Godin brings their acoustic sensibilities to a chambered solidbody single-coil instrument.
Download Example 1 Tones from the 5-way switch, passive and active. | |
Download Example 2 Intonation | |
Download Example 3 Tremolo bar, on active mode | |
All clips recorded through a USA Fender Hot Rod Deluxe (flat eq), mic'd with a Sennheiser e609, through Apogee Duet Preamp. |
The Passion Series was designed with the serious musician and single-coil aficionado in mind. Taking at least eight weeks to manufacture from start to finish in the Godin Premier Atelier, where Godin says these guitars are touched by only a few select guitar makers through production, hand-picked from the best the company has to offer. These makers use the best technology and materials available to produce a truly remarkable instrument. We were able to get a hold of the Passion RG-3 with mahogany top and maple fingerboard to check it out.
First Impressions
One of the foundational design concepts for the Passion RG-3 was to incorporate ideas from sophisticated acoustic guitars into a Strat-style electric guitar format. As a result, the tonewoods used in this guitar—red cedar with mahogany or Sitka spruce with flame maple—are those more often found in acoustic guitars. The guitar we got our hands on has a solid red cedar back with a solid mahogany top, and it really does sound lively and full-bodied when you play it acoustically. You can feel the sound vibrating through the body and the neck—the harmonic resonance is strong and very present even without the amplification.
The body on its own weighs around 2.3 pounds, so the guitar is very light. The light weight can somewhat be attributed to the choice of wood, but is mostly due to the hollow chambers within the guitar body. The RG-3 has five tone chambers under the hood which are all joined and port into the single coil pickup cavities, and these chambers add to the acoustic quality of the guitar. All of the wood on this guitar is beautiful. If you’re a connoisseur of wood, you will enjoy the wood grains through the natural finish.
The top has a comfort contour for the right arm ergonomics and has a smoked wood binding rounding it off. The pickguard, outlined in simple wood purfling, is routed right into the body top so there isn’t really anything to protect your guitar from the pick, but is there really a need? It does add to the simplicity and elegance of design. The neck of this guitar feels smooth, and where the frets end, there is a small radius on the fingerboard edge to transition into the back of the neck. The frets are also polished and shaped to taper into the edge of the fingerboard so the feel up and down the frets is like that of a well-worn guitar.
On this model, the neck is two-piece maple. The fingerboard is a separate piece of maple, which allows the truss rod to be installed from the top of the neck and avoid the “skunk-stripe.” With a machine head ratio of 18:1, the Gotoh 510 tuners make it easy to dial in those last few cents while tuning. These tuners also have varied shaft heights to maximize the string tension against the Tusq nut as the string gauge gets lighter and farther up the headstock.
The overall craftsmanship of this instrument is elegant, solid, and of very high quality. The guitar comes with a hardshell, lockable, faux alligator tour case on plastic wheels with a gig bag that fits inside. You also get a certificate of authenticity for the guitar and a set of black bell knobs if you prefer that look over the stock chrome.
The Electronics
The electronics of the RG-3 really push the envelope of the electric guitar. You get the standard issue volume and tone knobs and the five-way selector switch, but these are the only things that you’ve likely seen before. The three GS3 pickups are made by Godin to specifically compliment this series of guitar and stand out with their large pole pieces. You’ll also notice that the pole heights are staggered and tuned which give a very even-tempered sound and volume across all six strings. Extra wax windings were added to the sides of the pickups in an effort to help reduce hum, but honestly I didn’t notice much difference in interference between this guitar and other single-coil guitars.
To compliment these pickups, Godin uses the High-Definition Revoicer (HDR) that provides a wide variety of different single-coil sounds to choose from. The HDR is activated by a simple and conveniently located switch that allows you to choose between an active or passive pickup configuration. This switch engages a preamp circuit that adds a new soundstage to the guitar. The term “high definition” is quite descriptive of the sound when you turn the HDR on. You get more pronounced highs as well as deeper lows with an even middle. Right hand pick dynamics also come alive with the HDR engaged.
Plugging In
As mentioned earlier, the first thing I noticed when I played this guitar acoustically was how much vibration I could feel through my hands and arms. As for definition and response, I think you will be hard pressed to find a better electric guitar. The choice of single-coils in this guitar with the harmonic resonance from the chambered tone woods make this a truly amazing sounding instrument with lots of sustain and available dynamics.
This guitar is very responsive to hand technique and pick pressure. Competing with a full band, it can cut through nicely with a solid and musical presence in the midrange frequency spectrum. Engage the HDR, and it speaks even more without getting harsh. My first impression of the HDR circuit made me wonder why you would ever want to switch back to the passive mode, but after a few days of playing with this switch, I found many exquisite and usable tones in both modes. I can’t say enough about the clarity and dynamics available with this instrument.
I checked the intonation up the neck on each string and it was spot on with the exception of one very minor string length adjustment on the stainless bridge (screw on the low E). It plays perfectly in tune up and down the neck. The tremolo arm setup on the RG-3 works remarkably well as it stays pretty much in tune right from the start. If you dive it hard, it will take a few cents on the strings here and there, as most other tremolos without locking nut systems will. But I found it to be very musical and definitely well above the average for staying in tune.
