The new G.V. Wood single-cutaway model is very much a product of Vigier’s evolutionary impulses—with a fantastic array of tones and an innovative, super-slick fretboard.
One of the best things about reviewing gear for Premier Guitar is experiencing how attentive and passionate luthiers can be. When it comes down to it, all of us rely on wood and wire to craft our tones, but that doesn’t stop Vigier Guitars from trying different approaches to bringing those elements together. The French company was one of the first guitar builders to use carbon-reinforced necks and build a fretless electric guitar, and they have a history of readily embracing new technologies that will make their instruments more playable. The new G.V. Wood single-cutaway model is very much a product of Vigier’s evolutionary impulses—with a fantastic array of tones and an innovative, super-slick fretboard.
Fit for a King
Upon opening the G.V. Wood’s Hiscox Liteflite case, I was treated to a stunning transparent amber finish with a gorgeous flamed-maple top. The guitar was structurally flawless in every sense, with nary a trace of finish marring or sloppy paintwork anywhere. Perhaps the only thing that came as a slightly unwelcome surprise was that Vigier says the G.V. Wood is approximately 7.3 pounds, though the shipping scale I used registered a slightly heftier 8.35 pounds—still, that’s not unheard of in guitars of this style. The guitar also has a quality set of Schaller M6 2000 locking tuners and a zero fret that’s placed almost right up against the Teflon nut.
The 24.8"-scale guitar’s bolt-on neck is fashioned from hardened maple that’s been dried naturally for three years. The neck also features Vigier’s carbon-infused wood construction technique—which makes the neck 90 percent maple and 10 percent carbon—for added strength and durability. The fretboard is the real treat, however. Instead of using a standard material like rosewood or ebony, the G.V. incorporates a material called phenowood, which is basically birch that’s been injected with carbon and phenolic resins. After being exposed to intense amounts of compression and heat, the material is virtually invincible to the stresses that commonly plague other types of fretboards—such as warping, cracking, and other issues caused by moisture and humidity changes.
The phenowood fretboard felt like a sheet of glass under my fingertips, and it had a smooth, clear sheen that I could almost see my reflection in. It was pretty obvious that Vigier was attempting to minimize any possible sources of friction, because the fretboard also features 22 medium-sized stainless-steel frets that are slippery to the touch, perfectly applied, and rounded at their edges. Getting a feel for the G.V. Wood’s unique fretboard took some time, though. The combination of the slick phenowood and even slicker frets induced several “Whoa, Nelly!” moments—especially when I grabbed the higher strings for bends above the 15th fret. To make sure each fretted note—single or within a chord—was perfectly in tune, I had to keep a close eye on how hard I fretted and picked the strings. For players with a more aggressive attack, the G.V. Wood might feel a little too hyper and precise under the fingers. On the flip side, those with a softer touch might never be able to let this guitar go.
The guitar’s body is a thing of beauty, too. It’s built from aged alder and has a 2-piece flamed-maple cap. Deep-set brass mounts anchor a custom-designed bridge with six graphite saddles and a small, flat stop tailpiece. Two handwound custom humbuckers made by Germany’s Amber Pickups are wired for a multitude of switching options selectable via a 5-way blade switch between the Volume and Tone controls. Full humbucking modes for the bridge and neck pickups can be selected from the first, third, and fifth switch positions (with the middle position engaging both), while the bridge unit is coil-tapped at the second position and the neck pickup is coil-tapped in the fourth position.
Tone A-Go-Go
The Vigier feels like a guitar for every occasion. Sent straight into a Mesa/Boogie Dual Rectifier Multiwatt head and an Emperor 4x12 cabinet with four Weber C1265 speakers, it covered an expansive tonescape, with a high-fidelity attack and bite that left me floored more than once. The bridge pickup demonstrates incredible response and definition, with serious body in the midrange and a pleasing sag in the lows. Gingerly playing open chords with moving bass notes revealed an amazingly detailed high end. More aggressive pick attack cut through with authority, revealing nuances in the upper frequencies that I’d never heard through the Mesa. As I moved up and down the neck with a combination of bluesy lead work and jazzy chording, each note rang out forcefully but with even volume and sustain. It was especially nice to hear how treble detail stayed intact as I dropped the guitar’s volume to soften the upper mids and keep the bass response tight and focused. The same hi-fi qualities so plainly heard in the bridge pickup are apparent in the neck pickup, too.
In full humbucking mode, the bridge pickup yielded fantastic rock lead and rhythm tones through the Mesa’s orange channel. Flipping to the second position, the Angus Young tones of the humbucker transformed into dirty funk tones with a scooped midrange and ferociously cutting treble. I had a ball laying into Curtis Mayfieldinspired rhythm lines in this mode.
