More than 40 years after his death, Jimi Hendrix’s music lives on and continues to influence musicians of all flavors. The Experience Hendrix Tour is just one example of how some of today’s talented players continue to pass the torch of the almighty mystical muse and guitar great. This year’s lineup includes Eric Johnson, Dweezil Zappa, Eric Gales, Jonny Lang, Kenny Wayne Shepherd, Buddy Guy, and bassist Billy Cox—the last surviving member of both the Jimi Hendrix Experience and Band of Gypsys. Here’s a look at the March 25, 2014, show the Count Basie Theatre in Red Bank, New Jersey. Spoiler Alert: Everyone played Fender Strats, although Jonny Lang slipped in his Tele for a song or two.
Joni Mitchell’s rich, colorful altered-tuning chord voicings have set her work apart in its own musical universe, where the rest of us guitarists either scratch our heads in wonder or have to do dissertation-level research to unpack just how she gets her sound. Dawes guitarist and songwriter Taylor Goldsmith gained firsthand experience with Mitchell’s songs when he joined her on stage—just check out 2022’s “Joni Jam” from the Newport Folk Festival, which also included Brandi Carlile, Blake Mills, Jon Batiste, and others.
Goldsmith joins us on this episode of the 100 Guitarists podcast. Together, we talk about Mitchell’s chord voicings and progressions, her tunings, what it’s like to share a stage with her, and Goldsmith wonders: Was Bob Dylan’s “Tangled Up in Blue” a nod to the songwriter’s 1971 album?
When we wrap up our conversation, we cover a new release of energetic, forward-leaning guitar cumbia by Los Pirañas and an album of Bach Partitas for Telecaster by guitarist Noel Johnston.
This episode is sponsored by L.R. Baggs.
The Mick Ronson Cry Baby Wah taps into the vibrant, melodic character of one of rock ’n’ roll’s most gifted songwriters. Few guitar players have been able to combine a keen musical instinct with a profound grasp of how to bring a composition together like Mick Ronson. Laden with expressive resonance, his arrangements layered deliberately chosen tones and textures to build exquisite melodies and powerful riffs. The Cry Baby Wah, set in a fixed position to serve as a filter, was key to the tone-shaping vision that Ronson used to transform the face of popular music through his work with David Bowie and many others as both an artist and a producer.
We wanted to make that incredible Cry Baby Wah sound available to all players, and legendary producer Bob Rock—a friend and collaborator of Ronson’s—was there to help. He generously loaned us Ronson’s own Cry Baby Wah pedal, an early Italian-made model whose vintage components imbue it with a truly singular sound. Ronson recorded many tracks with this pedal, and Rock would go on to use it when recording numerous other artists. With matched specs, tightened tolerances, and a custom inductor, our engineers have recreated this truly special sound.
“You place the wah, and leave it there, and that's the tone,” Rock says. “It's all over every record he ever made, and I’ve used it on every record since I got it. Dunlop’s engineers spent the time and sent me the prototypes, and we nailed that sound.”
Mick Ronson Cry Baby Wah highlights:
- Tailor-made for Ronson’s signature fixed-wah tones• Carefully spec’d from his own wah pedal
- Custom inductor replicates higher frequency response and subtler peak
- Fast initial sweep with Instant reactivity
- Distinctive EQ curve from period-accurate components
- Special finish inspired by Ronson’s monumental work
The Mick Ronson Cry Baby Wah is available now at $249.99 street from your favorite retailer.
For more information, please visit jimdunlop.com.
