PG's Rebecca Dirks is On Location in Anaheim, CA, for NAMM 2010 where she stops by the DigiTech booth. In this segment, we get to check out their new Vocalist Live 3 pedal, which is a 3-part harmony and pitch correction unit for gigging guitarists. The Vocalist Live 3 includes 3-part harmony capability with intelligent, musically correct harmonies using musIQ technology that follows your chord progression no matter what you play. The character of the harmony voices can be altered to either that of male or female backup vocalists. In addition, it features pitch correction, vocal pre-effects: warmth (tube preamp), compressor, 2-band EQ, low cut and noise gate, reverb (with three different room sizes), delay (five settings) and the ability to mix guitar and vocal sounds on the fly.



PG's Rebecca Dirks is On Location in Anaheim, CA, for NAMM 2010 where she stops by the DigiTech booth. In this segment, we get to check out their new Vocalist Live 3 pedal, which is a 3-part harmony and pitch correction unit for gigging guitarists.

The Vocalist Live 3 includes 3-part harmony capability with intelligent, musically correct harmonies using musIQ technology that follows your chord progression no matter what you play. The character of the harmony voices can be altered to either that of male or female backup vocalists. In addition, it features pitch correction, vocal pre-effects: warmth (tube preamp), compressor, 2-band EQ, low cut and noise gate, reverb (with three different room sizes), delay (five settings) and the ability to mix guitar and vocal sounds on the fly.

It’s not difficult to replace the wiring in your pickups, but it takes some finesse. Here’s a step-by-step guide.

Hello and welcome back to Mod Garage. After numerous requests, this month we’ll have a closer look at changing wires on a single-coil pickup. As our guinea pig for this, I chose a standard Stratocaster single-coil, but it’s basically the same on all single-coil pickups and easy to transfer. It’s not complicated but it is a delicate task to not destroy your pickup during this process, and there are some things you should keep in mind.

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The emotional wallop of the acoustic guitar sometimes flies under the radar. Even if you mostly play electric, here are some things to consider about unplugging.

I have a love-hate relationship with acoustic guitars. My infatuation with the 6-string really blasted off with the Ventures. That’s the sound I wanted, and the way to get it was powered by electricity. Before I’d even held a guitar, I knew I wanted a Mosrite, which I was sure was made of fiberglass like the surfboards the Beach Boys, Surfaris, and the Challengers rode in their off time. Bristling with space-age switchgear and chrome-plated hardware, those solidbody hotrod guitars were the fighter jets of my musical dreams. I didn’t even know what those old-timey round-hole guitars were called. As the singing cowboys Roy Rogers and Gene Autrey strummed off into the sunset, the pace of technology pushed the look and sound of the electric guitar (and bass) into the limelight and into my heart. Imagine my disappointment when I had to begin my guitar tutelage on a rented Gibson “student” acoustic. At least it sort of looked like the ones the Beatles occasionally played. Even so, I couldn’t wait to trade it in.

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Need an affordable distortion pedal? Look no further.

We live in the golden age of boutique pedals that are loaded with advanced features—many of which were nearly unthinkable a decade or so ago. But there’s something that will always be valuable about a rock-solid dirt box that won’t break your wallet. Here’s a collection of old classics and newly designed stomps that cost less than an average concert ticket.

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