The Final Mojo
This guitar is beautifully crafted and built to allow the serious musician to explore and reach new heights. It pushes the envelope in form as well as electronics. If you are looking for something to inspire you to reach your potential, this guitar gives you that space. Great attention has been paid to the finer details of guitar-making and it looks, feels, and plays great. It’s an elegant instrument, and the more I play it, the more I love it.
Buy if...
you are looking for one exquisitely crafted single-coil guitar to rule them all, one that will inspire you to explore and push your musical limits.
Skip if...
you don't love single-coil guitars or don’t have the dump-truck load of beans to buy it.
Rating...
Street $2795 - Godin - godinguitars.com |
Linkin Park introduce new vocalist Emily Armstrong (of Dead Sara), new drummer Colin Brittain, and share their first brand new music in seven years.
Linkin Park share a new single (HERE) and video (premiering HERE at 4pm PT/7pm ET), for “The Emptiness Machine,” plus a global livestream performance (happening now HERE and available only for 24 hours), and the launch of 6 upcoming arena shows in Los Angeles, New York, Hamburg, London, Seoul, and Bogota as part of the From Zero World Tour. LP Underground fan club exclusive pre-sales start September 6 and general on-sales September 7. Go to LinkinPark.com for more info.
These surprises herald the arrival of LINKIN PARK’s first album since 2017, FROM ZERO, on November 15.
Tomorrow, Friday September 6th, the band joins long-time friend and Apple Music host Zane Lowe for an in-depth candid conversation about the incredible legacy of Linkin Park, the 7-year long journey to new music and their excitement for the future.
Without expectations, Shinoda, Delson, Farrell, and Hahn quietly began meeting up again in recent years. Rather than “trying to restart the band,” their instinct was to simply spend more time together, and reconnect with the creativity and camaraderie that has been at the core of their friendship since college. During this time, they invited various friends and cohorts to join them in the studio; among the guests, they found a special kinship with Armstong and Brittain. A natural chemistry drew these musicians back into its gravitational pull as they logged more and more hours in the studio. It was the sound of lifelong musicians rediscovering the uncontainable energy of a new beginning once again. Over this season, FROM ZERO was born.
FROM ZERO
FROM ZERO TRACKLIST
- From Zero (Intro)
- The Emptiness Machine
- Cut The Bridge
- Heavy Is The Crown
- Over Each Other
- Casualty
- Overflow
- Two Faced
- Stained
- IGYEIH
- Good Things Go
About the new era, Shinoda stated, “Before LINKIN PARK, our first band name was Xero. This album title refers to both this humble beginning and the journey we’re currently undertaking. Sonically and emotionally, it is about past, present, and future—embracing our signature sound, but new and full of life. It was made with a deep appreciation for our new and longtime bandmates, our friends, our family, and our fans. We are proud of what LINKIN PARK has become over the years, and excited about the journey ahead.”
Right out of the gate, “The Emptiness Machine” channels the DNA of LINKIN PARK, harnessing the band’s explosive energy and retaining the hallmarks of their instantly identifiable and inimitable sound. A chameleonic and catchy anthem, Shinoda’s hypnotic melodies hand off to Armstrong’s blistering chorus, over distorted riffs and head-nodding drums.
Shinoda elaborated, “The more we worked with Emily and Colin, the more we enjoyed their world-class talents, their company, and the things we created. We feel really empowered with this new lineup and the vibrant and energized new music we’ve made together. We’re weaving together the sonic touchpoints we’ve been known for and still exploring new ones.”
FROM ZERO WORLD TOUR 2024
September 11, 2024 | Kia Forum - Los Angeles, CA
September 16, 2024 | Barclays Center - New York, NY
September 22, 2024 | Barclays Arena - Hamburg, Germany
September 24, 2024 | The O2 - London, UK
September 28, 2024 | INSPIRE Arena - Seoul, South Korea
November 11, 2024 | Coliseo Medplus - Bogota, Colombia
Voltage Cable Company's new Voltage Vintage Coil 30-foot guitar cable is now protected with ISO-COAT technology to provide unsurpassed reliability.
The new coiled cables are available in four eye-grabbing retro colors – Surf Green, Electric Blue, Orange and Caramel – as well as three standard colors: Black, White and Red. There is also a CME exclusive “Chicago Cream” color on the way.
Guitarists can choose between three different connector configurations: straight/straight plugs, right angle/straight and right angle/right angle options.
The Voltage Vintage Coil offers superior sound quality and durability thanks to ISO-COAT treatment, a patent-pending hermetic seal applied to solder terminations. This first-of-its-kind airtight seal prevents corrosion and oxidization, a known factor in cable failure and degradation. ISO-COAT protected cables are for guitarists who value genuine lifetime durability and consistent tone throughout their career on stage and in the studio.
Voltage cables are hand made by qualified technical engineers using the finest components available and come with a lifetime warranty.
