
Photo by Tim Saccenti
72 Seasons out April 14, 2023. Watch the video for "Lux Æterna" now.
Metallica has confirmed the title and release date of its forthcoming 12th studio album: 72 Seasons will be available April 14, 2023 via the band’s own Blackened Recordings. Produced by Greg Fidelman with Hetfield & Ulrich, and clocking in at over 77 minutes, the 12-track 72 Seasons is Metallica’s first full length collection of new material since 2016’s Hardwired…To Self-Destruct.
Listen to the first single “Lux Æterna” here.
Speaking on the concept of the album title, James Hetfield said: “72 seasons. The first 18 years of our lives that form our true or false selves. The concept that we were told ‘who we are’ by our parents. A possible pigeonholing around what kind of personality we are. I think the most interesting part of this is the continued study of those core beliefs and how it affects our perception of the world today. Much of our adult experience is reenactment or reaction to these childhood experiences. Prisoners of childhood or breaking free of those bondages we carry.”
The complete track listing of 72 Seasons:
Shadows Follow
Screaming Suicide
Sleepwalk My Life Away
You Must Burn!
Lux Æterna
Crown of Barbed Wire
Chasing Light
If Darkness Had a Son
Too Far Gone?
Room of Mirrors
Inamorata
Metallica: Lux Æterna (Official Music Video)
Today also marks the announcement of every Metallica show booked through 2023 and 2024: Presented worldwide by Liquid Death and Blackened American Whiskey (in North America only) and promoted by Live Nation, Metallica’s M72 world tour will see the band playing two nights in every city it visits—with each No Repeat Weekend featuring two completely different setlists and support lineups. The M72 tour will feature a bold new in-the-round stage design that relocates the famed Metallica Snake Pit to center stage, as well as the I Disappear full-tour pass and the debut of discounted tickets for fans under 16 years of age. Two-day tickets will be on sale Friday, December 2nd at ticketmaster.com and will include the option of pre-ordering 72 Seasons vinyl and/or CD. Single day tickets will be available beginning January 20th. For further information including fan club presales, enhanced experiences and more, go to metallica.com/m72-info.
METALLICA M72 WORLD TOUR 2023-2024
Thursday, April 27 2023 - Amsterdam NL - Johan Cruijff Arena
Saturday, April 29 2023 - Amsterdam NL - Johan Cruijff Arena
Wednesday, May 17 2023 - Paris FR - Stade de France*
Friday, May 19 2023 - Paris FR - Stade de France
Friday, May 26 2023 - Hamburg DE - Volksparkstadion
Sunday, May 28 2023 - Hamburg DE - Volksparkstadion
Friday, June 16 2023 - Gothenburg SE - Ullevi Stadium**
Sunday, June 18 2023 - Gothenburg SE - Ullevi Stadium
Friday, August 4 2023 - East Rutherford, NJ - MetLife Stadium
Sunday, August 6 2023 - East Rutherford, NJ - MetLife Stadium
Friday, August 11 2023 - Montreal, QC - Stade Olympique
Sunday, August 13 2023 - Montreal, QC - Stade Olympique
Friday, August 18 2023 - Arlington, TX - AT&T Stadium
Sunday, August 20 2023 - Arlington, TX - AT&T Stadium
Friday, August 25 2023 - Inglewood, CA - SoFi Stadium
Sunday, August 27 2023 - Inglewood, CA - SoFi Stadium
Friday, September 1 2023 - Glendale, AZ - State Farm Stadium
Sunday, September 3, 2023 - Glendale, AZ - State Farm Stadium
Friday, November 3, 2023 - St. Louis, MO - The Dome at America’s Center
Sunday, November 5, 2023 - St. Louis, MO - The Dome at America’s Center
Friday, November 10, 2023 - Detroit, MI - Ford Field
Sunday, November 12, 2023 - Detroit, MI - Ford Field
Friday, May 24 2024 - Munich DE - Olympiastadion
Sunday, May 26 2024 - Munich DE - Olympiastadion
Friday, June 7 2024 - Helsinki FI - Olympic Stadium
Sunday, June 9 2024 - Helsinki FI - Olympic Stadium
Friday, June 14 2024 - Copenhagen DK - Parken Stadium
Sunday, June 16 2024 - Copenhagen DK - Parken Stadium
Friday, July 5 2024 - Warsaw PL - PGE Narodowy
Sunday, July 7 2024 - Warsaw PL - PGE Narodowy
Friday, July 12 2024 - Madrid ES - Estadio Cívitas Metropolitano
Sunday, July 14 2024 - Madrid ES - Estadio Cívitas Metropolitano
Friday, August 2 2024 - Foxborough, MA - Gillette Stadium
Sunday, August 4 2024 - Foxborough, MA - Gillette Stadium
Friday, August 9 2024 - Chicago, IL - Soldier Field
Sunday, August 11 2024 - Chicago, IL - Soldier Field
Friday, August 16 2024 - Minneapolis, MN - US Bank Stadium
Sunday, August 18 2024 - Minneapolis, MN - US Bank Stadium
Friday, August 23 2024 - Edmonton, AB - Commonwealth Stadium
Sunday, August 25 2024 - Edmonton, AB - Commonwealth Stadium
Friday, August 30 2024 - Seattle, WA - Lumen Field
Sunday, September 1 2024 - Seattle, WA - Lumen Field
Friday, September 20 2024 - Mexico City MX - Foro Sol***
