This well-established, simple technique opens up a new world of sonic possibilities.
[Originally published February 14, 2022]
Welcome to another Dojo! This time I’m going to show you how to reamp your guitar and explore some creative ways you can re-amps other tracks as well (soft synths, vocals, drums, etc.). In my earlier column “Why Guitarists Shouldn’t Diss DIs,” I mentioned the benefits of using a DI for creative recording. If you have a DI box, dust it off! You’ll need it when I show you how to get more out of your DI-recorded guitar and bass tracks by reamping them into your pedals and amps to capture new perspectives and even add some new reverberant spaces. Tighten up your belts, the Dojo is now open.
To begin, you’re going to need a reamp box such as the Radial JCR Studio Reamper ($229 street) and most likely a TRS-to-male XLR cable (like the Asterope Pro Studio Series TRS to XLRs, $55 street). I like passive re-amp boxes because they don’t require external power and are easy to move around. Some would argue that passive models loose signal strength, which is true, but how many boost/overdrive pedals do we guitarists have? At least one, right? Put one after the reamp box and before your amp. Boom. Problem solved, and you can drive your amp even harder. Otherwise, you’re going to shell out more dinero for active reamp boxes, which isn’t really necessary, and I like the inherent lo-fi nature of this process.
Reamping is a two-part endeavor. The first part involves using a DI box to record the guitar directly into your DAW. If you’re unsure how to do this, I recommend going online and reading my Dojo article mentioned above. It’s very easy and straightforward. The second part involves routing the DI-recorded guitar track out of your DAW and into your reamp pedal. Depending on your interface, you might need the TRS-to-male XLR cable previously mentioned.
Look at Fig. 1 and do the following: Plug the XLR end of the cable from your audio interface’s out into the input of your reamp box. Now use your regular guitar cable and connect the output of your reamp box to the input of your amp. Place a microphone in front of your guitar amp, plug that into your interface, and record-enable that track. When you hit playback, the DI track will play back through your amp, and you will be recording the amp. You’re now re-amping! You can make new recordings each time you change amp settings or mic positions.
For even more craziness, check out Fig. 2. You can add any (and all) pedals (even entire pedalboards) into the signal chain. Get creative. But wait, there’s more!
You can also route any track’s output in your DAW to your reamp box and really start going berserk. Try your lead vocal, the background vocals, keys, and drums (especially drum machines) and listen to how it sounds. Reamping also gives you the ability to manually tweak pedal knobs and make dynamic parts that are really changing as the track plays. Try playing with the times and feedback amount of your delays. Fun!
Finally, depending on how much you are driving your amp, you could keep it clean, move the mic further away from the speaker, and start capturing more of the sound of your room. I like to do this on drum machines. It puts them in a real space. Specifically, your space. No reverb plug-in can get that! As always, I invite you to come by my website to hear and see these concepts in action. Until next time, namaste.
Looking for more great gear for the guitar player in your life (yourself included!)? Check out this year's Holiday Gear Finds!
D'Addario XPND Pedalboard
DR-05X Stereo Handheld Recorder
Wampler Pedals Ratsbane
Created in collaboration with legendary guitarist George Lynch of Dokken and Lynch Mob fame, the Mr.Scary Mod adds an adjustable tube gain stage and an onboard Deep control, which together are designed to enable an amp to have increased sustain while still retaining note definition and dynamics.
LegendaryTones, LLC today announced production availability of its new Mr. Scary Mod, a 100% pure tube module designed to instantly and easily expand the capabilities of many classic amplifiers with additional gain and tone shaping. Created in collaboration with legendary guitarist George Lynch of Dokken and Lynch Mob fame, the Mr.Scary Mod adds an adjustable tube gain stage and an onboard Deep control, which together are designed to enable an amp to have increased sustain while still retaining note definition and dynamics.
Originally released as the Lynch Mod in February 2021, the updated Mr. Scary Mod features the same core circuit as the Lynch Mod but is now equipped with a revised tube mix combo per George’s preference as well as a facelift in a newly redesigned electro-galvanized steel enclosure. As with the Lynch Mod, each run will be limited and the first run in Pumpkin Orange with Black hardware is limited to just 150 pieces worldwide.
The Mr. Scary Mod adds an adjustable tube gain stage on top of the cathode follower position, keeping note definition and articulation while further increasing sustain. Each Mr. Scary mod is meticulously built by hand in the USA, one at a time, and tuned using high-grade components. Equipped with a single ECC81 (12AT7) in the first position and ECC83 (12AX7) in the second, the Mr. Scary Mod can clean up beautifully when rolling down your guitar’s volume, and still adds scorching gain when you roll it back up. This is a gain stage that’s been tuned and approved by the ears of the maestro George Lynch himself.
“The Mr. Scary Mod excels with dynamics and is incredibly touch-responsive, allowing me to shift from playing clear, lightly compressed cleans to full-out aggressive sustain and distortion –and control it all simply by varying my guitar’s volume control and picking,” said GeorgeLynch. “In many ways, it’s an old-school approach, but it’s also so much more natural and expressive in addition to being musically fulfilling when you can play both the guitar and amp dynamically together this way.”
The Mr. Scary Mod installs in minutes, is safe and effective to use, and requires no special tools or re-biasing of the amplifier. Simply insert the module into the cathode follower preamp position of compatible amplifiers (includes Marshall 2203/2204/1959/1987 circuits) and
immediately get the benefit of enjoying a hot-rodded amp that delivers all the pure harmonic character that comes with an added pure tube gain stage. The handmade in the USA Mr. Scary Mod is now available to order for $319.
For more information, please visit legendarytones.com.
October Audio has miniaturized their NVMBR Gain pedal to create two mini versions of this beautifully organic-sounding circuit – including an always-on gain device.
The NVMBR Gain is a nonlinear amp that transitions gracefully from clean boost to overdriven tones. Volume increases from just over unity to about 10db before soft-clipping drive appears for another 5db of boost. Its extraordinary ease of use is matched by outstanding versatility: you can use it as a clean boost, push a stubborn amp into overdrive or create a just-breaking-up sound at any amp volume.
October Audio’s new family of mini NVMBR Gain pedals includes a switchable version that allows you to bypass the effect: one option features brand logo pedal graphics, while the other sports a fun “Witch Finger” graphic with a Davies knob as the“fingernail”.
The second version in the new lineup is an always-on device featuring the Witch Finger graphic and Davies knob, with the same NVMBR Gain circuit that lies at the core of the switchable version.
- Knob controls gain and clipping simultaneously
- Stunning silver hammertone finish
- Switchable versions are true-bypass, available with classic or witch finger graphics
- Authentic Davies knobs, including the “fingernail”
- 9V center negative power supply required
- Dimensions: 3.63 x 1.50 x 1.88 in
Witch Finger (always on NVMBR Gain) demo
All October Audio pedals are assembled in Richmond, VA, and available for purchase directly through the online shop. Street price is $109 for NVMBR Gain footswitch versions and $89 for the always-on device.
For more information, please visit octoberaudio.com.