The series introduces new Stratocaster, Telecaster, Precision Bass, and Jazz Bass guitars while adding new platforms—the Tele Deluxe, Jaguar, and Jazzmaster.
Hollywood, CA (January 9, 2017) -- Fender Musical Instruments Corporation (FMIC) sets the stage for 2017 with the launch of the American Professional Series, a new professional-grade collection of electric guitars and basses debuting January 19 at NAMM 2017 in Anaheim, Calif.
The American Professional series invites a new generation of players to express themselves with an original, toneful and roadworthy flagship line that honors Fender’s classic models, while boldly proclaiming the brand’s foothold into not only a new era of music but also a new generation of players. A proud testament to more than 70 years of knowledge, technology, and experience making iconic instruments, the American Professional is one of Fender’s broadest electric series to date; It brings forth best-in-class instruments giving committed players the best of yesterday and today by pairing industry-leading models with new modern, player-centric features designed for an incredibly diverse number of artists across all musical genres.
“We are committed to evolving with artists as their musical expression diversifies,” said Justin Norvell, Vice President, Electric Guitars and Basses. “It’s our goal to give artists the tools they need to push the boundaries of their artistry in ways they never thought were possible. The American Professional series stays true to the integrity, quality and craftsmanship of legendary Fender designs, while incorporating more modern, player-centric features.”
To demonstrate this new line’s versatility, Fender American Professional guitars and basses are already being used by top artists across multiple musical genres, such as: singer and producer Ty Dolla $ign; Rock and Roll Hall of Fame inductee and Guns N’ Roses bassist Duff McKagan; rapper and producer Mac Miller; multi-instrumentalist and singer-songwriter Dhani Harrison; American indie rock band Local Natives– accompanying each on their musical journey toward exceptional artistry.
Handcrafted in the U.S.—by professionals, for professionals—the American Professional series introduces new Stratocaster, Telecaster, Precision Bass and Jazz Bass guitars while adding new platforms—the Tele Deluxe, Jaguar and Jazzmaster with the later featuring a rich voice, flexible electronics and Fender’s new V-Mod Jazzmaster pickups – the introduction of Jazzmaster and Jaguar platforms is a testament to the resurgence of offset guitars. Featuring new pickups designed by pickup guru Tim Shaw, the line also incorporates a brand-new "Deep C" shaped neck profile, new electronics, a new case, bone nut, and narrow-tall frets for easier string bending.
In total, the launch boasts 16 models and 92 SKUs available in 11 colors, including three new colorways: Sonic Gray, Antique Olive and Mystic Seafoam. They speak to a legacy cemented by the enduring influence of the world's greatest players and songwriters, including Jimi Hendrix, Kurt Cobain, Eric Clapton, David Gilmour, Pete Townshend and many more.
The American Professional series ranges from $1,399.99 - $1,599.99 and is available now at local dealers and on www.Fender.com. Models include:
American Professional Stratocaster
The new American Professional Stratocaster and the American Professional Stratocaster Left-Hand are the latest evolution of the world’s most-loved electric guitar, that boasts a host of new features aimed at professional players. Developed by pickup master Tim Shaw, the new V-Mod single-coil pickups are voiced specifically for each position, mixing alnico magnet types to produce powerful, nuanced tones. Other key features include: a treble-bleed circuit that is tailored specifically for the guitar’s voice and a new modern “Deep C” shaped neck profile with narrow-tall frets that make it easy for players to bend strings. The American Professional Stratocaster right-hand model is offered in 3-Color Sunburst, Black, Sienna Sunburst, Sonic Gray, Antique Olive and Olympic White. The Left-Hand model is offered in 3-Color Sunburst, Olympic White and Black. Pricing for the new American Professional Stratocaster is $1,399.99-$1,499.99, and the American Professional Stratocaster Left-Hand is $1,399.99.
