Two fuzzes, one box—and zillions of tones.
Two classic fuzz circuits in one box. Ferocious crunch tones. Clever blending options. Stereo outputs. Quality build. Fair price.
Not very responsive to guitar dynamics.
Ease of Use:
At first glance, the debut pedal from Dunable Guitars is a simple but cool pairing of two vintage fuzz circuits. After a few more glances, it looks even cooler—and far less simple.
The SplatterBlaster is two fuzzes in one enclosure: “Splatter” is a Univox Super-Fuzz clone, while “Blaster” is a modified op amp Big Muff. Both are classics in their own right, and the pair is sonically complementary. Each can be used independently, but SplatterBlaster is most exciting when its dual fuzz circuits interact. But first, let’s consider each one separately.
The Splatter side is an authentic-sounding Super-Fuzz—a circuit prized for toothy distortion and a unique high-octave fuzz voice. Its marquee feature is a 2-position tone toggle. One setting is fat and scooped; the other is snotty and mids-forward. (You hear the contrast at the beginning of the first audio clip). Dunable supplements the original gain and volume controls with a boost pot. Still, this is not a loud circuit—even maxed out, the signal isn’t much louder than bypass. The tone toggle creates dramatic tone shifts. The effects of other controls are less pronounced. (In this respect, the Splatter circuit differs from a Super-Fuzz, where gain control shifts can result in glitchy, even synthy fuzz textures). At the very end of Clip 1, I play two similar riffs. The first time, the Splatter (gain) and boost controls are at their minimum settings. After that, they’re maxed out. Sure, there’s a difference, but it’s modest.
The Blaster side is based on the late-’70s Muffs that used op amps in lieu of transistors. You get a faithful rendition of the iconic single-knob tone control, wherein the single knob’s sweep doesn’t simply cut bass or treble, but adjusts both while reconfiguring the midrange. It’s the scoop, the whole scoop, and nothing but the scoop.
Dunable has added a bass pot, which applies a hefty low-end boost centered around 100 Hz. On guitar, it can overwhelm the traditional tone control, generating overly dense and thudding tones. But hmm … could it be cool on bass? (Spoiler alert: Eff yeah!) Clip 2 showcases the Blaster side alone. Both fuzzes sound badass, but neither is dynamically responsive. You can’t clean these up or soften their edges by lowering the guitar’s volume. You’ve got to commit to full-on fuzz.
One plus one equals…?
Combined, the two fuzzes yield far more than the sum of their parts. Their circuits are arrayed in parallel, not series. In other words, Splatter never cascades into Blaster, or vice versa. Instead, there’s a mix knob that blends the fuzzes in varying ratios. Splatter’s spiky mids can add dynamics and intensity to Blaster’s thick, scooped sound. And since the blend control is active even when one fuzz is bypassed, you can mix either fuzz with your clean signal. That can add definition and impact to squashed, saturated fuzz settings. Clip 3 explores these possibilities.
Left, Right, and In Between
Through a single amp, the SplatterBlaster sums both fuzzes in mono. But flick the stereo switch, and each effect gets routed to its own output for feeding two amps or a stereo-compatible amp modeler. Another wrinkle is a phase-reverse switch, to flip the polarity of one circuit. Depending on your settings, this can provide subtle variation or radically altered tones. Clip 4 demonstrates the stereo configuration. (I used a small, clean-toned combo amp for the first three clips and an amp modeler for the remaining clips—including the stereo clip.)
Saving the Low for Last
I expected the SplatterBlaster to sound good on bass, given the Blaster’s extra bass control, its ability to blend clean and distorted signals, and the fact that a less dynamic fuzz can be a good thing for bass tones. But “good” doesn’t begin to describe the results. It’s more like “devastating.” SplatterBlaster may be my fave bass fuzz ever. Clip 5 demos stereo bass sounds. Clip 6 features the same performance, but mixed to mono. Damn.
By the way, the SplatterBlaster runs on standard 9-volt power supplies. It has no battery compartment.
If the SplatterBlaster simply offered two great fuzzes in one box, it would be an attractive pedal. But its ability to mix and stereo-ize the fuzzes and blend them with clean signal unlocks a world of compelling crunch tones. The pedal is equally potent on guitar and bass. It’s well made, with enclosure-mounted jacks and classy metal knobs. And with two discrete effects, plus many ways to combine them, it’s fairly priced at $299.
