jr. announces his 2025 North American tour.
Kicking off at Grand Sierra Resort and Casino in Reno, NV on February 19, the tour will continue with shows in Houston, Atlanta, Nashville, Charlotte, and more before concluding on March 15 in Hollywood, FL at Hard Rock Live at Seminole Hard Rock Hotel & Casino Hollywood.
Artist presale will begin tomorrow, October 2 at 10am local time, with public on-sale to follow on Friday, October 4 at 10am local time. Sign up now at https://www.garyclarkjr.com/ for a first chance at tickets.
JPEG RAW is Clark's first album since 2019’s critically lauded This Land, which became his third consecutive top 10 on the Billboard 200 chart and garnered three Grammy Awards, including Best Rock Song and Best Rock Performance ("This Land") and Best Contemporary Blues Album (This Land). Clark’s first Grammy win was awarded in 2014 for Best Traditional R&B Performance ("Please Come Home").
Since its release, the singer-songwriter has toured extensively and stretched his wings as an actor, playing American blues legend Arthur "Big Boy" Crudup in Baz Luhrmann’s Elvis, which received eight Academy Award nominations. Clark also served as the official Music Director for Jon Stewart's acceptance of the 23rd Annual Mark Twain Prize for American Humor in the Kennedy Center Concert Hall. In addition to programming the event, he delivered a powerful tribute on stage, which aired on PBS nationwide.
Now, as Clark prepares to hit the road once more in support of JPEG RAW, this new era continues for the acclaimed performer—one with ever-expanding horizons, and music that needs to be heard live and in person.
Tour Dates
Bold indicates newly announced dates
*With Eric Clapton
^With St. Vincent
2024
Sep 26 — Rio De Janeiro, Brazil — Farmasi Arena*
Sep 28 — São Paulo, Brazil — Vibra São Paulo*
Sep 29 — São Paulo, Brazil — Allianz Parque*
Oct 15 — London, UK — O2 Forum Kentish Town
Oct 16 — Manchester, UK — New Century Hall
Oct 17 — Bristol, UK — SWX
Oct 19 — Birmingham, UK — O2 Institute Birmingham
Oct 21 — Utrecht, Netherlands — TivoliVredenburg
Oct 23 — Luxembourg, Luxembourg — Den Atelier
Oct 24 — Basel, Switzerland — Baloise Session^
2025
Feb 19 — Reno, NV — Grand Sierra Resort and Casino
Feb 20 — Las Vegas, NV — Brooklyn Bowl Las Vegas
Feb 24 — El Paso, TX — Abraham Chavez Theatre
Feb 28 — San Antonio, TX — Aztec Theatre
Mar 1 — Houston, TX — 713 Music Hall
Mar 4 — Atlanta, GA — The Eastern
Mar 7 — Nashville, TN — Ryman Auditorium
Mar 9 — Knoxville, TN — Tennessee Theatre
Mar 10 — Charlotte, NC — Ovens Auditorium
Mar 11 — North Charleston, SC — North Charleston Performing Arts Center
Mar 13 — Tampa, FL — Seminole Hard Rock Tampa Event Center
Mar 14 — Orlando, FL — Hard Rock Live Orlando
Mar 15 — Hollywood, FL — Hard Rock Live at Seminole Hard Rock Hotel & Casino Hollywood
Revv Amplification's limited-edition G-Series V2 pedals offer three fresh flavors of boutique Canadian tone, with V2 circuit revisions.
Celebrating 10 years of Revv & 5 years since the release of the G2, Revv is debuting V2 circuit revisions of the G2, G3, & G4, implementing new designs for more tone in 3 little pedals, in a limited edition colorway.
The Revv Amplification 5th Anniversary G-Series V2 Lineup features:
- 3 Fresh Flavors of Boutique Canadian Tone - G-Series pedals are sonic recreations of 3 of Revv’s boutique amp channels used by Nashville session stars & metal touring artists alike.
- The Standard, Redefined - V2 circuit revisions are based on the Generator 120 MK3 Rev. B & incorporate new design elements for the most tube-like response & tone ever.
- Limited Edition - Exclusive new colorway featuring a black enclosure w/ custom graphics, embossed Revv badge, & color-coded knobs.
- Find Your Sound - The G2 is a powerful & versatile overdrive capable of everything from touch-sensitive boost to organic vintage stack tones, taken from Revv’s Green Channel.
- High Gain Clarity - The G3 utilizes Revv’s legendary Purple Channel, a tight & responsive high gain tone perfect for drop tuning & cutting through any mix.
- Fat Solo Tones - The G4 is based on Revv’s thick & saturated Red Channel, the ideal sound for chewy crunch, modern rock wall of sound, & liquid sustaining solos.
- Made in Canada - 100% analog circuit w/ top jacks, true bypass, & 2 year warranty.