Sunday, September 22 2024 - Mexico City MX - Foro Sol
Friday, September 27 2024 - Mexico City MX - Foro Sol***
Sunday, September 29 2024 - Mexico City MX - Foro Sol
Show 1 Support Europe: Architects & Mammoth WVH**
Show 2 Support Europe: Five Finger Death Punch & Ice Nine Kills
*Five Finger Death Punch/Ice Nine Kills play show 1 in Paris, Architects & Mammoth WVH play show 2 in Paris
**Volbeat replaces Architects on show 1 in Gothenburg
Show 1 Support North America: Pantera & Mammoth WVH***
Show 2 Support North America: Five Finger Death Punch & Ice Nine Kills
***Greta Van Fleet replaces Pantera on show 1 both weekends in Mexico City
The album will be released in formats including 2LP 140g black vinyl and limited edition variants, CD and digital—for a full listing of configurations, pre-orders and further information, go to metallica.com/72-seasons-info.
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Leveraging 3D printing technology, the new Floyd Rose Original locking nuts are designed to deliver unmatched precision and consistency, replacing the traditional “lost wax” casting method that dominated for decades.
The shift to 3D printing allows for intricate detailing and tighter tolerances, ensuring each nut meets exact specifications.
The process begins with powdered metal, which is precisely 3D printed into the desired shape using advanced metal printing technology. After printing, the parts are depowdered and cleaned before undergoing a sintering process—an advanced heat treatment—during which the parts achieve full density and hardness. Lastly, the nuts are CNC “kiss-cut” to exacting specifications for consistency and control of the fit before receiving a premium electroplating finish.
“Floyd Rose has always been synonymous with innovation, and by embracing this incredible new technology we are able to continue that legacy,” said Andrew Papiccio, president of AP International Music Supply of which Floyd Rose is a division. “The accuracy and flexibility of the new 3D printing method will allow us to make a more consistent piece while also giving us full control of the manufacturing right here in the USA.”
Initially, the 3D-printed locking nuts will be available in ten classic sizes with a 10” radius, with plans to expand the range to accommodate various fretboard radii in Spring 2025. This augmentation will offer players more options for customizing their setups to match a wide variety of fretboard curvatures.
To get a sneak peek at the new Floyd Rose USA Series, come visit us at NAMM in booth 5734 in Hall D.
With flexible voltage adjustments, precise control, customizable protection, compact design, and affordable pricing at $299, the Brownie is the ultimate solution for optimizing tone and safeguarding your gear.
AmpRx, the trusted name behind the industry-renowned BrownBox, has unveiled its newest innovation: The Brownie, a voltage-optimizing power supply for modern amps and the first of its kind.
Designed by AmpRx co-owner and CEO Cassandra Sotos (2024 NAMM Female Entrepreneur of the Year), the Brownie provides unparalleled control, flexibility, and protection specifically for modern tube amplifiers by allowing the player to both increase and decrease voltage with volt-by-volt precision.
Priced at $299, the Brownie offers an affordable and essential solution for protecting your investment in your high-quality tube amp. It allows you to optimize your tone and safeguard your gear from variations in voltage by givingthe ultimate advantage: knowing exactly what you’re feeding your amp.
Known as the secret weapon of touring professionals, AmpRx products have been spotted on stage with bands like the Red Hot Chili Peppers, Lynyrd Skynyrd, Zac Brown Band, Iron Maiden, and many more. AmpRx is now bringing its game-changing technology to an even broader audience with this compact, affordable, and versatile product. Try the Brownie for yourself and discover exactly why artists, amp designers, and technicians rely on AmpRx to provide consistent sound, performance, and extend the life of their gear.
The Brownie will be available January 20th, 2025, presented at NAMM Global Media Day and on display at Booth #5630.
WHAT MAKES THE BROWNIE SPECIAL? Building on the success of the flagship BrownBox, the Brownie offers key innovations tailored for modern amplifiers:
- Flexible Voltage Adjustments: The Brownie is the first in the AmpRx line to both decrease and increase voltage, providing optimal performance for modern tube amps (often at 117-120V).
- Precise Control: Adjust voltage in ultra-precise -1V increments when decreasing, and by +3V or +5Vwhen increasing, allowing musicians to fine-tune their tone with precision.