American Professional Stratocaster HH Shawbucker
The American Professional Stratocaster HH ShawBucker isn’t simply a reimagining of the classic design; it’s the authentic original model, evolved for today’s players. The pair of warm, rich-sounding ShawBucker humbucking pickups are voiced specifically for each position, producing powerful, nuanced tones. Other key features include: a treble-bleed circuit, that is tailored specifically for the guitar’s voice and a new modern “Deep C”-shaped neck profile with narrow-tall frets that make it easy for players to bend strings. The American Professional Stratocaster HH ShawBucker model is offered in 3-Color Sunburst, Olympic White, Black, Sonic Gray and Antique Olive. Pricing for the new American Professional Stratocaster HH ShawBucker is $1,399.99.
American Professional Stratocaster HSS Shawbucker
The best of yesterday and today, the American Professional Stratocaster HSS ShawBucker is one of the latest forms of electric inspiration from Fender. The fat-sounding ShawBucker humbucking bridge pickup is joined by Tim Shaw’s latest vintage-informed design—the V-Mod single-coil pickups. Other new features include: a treble-bleed circuit that is tailored specifically for the guitar’s voice and a modern “Deep C” shaped neck profile with narrow-tall frets that make it easy to bend strings. The American Professional Stratocaster HSS ShawBucker is offered in 3-Color Sunburst, Black, Sienna Sunburst, Sonic Gray, Antique Olive and Olympic White. Pricing for the new American Professional Stratocaster HSS ShawBucker $1,399.99-$1,499.99.
American Professional Telecaster
The American Professional Telecaster & American Professional Telecaster Left-Hand encompasses everything artists need to play their best. Developed by legendary pickup master Tim Shaw, the new V-Mod single-coil pickups are voiced specifically for each position, mixing alnico magnet types to produce powerful and nuanced tones. Other key features include: the newly redesigned Telecaster bridge that sports three compensated brass barrel saddles, a treble-bleed circuit that is tailored specifically for the guitar’s voice, and a new modern “Deep C” shaped neck profile. The American Professional Telecaster is offered in 3-Color Sunburst, Olympic White, Natural, Crimson Red Transparent, Sonic Gray, 2-Color Sunburst, Butterscotch Blonde and Mystic Seafoam. The Left-Hand model is offered in 3-Color Sunburst, Black and Butterscotch Blonde. Pricing for the new American Professional Telecaster and American Professional Telecaster Left-Hand is $1,399.99-$1,499.99.
American Professional Telecaster Deluxe ShawBucker
Today’s version of the American Professional Telecaster Deluxe ShawBucker, brings modern, player-oriented features to the stage and studio. The pair of warm, rich-sounding ShawBucker humbucking pickups are voiced specifically for each position, producing powerful, nuanced tones. Other key features include: a new modern “Deep C” shaped neck profile, a treble-bleed circuit that is tailored specifically for the guitar’s voice, and narrow-tall frets that make it easy to bend strings. The American Professional Telecaster Deluxe ShawBucker is offered in 3-Color Sunburst, Sonic Gray, Black and Natural. Pricing for the new American Professional Telecaster Deluxe ShawBucker is $1,399.99-$1,499.99.
American Professional Jaguar
The American Professional Jaguar has been updated with modern features and materials, “hot-rodding” it for today’s professional players. The brand-new V-Mod Jaguar pickups expand the guitar’s sonic palette with hot, vintage-informed tone. The improved tremolo and bridge incorporate a screw-in arm and brass Mustang saddles that stabilize the strings, while adding a touch of sonic zip to the player’s tone. Other new features include: the modern “Deep C” shaped neck profile, a treble-bleed circuit that is tailored specifically for the guitar’s voice, and narrow-tall frets. The American Professional Jaguar is offered in 3-Color Sunburst, Olympic White, Sonic Gray and Antique Olive. Pricing for the new American Professional Jaguar is $1,499.99.