Revv’s G-Series pedals have a street price of $229 & can be ordered immediately through many fine dealers worldwide.
For more information, please visit revvamplification.com.
Revv G3 Purple Channel Preamp/Overdrive/Distortion Pedal - Anniversary Edition
G3 Purple Ch Preamp/Hi-Gain Pedal - AnniversaryThe Texan rocker tells us how the Lonestar State shaped his guitar sounds and how he managed to hit it big in Music City.
Huge shocker incoming: Zach Broyles made a Tube Screamer. The Mythos Envy Pro Overdrive is Zach’s take on the green apple of his eye, with some special tweaks including increased output, more drive sounds, and a low-end boost option. Does this mean he can clear out his collection of TS-9s? Of course not.
This time on Dipped in Tone, Rhett and Zach welcome Tyler Bryant, the Texas-bred and Nashville-based rocker who has made waves with his band the Shakedown, who Rhett credits as one of his favorite groups. Bryant, it turns out, is a TS-head himself, having learned to love the pedal thanks to its being found everywhere in Texas guitar circles.Bryant shares how he scraped together a band after dropping out of high school and moving to Nashville, including the rigors of 15-hour drives for 30-minute sets in a trusty Ford Expedition. He’s lived the dream (or nightmare, depending on the day) and has the wisdom to show it.
Throughout the chat, the gang covers modeling amps and why modern rock bands still need amps on stage; the ins and outs of recording-gear rabbit holes and getting great sounds; and the differences between American and European audiences. Tune in to hear it all.
Get 10% off your order at stewmac.com/dippedintone
Oasis Live '25 world tour announces North American dates with Cage The Elephant as special guest. Oasis commented, “America. Oasis is coming. You have one last chance to prove that you loved us all along.”
The North American leg, produced by Live Nation and SJM, will see Oasis play stadiums in Toronto, Chicago, East Rutherford, Los Angeles and Mexico City next summer with Cage The Elephant as the special guest across all dates.
The news comes 16 years since their last performance in North America. Oasis commented,
“America.
Oasis is coming.
You have one last chance to prove that you loved us all along.”
The previously announced dates on the Oasis Live ‘25 tour sold out immediately, with over 10 million fans from 158 countries queuing to buy tickets. Days after their return, the band claimed their 8th UK No. 1 album with the 30th anniversary of their electrifying debut album Definitely Maybe, while at the same time occupying two other spots in the top 5 UK albums chart.
Oasis remain a huge draw in the streaming era, with over 32 million monthly listeners on Spotify alone – an increase of almost 50% since the announcement of their return – and nearly 12.5 billion streams to date across platforms.
Registration for the presale is currently open at oasisinet.com until Tuesday, October 1st at 8 am EST. General ticket sale will begin Friday, October 4th at 12pm local time and will be available from Ticketmaster.
Plans are underway for Oasis Live ’25 to go to other continents outside of Europe and North America later next year.
JULY 2025
4th - Cardiff, UK - Principality Stadium (SOLD OUT)
5th - Cardiff, UK - Principality Stadium (SOLD OUT)
11th - Manchester, UK - Heaton Park (SOLD OUT)
12th - Manchester, UK - Heaton Park (SOLD OUT)
16th - Manchester, UK - Heaton Park (SOLD OUT)
19th - Manchester, UK - Heaton Park (SOLD OUT)
20th - Manchester, UK - Heaton Park (SOLD OUT)
25th - London, UK - Wembley Stadium (SOLD OUT)
26th - London, UK - Wembley Stadium (SOLD OUT)
30th - London, UK - Wembley Stadium (SOLD OUT)
AUGUST 2025
2nd - London, UK - Wembley Stadium (SOLD OUT)
3rd - London, UK - Wembley Stadium (SOLD OUT)
8th - Edinburgh, UK - Scottish Gas Murrayfield Stadium (SOLD OUT)
9th - Edinburgh, UK - Scottish Gas Murrayfield Stadium (SOLD OUT)
12th - Edinburgh, UK - Scottish Gas Murrayfield Stadium (SOLD OUT)
16th - Dublin, IE - Croke Park (SOLD OUT)
17th - Dublin, IE - Croke Park (SOLD OUT)
24th - Toronto, ON - Rogers Stadium (JUST ADDED)
28th - Chicago, IL - Soldier Field (JUST ADDED)
31st - East Rutherford, NJ - MetLife Stadium (JUST ADDED)
SEPTEMBER 2025
6th - Los Angeles, CA - Rose Bowl Stadium (JUST ADDED)
12th - Mexico City, MX - Estadio GNP Seguros (JUST ADDED)
27th - London, UK - Wembley Stadium (SOLD OUT)
28th - London, UK - Wembley Stadium (SOLD OUT)