We catch up with the sons of Southern-rock royalty—and their trove of storied guitars—just before the official launch of their new Allman Betts Band project.

Devon Allman’s pedalboard ain’t fancy, but it has all the boxes he needs to speak his sonic vocabulary. There’s an Analog Man King of Tone, a Waza Craft edition of the Boss DM-2, with a venerable Boss CE-2 chorus alongside, plus there’s an L.R. Baggs Align Active D.I. for his Johnny Cash signature Martin, and a Boss TU-3 tuner. The near-ubiquitous Voodoo Lab Pedal Power 2 Plus runs the show.

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We’re almost finished with the aging process on our project guitar. Let’s work on the fretboard, nut, and truss rod cover, and prepare the headstock for the last hurrah.

Hello and welcome back to Mod Garage. This month we’ll continue with our relic’ing project, taking a closer look at the front side of the neck and treating the fretboard and the headstock. We’ll work on the front side of the headstock in the next part, but first we must prepare it.

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Diatonic sequences are powerful tools. Here’s how to use them wisely.

Advanced

Beginner

• Understand how to map out the neck in seven positions.
• Learn to combine legato and picking to create long phrases.
• Develop a smooth attack—even at high speeds.

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Knowing how to function in different keys is crucial to improvising in any context. One path to fretboard mastery is learning how to move through positions across the neck. Even something as simple as a three-note-per-string major scale can offer loads of options when it’s time to step up and rip. I’m going to outline seven technical sequences, each one focusing on a position of a diatonic major scale. This should provide a fun workout for the fingers and hopefully inspire a few licks of your own.
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