American Professional Jazzmaster
An elegant model with flexible electronics and a rich voice, the American Professional Jazzmaster lends its unique sound to any player’s vision. Fender’s new V-Mod Jazzmaster pickups kick out hot, vintage-inspired tone with plenty of punch and definition. The improved tremolo and bridge incorporate a screw-in arm and brass Mustang saddles that stabilize the strings, while adding a touch of sonic zip to the player’s tone. Other new features include: a treble-bleed circuit that is tailored specifically for the guitar’s voice, modern “Deep C”shaped neck profile and narrow-tall frets. The American Professional Jazzmaster is offered in 3-Color Sunburst, Olympic White, Sonic Gray and Mystic Seafoam. Pricing for the new American Professional Jazzmaster is $1,499.99.
American Professional Jazz Bass
The American Professional Jazz Bass and the American Professional Jazz Bass Left-Hand combine modern features and materials with Fender’s craftsmanship and expertise to produce a contemporary bass. Developed by pickup master Michael Bump, the brand new V-Mod single-coil Jazz Bass pickups use a carefully selected blend of alnico magnet types. The redesigned tuning machines use a fluted shaft, creating optimum break angle over the nut, while keeping the string windings tight for increased sustain and enhanced tuning stability. Other new features include: a slim modern “C” shaped neck profile, narrow-tall frets, and Posiflex graphite support rods that run the length of the neck. The American Professional Jazz Bass is offered in 3-Color Sunburst, Olympic White, Sonic Gray and Black. The Left-Hand model is offered in 3-Color Sunburst, Sonic Gray and Black. Pricing for the new American Professional Jazz Bass and the American Professional Jazz Bass Left-Hand is $1,499.99.
American Professional Jazz Bass Fretless
The American Professional Jazz Bass Fretless combines modern features and materials with Fender’s craftsmanship and expertise to produce a contemporary bass. Developed by pickup master Michael Bump, the brand new V-Mod single-coil Jazz Bass pickups use a carefully selected blend of alnico magnet types for balanced tone. Other features include: the slim modern “C” shaped neck profile, and Posiflex graphite support rods that run the length of the neck. It also includes redesigned tuning machines that use a fluted shaft, creating the optimum break angle over the nut, while keeping the string windings tight for increased sustain. The American Professional Jazz Bass Fretless is offered in 3-Color Sunburst, Black and Sonic Gray. Pricing for the new American Professional Jazz Bass Fretless is $1,499.99.
American Professional Jazz Bass V
The American Professional Jazz Bass V combines modern features and materials with Fender’s craftsmanship and expertise to produce a truly contemporary bass. Developed by pickup master Michael Bump, the brand new V-Mod single-coil Jazz Bass pickups use a carefully selected blend of alnico magnet types for balanced tone. The redesigned tuning machines use a fluted shaft, creating the optimum break angle over the nut while keeping the string windings tight for increased sustain. Other features include: a slim modern “C” shaped neck profile, narrow-tall frets, and Posiflex graphite support rods that run the length of the neck. The American Professional Jazz Bass V is offered in 3-Color Sunburst, Olympic White, Black and Sonic Gray. Pricing for the new American Professional Jazz Bass V is $1,599.99.
American Professional Precision Bass
As music evolves our instruments change in lockstep - the end result is today’s version of the American Professional Precision Bass and the American Professional Left-Hand. Developed by longtime bass pickup master Michael Bump, the brand new V-Mod split-coil Precision Bass pickup uses a carefully selected blend of alnico magnet types for balanced tone. Other features include: the “golden” ’63 P Bass neck profile, narrow-tall frets, Posiflex graphite support rods that run the length of the neck, and redesigned tuning machines that use a fluted shaft. The American Professional Precision Bass is offered in 3-Color Sunburst, Olympic White, Black and Antique Olive. The Precision Bass Left-Hand model is offered in 3-Colored Sunburst, Olympic White and Black. Pricing for the new American Professional Precision Bass is $1,499.99, and the American Professional Left-Hand is $1,449.99.
