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Guitar Wireless Units You’ll Actually Use

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Cut the cord! PG contributor Tom Butwin goes hands-on with three compact wireless guitar systems from Positive Grid, NUX, and Blackstar. From couch jams to club gigs, find the right unit for your rig and playing style.


Positive Grid Spark LINK Guitar Wireless System

Enjoy a stable, noiseless experience with a compact wireless unit design, ultra-low latency, and an extended range. Other features include 6 hours of playing time per charge and a secure 110-degree hinged input plug connection.

Positive Grid
$129.00

NUX B-8 Professional Wireless System - 2.4GHz

A pedal-style professional wireless system geared for electric guitars, acoustic-electric guitars, bass guitars, and even electronic instruments, and transmits 24-bit 48 kHz high-quality audio.

NUX
$319.00

Blackstar Airwire i58 Wireless System

This professional wireless instrument system is designed for guitars, basses, and other instruments with 1/4" outputs. Operating in the 5.8 GHz frequency band, it avoids interference from crowded Wi-Fi signals while delivering authentic tone, ultra-low latency (<6 ms), and high-resolution sound with no treble loss.

Blackstar
$169.99

Classic counterpoint techniques that work for surf.

Intermediate

Intermediate

Learn some time-honored guidelines of classical composition.

Apply revered rules to more modern styles.

Create interesting and complex surf lines.
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The term counterpoint scares many people who think it is a carefully devised process that strips you of creative freedom. This is partly true, because some individuals have pushed the practice of counterpoint as strict rules at some point without explaining its purpose. I disagree with the view that music theory is a rule. Counterpoint, like serialism or any other principle of harmony, is simply a recipe for an expected result. These music theory recipes are not baking recipes where exact measurements must be made; music theory is more like cooking, which is more malleable and open to in-the-moment modifications.

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See and hear Taylor’s Legacy Collection guitars played by his successor, Andy Powers.

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The Oceans Abyss expands on Electro-Harmonix’s highly acclaimed reverb technology to deliver a truly immersive effects workstation. The pedal is centered around dual reverb engines that are independently programmable with full-stereo algorithms including Hall, Spring, Shimmer and more. Place these reverbs into a customizable signal path with additional FX blocks like Delay, Chorus, Tremolo, or Bit Crusher for a completely unique soundscape building experience.

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Our columnist’s silver-panel Fender Bandmaster.

How this longstanding, classic tube amp design evolved from its introduction in 1953.

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