PG's Rebecca Dirks is on location in New York, NY where she catches up with Late Night with Jimmy Fallon guitarist "Captain" Kirk Douglas and bassist Mark Kelley. In this segment, we learn what guitars, amps, basses, and effects pedals both Douglas and Kelley use every night during taping.

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Pro Guitar Shop


PG's Rebecca Dirks is on location in New York, NY where she catches up with Late Night with Jimmy Fallon guitarist "Captain" Kirk Douglas and bassist Mark Kelley. In this segment, we learn what guitars, amps, basses, and effects pedals both Douglas and Kelley use every night during taping.

See more late night Rig Rundowns and read about the gig in our "TV Guitars: Inside the World of Late Night" article, featuring interviews and Rig Rundowns with the musicians for Saturday Night Live, The Tonight Show with Jay Leno, The Late Show with David Letterman, Jimmy Kimmel Live!, Conan, and Late Night with Jimmy Fallon.

A maze of modulation and reverberations leads down many colorful tone vortices.

Deep clanging reverb tones. Unexpected reverb/modulation combinations.

Steep learning curve for a superficially simple pedal.

$209

SolidGoldFX Ether
solidgoldfx.com

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A lot of cruel fates can befall a gig. But unless you’re a complete pedal addict or live in high-gain-only realms, doing a gig with just a reverb- and tremolo-equipped amp is not one of them. Usually a nice splash of reverb makes the lamest tone pretty okay. Add a little tremolo on top and you have to work to not be at least a little funky, surfy, or spacy. You see, reverb and modulation go together like beans and rice. That truth, it seems, extends even to maximalist expressions of that formula—like the SolidGold FX Ether.

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Megadeth founder teams up with Gibson for his first acoustic guitar in the Dave Mustaine Collection.

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The Atlas Compressor offers up an extensive library of compression options and allows for transformation into a bass specific compression machine.


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