American Professional Precision Bass V
The American Professional Precision Bass V combines the best of the past with modern materials and updated features to create a bass that’s ideal for professional players. Developed by longtime bass pickup master Michael Bump, the brand new V-Mod split-coil Precision Bass pickup uses a carefully selected blend of alnico magnet types for balanced tone. Other features include: the “golden” ’63 P Bass neck profile, Posiflex graphite support rods that run the length of the neck, and redesigned tuning machines that use a fluted shaft. The American Professional Precision Bass V is offered in 3-Color Sunburst, Olympic White, Black and Antique Olive. Pricing for the new American Professional Precision Bass V is $1,549.99.
or technical specs, additional information on new Fender products and to find a retail partner near you, visit www.fender.com. Join the conversation on social media by following @Fender.com
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Fender
On our season two finale, the country legend details his lead-guitar tricks on one of his biggest hits.
Get out the Kleenex, hankies, or whatever you use to wipe away your tears: It’s the last episode of this season of Shred With Shifty, a media event more consequential and profound than the finales of White Lotus and Severance combined. But there’ll be some tears of joy, too, because on this season two closer, Chris Shiflett talks with one of country music’s greatest players: Vince Gill.
Gill’s illustrious solo career speaks for itself, and he’s played with everyone from Reba McEntire and Patty Loveless to Ricky Skaggs and Dolly Parton. He even replaced Glenn Frey in the Eagles after Frey’s death in 2017. His singing prowess is matched by his grace and precision on the fretboard, skills which are on display on the melodic solo for “One More Last Chance.” He used the same blackguard 1953 Fender Telecaster that you see in this interview to record the lead, although he might not play the solo the exact way he did back in 1992.
Tune in to learn how Gill dialed his clean tone with a tip from Roy Nichols, why he loves early blackguard Telecasters and doesn’t love shredders, and why you never want to be the best player during a studio session.
If you’re able to help, here are some charities aimed at assisting musicians affected by the fires in L.A:
https://guitarcenterfoundation.org
https://www.cciarts.org/relief.html
https://www.musiciansfoundation.org
https://fireaidla.org
https://www.musicares.org
https://www.sweetrelief.org
Credits
Producer: Jason Shadrick
Executive Producers: Brady Sadler and Jake Brennan for Double Elvis
Engineering Support by Matt Tahaney and Matt Beaudion
Video Editor: Addison Sauvan
Graphic Design: Megan Pralle
Special thanks to Chris Peterson, Greg Nacron, and the entire Volume.com crew.
New RAT Sound Solution Offers a Refined Evolution of Distortion
ACT Entertainment ’s iconic RAT brand has unveiledthe Sterling Vermin, a boutique distortion guitar pedal that blends heritage tone with modernrefinement. With a new take on RAT’s unmistakable sound, Sterling Vermin delivers a new levelof precision and versatility.
“The Sterling Vermin was born from a desire for something different — something refined, withthe soul of a traditional RAT pedal, but with a voice all its own,” says Shawn Wells, MarketManager—Sound, ACT Entertainment, who designed the pedal along with his colleague MattGates. “Built in small batches and hand-soldered in ACT’s Jackson, Missouri headquarters, theSterling Vermin is a work of pure beauty that honors the brand legacy while taking a bold stepforward for creativity.”
The Sterling Vermin features the LM741 Op-Amp and a pair of selectable clipping diodes.Players can toggle between the traditional RAT silicon diode configuration for a punchy, mid-range bite, or the BAT41 option for a smoother, more balanced response. The result is a pedalthat’s equally at home delivering snarling distortion or articulate, low-gain overdrive, with a wide,usable tonal range throughout the entire gain spectrum.
The pedal also features CTS pots and oversized knobs for even, responsive control that affordsa satisfying smoothness to the rotation, with just the right amount of tension. Additionally, thepolished stainless-steel enclosure with laser-annealed graphics showcases the merging of thepedal’s vintage flavor and striking design.