Voltage Vintage Coil features include:
- Lifetime guarantee, 1000+ gig durability
- ISO-COAT treatment - corrosion & oxidization resistant cable internals
- Strengthened structural integrity of solder terminations
Voltage Vintage Coils carry $89.00 USD pricing each and are available online at voltagecableco.com, as well as in select guitar stores in North America, Australia, Thailand, UK, Belgium and China.
About Voltage Cable: Established in 2021, Voltage Cable Co. is a family owned and operated guitar cable company based in Sydney, Australia. All their cables are designed to be played, and built for a lifetime. The company’s ISO-COAT is a patent pending hermetic seal applied to solder terminations.
Featuring dual-engine processing, dynamic room modeling, and classic mic/speaker pairings, this pedal delivers complete album-ready tones for rock and metal players.
Built on powerful dual‑engine processing and world‑class UAD modeling, ANTI 1992 High Gain Amp gives guitarists the unmistakable sound of an original "block letter" Peavey 5150 amplifier* – the notorious 120‑watt tube amp monster that fueled more than three decades of modern metal music, from Thrash and Death Metal, to Grunge, Black Metal, and more.
"With UAFX Dream, Ruby, Woodrow, and Lion amp emulators, we recreated four of the most famous guitar amps ever made," says UA Sr. Product Manager Tore Mogensen. "Now with ANTI, we're giving rock and metal players an authentic emulation of this punishing high gain amp – with the exact mic/speaker pairings and boost/noise gate effects that were responsible for some of the most groundbreaking modern metal tones ever captured."
Key Features:
- A complete emulation of the early '90s 120‑watt tone monster that defined new genres of modern metal
- Powerful UAFX dual-engine delivers the most authentic emulation of the amp ever placed in a stompbox
- Complete album‑ready sounds with built‑in noise gate, TS‑style overdrive, and TC‑style preamp boost
- Groundbreaking Dynamic Room Modeling derived from UA's award-winning OX Amp Top Box
- Six classic mic/speaker pairings used on decades of iconic metal and hard rock records
- Professional presets designed by the guitarists of Tetrarch, Jeff Loomis, and The Black Dahlia Murder
- UAFX mobile app lets you access hidden amp tweaks and mods, choose overdrive/boost, tweak noise gate, recall and archive your presets, download artist presets, and more
- Timeless UA design and craftsmanship, built to last decades
For more information, please visit uaudio.com.
- YouTube
The Memphis-born avant-funk bassist keeps it simple on the road with a signature 5-string, a tried-and-true stack, and just four stomps.
MonoNeon, aka Dywane Thomas Jr., came up learning the bass from his father in Memphis, Tennessee, but for some reason, he decided to flip his dad’s 4-string bass around and play it with the string order inverted—E string closest to the ground and the G on top. That’s how MonoNeon still plays today, coming up through a rich, inspiring gauntlet of family and community traditions. “I guess my whole style came from just being around my grandma at an early age,” says Thomas.His path has led him to collaborate with dozens of artists, including Nas, Ne-Yo, Mac Miller, and even Prince, and MonoNeon’s solo output is dizzying—trying to count up his solo releases isn’t an easy feat. Premier Guitar’s Chris Kies caught up with the bassist before his show at Nashville’s Exit/In, where he got the scoop on his signature 5-string, Ampeg rig, and simple stomp layout, as well as some choice stories about influences, his brain-melting playing style, and how Prince changed his rig.
Brought to you by D’Addario.
Orange You Glad to See Me?
This Fender MonoNeon Jazz Bass V was created after a rep messaged Thomas on Instagram to set up the signature model, over which Thomas had complete creative control. Naturally, the bass is finished in neon yellow urethane with a neon orange headstock and pickguard, and the roasted maple neck has a 10"–14" compound radius. It’s loaded with custom-wound Fireball 5-string Bass humbuckers and an active, 18V preamp complete with 3-band EQ controls. Thomas’ own has been spruced up with some custom tape jobs, too. All of MonoNeon's connections are handled by Sorry Cables.
Fade to Black
MonoNeon’s Ampeg SVT stack isn’t a choice of passion. “That’s what they had for me, so I just plugged in,” he says. “That’s what I have on my rider. As long as it has good headroom and the cones don’t break up, I’m cool.”
Box Art
MonoNeon’s bass isn’t the only piece of kit treated to custom color jobs. Almost all of his stomps have been zhuzhed up with his eye-popping palette.
Thomas had used a pitch-shifting DigiTech Whammy for a while, but after working with Paisley Park royalty, the pedal became a bigger part of his playing. “When I started playing with Prince, he put the Whammy on my pedalboard,” Thomas explains. “After he passed, I realized how special that moment was.”
Alongside the Whammy, MonoNeon runs a Fairfield Circuitry Randy’s Revenge (for any time he wants to “feel weird”), a literal Fart Pedal (in case the ring mod isn’t weird enough, we guess), and a JAM Pedals Red Muck covers fuzz and dirt needs. A CIOKS SOL powers the whole affair.
Shop MonoNeon's Rig
Fender MonoNeon Jazz Bass V
Ampeg SVT
DigiTech Whammy
CIOKS SOL