Premier Guitar features affiliate links to help support our content. We may earn a commission on any affiliated purchases.
Rig Rundown: Brandon “Taz” Niederauer
One of guitar’s most promising young firebrands breaks down his signature D’Angelico, explains why he prefers Boogies, and then demos some vintage stompboxes.
John Bohlinger is a Nashville-based multi-instrumentalist best known for leading the band on NBC's Nashville Star, serving as music director for the CMT Awards and specials on PBS and GAC, and of course for his appearances in PG Rig Rundown, Review Demo, Axes & Artifacts, and What Bohlinger Plays videos.
Taylor Guitars continues to evolve the acoustic guitar experience with the introduction of the Next Generation 512ce and 712ce, two new Grand Concert models that bring a powerful combination of tonal character, player-focused innovation and effortless playability to one of Taylor’s most comfortable body shapes.
When my editor approached me about reviewing this bass, I had a very visceral sensation of being 12 years old again. That’s when I started playing bass—and perusing basses in a Swedish mail order catalog that had everything from home improvement tools to musical instruments. I distinctly remember scanning that catalog, once upon a time, and spotting a Precision Bass lookalike called the “Hard Puncher,” which, I suppose, sounded much more heroic to a non-native, beginning-English speaker than “P-Bass.”
Renowned amp builder and pickup designer (holding three patents), Dylana Nova Scott speaks with John Bohlinger about her pursuits of creating responsive systems of guitar tone that inspire music, explains that a circuit is never perfect or complete, recalls being in the hair-metal scene when the Nirvana bomb dropped, and surviving the gear industry through perseverance and innovation.
This month's roundup features 15 essential releases, including EarthQuaker Devices’ all-analog tube preamp, Red Panda’s new pitch delay, and a studio-grade line isolator from Lehle. Whether you need vintage grit or modern precision, we’ve got the highlights.
When Japanese engineer Susumu Tamura designed the Maxon OD808 overdrive, he could hardly have known that it and its export twin, the Ibanez TS808 Tube Screamer, would become perhaps the most influential and, probably, imitated pedals in stomp box history. In fact, upon its introduction in 1979, the Tube Screamer, whose smooth sound is characterized by a bass roll off, midrange bump, and slight high-end attenuation, was not an instant success. But as the pedal was adopted by players as disparate as Stevie Ray Vaughan and Kirk Hammett, it gradually became a ubiquitous presence on pedalboards of all persuasions.