“From low-gain tones reminiscent of a Klon or Bluesbreaker, to high-gain settings that flirt withBig Muff territory — yet stay tight and controlled — the Sterling Vermin is a masterclass indynamic distortion,” says Gates, an ACT Entertainment Sales Representative. “With premiumcomponents, deliberate design and a focus on feel, the Sterling Vermin is more than a pedal, it’sa new chapter for RAT.”
The RAT Sterling Vermin is available immediately and retails for $349 USD. For moreinformation about this solution, visit: actentertainment.com/rat-distortion .
$149
Marshall 1959 Super Lead
The very definition of classic, vintage Marshall sound in a highly affordable package.
There’s only one relevant question about Marshall’s new 1959 Super Lead overdrive/distortion pedal: Does it sound like an actual vintage Super Lead head? The answer is, simply and surprisingly, yes. The significant difference I heard within the voice of this stomp, which I ran through a Carr Vincent and a StewMac Valve Factory 18 kit amp for contrast, is that it’s a lot quieter than my 1972 Super Lead.
The Super Lead, which bore Marshall’s 1959 model number, debuted in 1965 and was the amp that defined the plexi sound. That sound is here in spades, clubs, diamonds, and hearts. Like the Super Lead, the pedal is easy to use. The original’s 3-band EQ is replaced by a single, rangeful tone control. The normal dial and the volume, which together mimic the character created by jumping the first and second channels of a plexi head, offer smooth, rich, buttery op-amp driven gain and loudness. And the high-treble dial functions much like the presence control on the original amp.
The pedal is sturdy and handsome, too. A heavy-duty metal enclosure evokes the classic black-with-gold-plate plexi look and a vintage-grille-cloth motif. Switches and knobs (the latter with rubber sides for slip-free turning) are ultra solid, and—refreshingly—there’s a 9V battery option in addition to a barrel-pin connection. Whether with single-coils or humbuckers, getting beefy, sustained, historic tones took moments. I especially delighted in approximating my favorite Super Lead head setting by flooring the high treble, normal, and tone dials, and turning back the tone pots on my Flying V, evoking Disraeli Gears-era Clapton tone. That alone, to me, makes the 1959 Super Lead stomp a bargain at $149.Two guitars, two amps, and two people is all it takes to bring the noise.
The day before they played the coveted Blue Room at Third Man Records in Nashville, the Washington, D.C.-based garage-punk duo Teen Mortgage released their debut record, Devil Ultrasonic Dream. Not a bad couple of days for a young band.
PG’s Chris Kies caught up with guitarist and vocalist James Guile at the Blue Room to find out how he builds the band’s bombastic guitar attack.
Brought to you by D’Addario.
Devilish Dunable
Guile has been known to use Telecasters and Gretsches in the past, but this time out he’s sticking with this Dunable Cyclops DE, courtesy of Gwarsenio Hall—aka Jordan Olds of metal-themed comedy talk show Two Minutes to Late Night. Guile digs the Dunable’s lightness on his shoulders, and its balance of high and low frequencies.
Storm Warning
What does Guile like about this Squier Cyclone? Simple: its color. This one is also nice and easy on the back, and Guile picked it up from Atomic Music in Beltsville, Maryland.
Crushing It
Guile also scooped this Music Man 410-HD from Atomic, which he got just for this tour for a pretty sweet deal. It runs alongside an Orange Crush Bass 100 to rumble out the low end.
James Guile’s Pedalboard
The Electro-Harmonix Micro POG and Hiwatt Filter Fuzz MkII run to the Orange, while everything else—a DigiTech Whammy, Pro Co Lil’ RAT, and Death by Audio Echo Dream 2—runs to the Music Man. A TC Helicon Mic Mechanic is on board for vocal assistance, and a TC Electronic PolyTune 3, Morley ABY, and Voodoo Labs Pedal Power 3 Plus keep the ship afloat.