Moving from smooth lead sounds to sharp, ’70s-style rhythm and then to velvety chording perfect for augmenting blues bass lines was as easy as a flick of the pickup-selector switch. I ended up finding the third pickup position—both pickups in humbucking mode—the most impressive. A lot of dual-humbucker guitars tend to sound hollow in this configuration, but the G.V. Wood is not one of them. Playing Zep-inspired riffs with both pickups at full bore and hearing the thick, syrupy neck tones meld with the immediate attack of the bridge was a blast. It’s also the loudest position of the five. But rather than a jumbled mess of frequencies fighting, it yields a beautiful, full-spectrum signal that’s exceptionally responsive to touch.
The Verdict
If you’re looking for a guitar that covers an impressive variety of tones and caters to those with a precise touch, the Vigier G.V. Wood is an extraordinary 6-string. Its modern combination of a phenowood fretboard and stainless-steel frets offers a more slippery feel than a lot of players are accustomed to, but chances are it’s a feature that will ultimately enhance your technique. The pickups have superb response and body, with a unique sense of hi-fi detail. Touch and tone come together beautifully in the Vigier V.G. Wood to offer a playing experience that’s worth every penny—if you have them to spare.
Buy if...
you relish the idea of a superbly voiced guitar that avoids some of the pitfalls of traditional construction while encouraging you to play more precisely.
Skip if...
traditional materials and greater affordability are your thing.
Rating...
Street $3999 - Vigier Guitars - vigierguitars.com |
This reader solicited the help of his friend, luthier Dale Nielsen, to design the perfect guitar as a 40th-birthday gift to himself.
This is really about a guy in northern Minnesota named Dale Nielsen, who I met when I moved up there in 2008 and needed somebody to reglue the bridge on my beloved first guitar (a 1992 Charvel 625c, plywood special). Dale is a luthier in his spare time—a Fender certified, maker of jazz boxes.
Anyway, we became friends and I started working on him pretty early—my 40th birthday was approaching, and that meant it was time for us to start designing his first solidbody build. If you stopped on this page, it’s because the photo of the finished product caught your eye. Beautiful, right? The 2018 CCL Deco Custom: Never shall there be another.
Old National Glenwood guitars were my design inspiration, but I wanted a slim waist like a PRS and the like. We used a solid block of korina to start, routed like MacGyver to get the knobs and switches where I wanted them. Dale builds all his own lathes and machines (usually out of lumber, y’all), as the task requires. This beast took some creativity—it’s tight wiring under that custom-steel pickguard. Many were the preliminary sketches. Four coats of Pelham blue, 11 coats of nitro. Honduran mahogany neck, Madagascar ebony fretboard with Dale’s signature not-quite-Super-400 inlays. He designed the logo; I just said, “Make it art deco.”
We sourced all the bits and bobs from StewMac and Allparts and Reverb and the like, mostly to get that chrome look I so adore. Graph Tech Ratio tuners, Duesenberg Radiator trem (had to order that one from Germany), TonePros TP6R-C roller bridge. The pickups were a genius suggestion from the builder, Guitarfetish plug ’n’ play 1/8" solderless swappable, which means I have about 10 pickups in the case to choose from: rockabilly to metal. And both slots are tapped, with the tone knobs serving as single- to double-coil switches. I put the selector on the lower horn to accommodate my tendency to accidentally flip the thing on Les Pauls—definite lifesaver.
Reader and guitar enthusiast, Cody Lindsey.
Dale offered to chamber this monster, but I said what doesn’t kill you makes you stronger. It weighs in at 11 pounds, if it’s an ounce. We carved the neck to match a ’60s SG, so it’s like the mini bat you get at the ballpark on little kids’ day. Easy peasy. 1 11/16" nut, 25" scale, jumbo frets, just 2 1/8" at the 12th fret.
Delivery in its lovely, hygrometer-equipped Cedar Creek case actually happened a month or two shy of my 41st, but hey, you can’t rush these things. We ended up with a studio Swiss Army knife; it does a bit of everything and does it effortlessly. A looker, too. Dale didn’t spend his career doing this kind of thing—he was in IT or some such—and I imagine he’s winding this “hobby” of his down these days, enjoying retirement with a bottle of Killian’s and a lawn chair at Duluth Blues Fest. But this guitar will live on as a marker of his skill and otherworldly patience. It sits at the head of the class in my practice room, welcoming any visitors and bringing a smile to my face every day. And Dale, my friend, I’ll be 50 before you know it....