Watch the First Look:
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Created in collaboration with legendary guitarist George Lynch of Dokken and Lynch Mob fame, the Mr.Scary Mod adds an adjustable tube gain stage and an onboard Deep control, which together are designed to enable an amp to have increased sustain while still retaining note definition and dynamics.
LegendaryTones, LLC today announced production availability of its new Mr. Scary Mod, a 100% pure tube module designed to instantly and easily expand the capabilities of many classic amplifiers with additional gain and tone shaping. Created in collaboration with legendary guitarist George Lynch of Dokken and Lynch Mob fame, the Mr.Scary Mod adds an adjustable tube gain stage and an onboard Deep control, which together are designed to enable an amp to have increased sustain while still retaining note definition and dynamics.
Originally released as the Lynch Mod in February 2021, the updated Mr. Scary Mod features the same core circuit as the Lynch Mod but is now equipped with a revised tube mix combo per George’s preference as well as a facelift in a newly redesigned electro-galvanized steel enclosure. As with the Lynch Mod, each run will be limited and the first run in Pumpkin Orange with Black hardware is limited to just 150 pieces worldwide.
The Mr. Scary Mod adds an adjustable tube gain stage on top of the cathode follower position, keeping note definition and articulation while further increasing sustain. Each Mr. Scary mod is meticulously built by hand in the USA, one at a time, and tuned using high-grade components. Equipped with a single ECC81 (12AT7) in the first position and ECC83 (12AX7) in the second, the Mr. Scary Mod can clean up beautifully when rolling down your guitar’s volume, and still adds scorching gain when you roll it back up. This is a gain stage that’s been tuned and approved by the ears of the maestro George Lynch himself.
“The Mr. Scary Mod excels with dynamics and is incredibly touch-responsive, allowing me to shift from playing clear, lightly compressed cleans to full-out aggressive sustain and distortion –and control it all simply by varying my guitar’s volume control and picking,” said GeorgeLynch. “In many ways, it’s an old-school approach, but it’s also so much more natural and expressive in addition to being musically fulfilling when you can play both the guitar and amp dynamically together this way.”
The Mr. Scary Mod installs in minutes, is safe and effective to use, and requires no special tools or re-biasing of the amplifier. Simply insert the module into the cathode follower preamp position of compatible amplifiers (includes Marshall 2203/2204/1959/1987 circuits) and
immediately get the benefit of enjoying a hot-rodded amp that delivers all the pure harmonic character that comes with an added pure tube gain stage. The handmade in the USA Mr. Scary Mod is now available to order for $319.
For more information, please visit legendarytones.com.
October Audio has miniaturized their NVMBR Gain pedal to create two mini versions of this beautifully organic-sounding circuit – including an always-on gain device.
The NVMBR Gain is a nonlinear amp that transitions gracefully from clean boost to overdriven tones. Volume increases from just over unity to about 10db before soft-clipping drive appears for another 5db of boost. Its extraordinary ease of use is matched by outstanding versatility: you can use it as a clean boost, push a stubborn amp into overdrive or create a just-breaking-up sound at any amp volume.
October Audio’s new family of mini NVMBR Gain pedals includes a switchable version that allows you to bypass the effect: one option features brand logo pedal graphics, while the other sports a fun “Witch Finger” graphic with a Davies knob as the“fingernail”.
The second version in the new lineup is an always-on device featuring the Witch Finger graphic and Davies knob, with the same NVMBR Gain circuit that lies at the core of the switchable version.
- Knob controls gain and clipping simultaneously
- Stunning silver hammertone finish
- Switchable versions are true-bypass, available with classic or witch finger graphics
- Authentic Davies knobs, including the “fingernail”
- 9V center negative power supply required
- Dimensions: 3.63 x 1.50 x 1.88 in
Witch Finger (always on NVMBR Gain) demo
All October Audio pedals are assembled in Richmond, VA, and available for purchase directly through the online shop. Street price is $109 for NVMBR Gain footswitch versions and $89 for the always-on device.
For more information, please visit octoberaudio.com.