- Customizable Protection: The Brownie ensures safe operation, putting control directly in the player's hands, and includes two fuse options: 2A for smaller setups and 4A for larger setups, ensuring compatibility with diverse gear.
- Compact and Portable Design: Smaller and lighter than the original BrownBox, the Brownie is perfect for musicians seeking portability, durability, and streamlined functionality. It can even fit on a pedalboard or in a backpack.
- Wide Accessibility: At just $299, the Brownie offers professional-grade voltage control at a price point that’s accessible to musicians everywhere.
Email sales@brownbox.rocks to order and stop by NAMM Booth #5630 to see the Brownie in action, talk with the owners, team and artists, and see exactly why so many people insist onAmpRx products when they make music.
For more information, please visit brownbox.rocks.
Inspecting a D’Angelico Excel during a full restoration.
When every guitar claims to be special, how can any guitar truly stand out?
In the guitar world, a transformation is underway that reminds me of the rise and fall of empires. The modern boutique guitar market, which once felt to me like an underground treasure trove, now seems poised on the precipice. It has grown, matured, and, in my opinion, overextended itself. Are we cresting the wave? Has the boutique boom run its course, or is it simply shedding its skin in metamorphosis?
Guitar building has been around for centuries, mostly as an individual, artisanal endeavor until the late 19th century, when it began to be dominated by manufacturing entities. The boutique guitar category as we know it today began as a reaction to the hegemony of big brands. It was a calling and philosophy—a return to individual builders and small shop manufacturers in the mainstream consciousness. Builders crafted instruments that evoked the patinated romance of vintage instruments as well as the hot-rod aesthetic. What started with a handful of outliers has now become an ecosystem. But, like all trends, there’s a limit to how far it can stretch before it must adapt or collapse.
Pioneers to Proliferation
In the early 1970s, builders like Rick Turner, John Suhr, Michael Gurian, and Bernie Rico, among others, stook as renegades of the modern boutique scene. They were voices bucking the production-line trend with craftsmanship that evoked past masters like D’Angelico, Bigsby, or even Stradivarius. These builders weren’t just producing instruments; they were making statements. A guitar by Parker or a Manzer wasn’t just a tool, it was a declaration of the builder’s ethos and vision—something that might have been lost in the guitar boom of the ’60s.
Today, the boutique world is a crowded stage where hundreds, if not thousands, of builders compete for the attention of an audience with only so much disposable income. Plus, the custom allure is no longer the sole province of artisans; custom shop offerings from major brands like Fender, Gibson, and PRS have blurred the lines. CNC machining and production streamlining have made “boutique” features practical, even necessary, for larger operations. To their credit, unlike at the birth of the vintage market, the big guys saw the wave as well. The once-clear delineation between boutique and mainstream is murkier than ever, which by its nature dilutes everyone’s impact in the segment.
In economic terms, this is a textbook example of market saturation. There are only so many players willing and able to spend $5,000, $10,000, or more on a guitar. Supply has exploded, but demand may be plateauing. Handmade boutique guitars, once a rarefied niche, are now ubiquitous at trade shows, online marketplaces, and across social media feeds. This leads me to a pressing question: When every guitar claims to be special, how can any guitar truly stand out?
The Instagram Paradox
Online, custom guitars have become as much about image as they are about sound. It seems any builder with a board and a butter knife is trolling for your approval. A scroll through Instagram reveals a sea of small-batch instruments, but there’s a creeping sense of déjà vu. How many “offset” guitars with stained burl tops and pre-distressed finishes can one truly appreciate before they begin to blur together? Social media, once a powerful tool for builders to connect with their clientele, has become a double-edged sword. On the one hand, it’s never been easier to showcase work to a global audience. On the other, the sheer volume of content has weakened the impact.
“A guitar by Parker or a Manzer wasn’t just a tool, it was a declaration of the builder’s ethos and vision—something that might have been lost in the guitar boom of the ’60s.”
The Buyer’s Shift
Meanwhile, players too are evolving. With the pandemic-fueled spike in sales fading, some tastes are turning away from the museum-worthy builds in favor of simpler, more traditional guitars. In a way, the legacy brands may now be a salve for the disaffected. In an ironic twist, they are seen as the true foundation of the industry—the original and genuine as opposed to a hip fad.
What Comes Next?
So, has the boutique guitar market peaked? Perhaps. But a peak doesn’t necessarily signal decline. Just as the boutique segment was born from a reaction to mass production, the next wave may be driven by a return to fundamentals. Builders who adapt to a changing landscape or who have built their own legacy will continue to thrive. Those who have not entered the general consciousness may find themselves left behind.
In the end, the boutique guitar market will endure, not because of its size, but because of its soul. Just as guitar building began as an individual endeavor, that heritage will continue. The challenge is to capture the essence of what makes a guitar special in the first place: the connection between builder and player—and the magic of turning wood and wire into music.