Cody requested that Dale design an art deco logo for the guitar’s headstock.
Tailored for Yngwie Malmsteen's signature sound, the MXR Yngwie Malmsteen Overdrive is designd to offer simple controls for maximum impact.
Working closely alongside Yngwie, the MXR design team created a circuit that delivers clarity, expressive dynamics, and rich harmonics—all perfectly tailored for his light-speed arpeggios, expressive vibrato, and big, bold riffs. The control setup is simple, with just Level and Gain knobs.
"Want to sound like Yngwie? Crank both knobs to the max."
“This pedal is the culmination of 45+ years developing a sound that’s perfect in every possible way,” Yngwie says. “I present to you: the MXR Yngwie Malmsteen Overdrive. Prepare to be amazed.”
MXR Yngwie Malmsteen Overdrive highlights:
- Perfectly tailored for Yngwie Malmsteen's signature sound and style
- Simple control setup tuned for maximum impact
- Boost every nuance with superior clarity, expressive dynamics, and rich harmonics
- Dig into light-speed arpeggios, expressive vibrato, and big, bold riffs
The MXR Yngwie Malmsteen Overdrive is available now at $129.99 street/$185.70 MSRP from your favorite retailer.
For more information, please visit jimdunlop.com.
Voltage Cable Company's new Voltage Vintage Coil 30-foot guitar cable is now protected with ISO-COAT technology to provide unsurpassed reliability.
The new coiled cables are available in four eye-grabbing retro colors – Surf Green, Electric Blue, Orange and Caramel – as well as three standard colors: Black, White and Red. There is also a CME exclusive “Chicago Cream” color on the way.
Guitarists can choose between three different connector configurations: straight/straight plugs, right angle/straight and right angle/right angle options.
The Voltage Vintage Coil offers superior sound quality and durability thanks to ISO-COAT treatment, a patent-pending hermetic seal applied to solder terminations. This first-of-its-kind airtight seal prevents corrosion and oxidization, a known factor in cable failure and degradation. ISO-COAT protected cables are for guitarists who value genuine lifetime durability and consistent tone throughout their career on stage and in the studio.
Voltage cables are hand made by qualified technical engineers using the finest components available and come with a lifetime warranty.
Voltage Vintage Coil features include:
- Lifetime guarantee, 1000+ gig durability
- ISO-COAT treatment - corrosion & oxidization resistant cable internals
- Strengthened structural integrity of solder terminations
Voltage Vintage Coils carry $89.00 USD pricing each and are available online at voltagecableco.com, as well as in select guitar stores in North America, Australia, Thailand, UK, Belgium and China.
About Voltage Cable: Established in 2021, Voltage Cable Co. is a family owned and operated guitar cable company based in Sydney, Australia. All their cables are designed to be played, and built for a lifetime. The company’s ISO-COAT is a patent pending hermetic seal applied to solder terminations.
Featuring dual-engine processing, dynamic room modeling, and classic mic/speaker pairings, this pedal delivers complete album-ready tones for rock and metal players.
Built on powerful dual‑engine processing and world‑class UAD modeling, ANTI 1992 High Gain Amp gives guitarists the unmistakable sound of an original "block letter" Peavey 5150 amplifier* – the notorious 120‑watt tube amp monster that fueled more than three decades of modern metal music, from Thrash and Death Metal, to Grunge, Black Metal, and more.
"With UAFX Dream, Ruby, Woodrow, and Lion amp emulators, we recreated four of the most famous guitar amps ever made," says UA Sr. Product Manager Tore Mogensen. "Now with ANTI, we're giving rock and metal players an authentic emulation of this punishing high gain amp – with the exact mic/speaker pairings and boost/noise gate effects that were responsible for some of the most groundbreaking modern metal tones ever captured."
Key Features:
- A complete emulation of the early '90s 120‑watt tone monster that defined new genres of modern metal
- Powerful UAFX dual-engine delivers the most authentic emulation of the amp ever placed in a stompbox
- Complete album‑ready sounds with built‑in noise gate, TS‑style overdrive, and TC‑style preamp boost
- Groundbreaking Dynamic Room Modeling derived from UA's award-winning OX Amp Top Box
- Six classic mic/speaker pairings used on decades of iconic metal and hard rock records
- Professional presets designed by the guitarists of Tetrarch, Jeff Loomis, and The Black Dahlia Murder
- UAFX mobile app lets you access hidden amp tweaks and mods, choose overdrive/boost, tweak noise gate, recall and archive your presets, download artist presets, and more
- Timeless UA design and craftsmanship, built to last decades
For more information, please visit uaudio.com.