A superb gateway into the time-honored Fender family, the Squier Affinity Series delivers legendary design and quintessential tone for today's aspiring guitar hero.
This guitar and bass lineup features player-friendly refinements such as a thin, lightweight body and a slim, comfortable "C"-shaped neck profile. Each model sports Squier pickups and sealed die-cast tuning machines with split shaft (guitars) or vintage-style open-gear tuning machines (bass) for smooth, accurate tuning and easy restringing. These models are ready to help lay the foundation for any player at any stage. Available July 2021.
Squier Affinity Series Stratocaster
The Squier Affinity Series Stratocaster features a 2-point tremolo bridge for superior tremolo action and is loaded with a trio of Squier single-coil Strat pickups with 5-way switching. Available in 3-Color Sunburst (laurel fingerboard), Olympic White (maple fingerboard), Black (maple fingerboard) and Lake Placid Blue (maple fingerboard).
$249.00 USD
Exploring The Squier Affinity Series Stratocaster Models | Fender
Squier Affinity Series Stratocaster HH
The Squier Affinity Series Stratocaster HH is loaded with a pair of Squier humbucking pickups with 3-way switching for genre-defying sonic variety. Available in Olympic White, Burgundy Mist and Charcoal Frost Metallic with a laurel fingerboard.
$249.00 USD
Squier Affinity Series Stratocaster FMT HSS
The Squier Affinity Series Stratocaster FMT HSS features an eye-catching flame maple top (FMT) and is loaded with a Squier humbucking bridge pickup and single-coil neck and middle pickups. Available in Sienna Sunburst or Black Burst with a maple fingerboard.
$299.00 USD
Squier Affinity Series Telecaster
The Squier Affinity Series Telecaster is loaded with dual Squier single-coil Tele pickups with 3-way switching. Available in Lake Placid Blue (laurel fingerboard), Olympic White (laurel Fingerboard), 3-Color sunburst (maple fingerboard) and Butterscotch Blonde (maple fingerboard).
$249.00 USD
Exploring The Squier Affinity Series Telecaster Models | Fender
Squier Affinity Series Telecaster Left-Handed
The Squier Affinity Series Telecaster Left-Handed guitar is available in Butterscotch Blonde with a maple fingerboard.
$249.00 USD
Squier Affinity Series Telecaster Deluxe
The Squier Affinity Series Telecaster Deluxe has the refinements of the Squier Affinity Series Telecaster guitar and is loaded with two Squier humbucking pickups with individual volume and tone controls. Available in Burgundy Mist (laurel fingerboard), Charcoal Frost Metallic (laurel Fingerboard) and Black (maple fingerboard).
$279.00 USD
Squier Affinity Series Jazzmaster
The Squier Affinity Series Jazzmaster has a modern 2-point tremolo bridge for superior tremolo action and is loaded with two Squier single-coil Jazzmaster pickups with 3-way switching. Available in Burgundy Mist and Lake Placid blue with a laurel fingerboard.
$279.00 USD
Exploring The Squier Affinity Series Jazzmaster | Fender
With fresh colors and an expanded range of models – plus thinner, lighter bodies and upgraded pickups – the new Squier Affinity Series is the perfect entry i...Squier Affinity Series Jaguar Bass
The Squier Affinity Series Jaguar Bass H features an easy-playing 32" medium scale length and vintage-style open-gear tuning machines. Loaded with a Squier humbucking pickup for a fat, punchy tone. Available in Lake Placid Blue (maple fingerboard), Black (maple fingerboard) and Charcoal Frost Metallic (laurel fingerboard).
$249.00 USD
Exploring The Squier Affinity Series Bass Models | Fender
Squier Affinity Series Precision Bass PJ
The Squier Affinity Series Precision Bass PJ features vintage-style open-gear tuning machines for smooth, accurate tuning. Loaded with a Squier split single-coil P Bass neck pickup and a single-coil J Bass® bridge pickup. Available in Lake Placid Blue (laurel fingerboard), Charcoal Frost Metallic (laurel fingerboard), Olympic White (maple fingerboard) and Black (maple fingerboard).
$279.00 USD
Squier Affinity Series Jazz Bass
The Squier Affinity Series Jazz Bass is loaded with two Squier single-coil J Bass pickups for a wide variety of tones. Available in Burgundy Mist (laurel fingerboard), Charcoal Frost Metallic (laurel fingerboard), 3-Color Sunburst (maple fingerboard) and Black (maple fingerboard).
$279.00 USD
Squier Affinity Series Jazz Bass V
This 5-string Squier Affinity Series Jazz Bass V is loaded with two Squier single-coil J Bass pickups for a wide variety of tones. Available in 3-Color Sunburst (laurel fingerboard) and Olympic White (maple fingerboard).
$299.00 USD
- Will Ray's Bottom Feeder: Fender “Bluesbird” Telecaster - Premier ... ›
- Giving a Squier Tele the Cigar-Box Treatment - Premier Guitar ›
- Relic'd Fender Tele Wannabe - Premier Guitar ›
- Squier 40th Anniversary Fender Stratocaster Review - Premier Guitar ›
- Squier Introduces 5 New Models to Paranormal Series - Premier Guitar ›
An amp-in-the-box pedal designed to deliver tones reminiscent of 1950s Fender Tweed amps.
Designed as an all-in-one DI amp-in-a-box solution, the ZAMP eliminates the need to lug around a traditional amplifier. You’ll get the sounds of rock legends – everything from sweet cleans to exploding overdrive – for the same cost as a set of tubes.
The ZAMP’s versatility makes it an ideal tool for a variety of uses…
- As your main amp: Plug directly into a PA or DAW for full-bodied sound with Jensen speaker emulation.
- In front of your existing amp: Use it as an overdrive/distortion pedal to impart tweed grit and grind.
- Straight into your recording setup: Achieve studio-quality sound with ease—no need to mic an amp.
- 12dB clean boost: Enhance your tone with a powerful clean boost.
- Versatile instrument compatibility: Works beautifully with harmonica, violin, mandolin, keyboards, and even vocals.
- Tube preamp for recording: Use it as an insert or on your bus for added warmth.
- Clean DI box functionality: Can be used as a reliable direct input box for live or recording applications.
See the ZAMP demo video here: https://www.youtube.com/watch?v=xJp0jE6zzS8
Key ZAMP features include:
- True analog circuitry: Faithfully emulates two 12AX7 preamp tubes, one 12AX7 driver tube, and two 6V6 output tubes.
- Simple gain and output controls make it easy to dial in the perfect tone.
- At home, on stage, or in the studio, the ZAMP delivers cranked tube amp tones at any volume.
- No need to mic your cab: Just plug in and play into a PA or your DAW.
- Operates on a standard external 9-volt power supply or up to 40 hours with a single 9-volt battery.
The ZAMP pedal is available for a street price of $199 USD and can be purchased at zashabuti.com.
You may know the Gibson EB-6, but what you may not know is that its first iteration looked nothing like its latest.
When many guitarists first encounter Gibson’s EB-6, a rare, vintage 6-string bass, they assume it must be a response to the Fender Bass VI. And manyEB-6 basses sport an SG-style body shape, so they do look exceedingly modern. (It’s easy to imagine a stoner-rock or doom-metal band keeping one amid an arsenal of Dunables and EGCs.) But the earliest EB-6 basses didn’t look anything like SGs, and they arrived a full year before the more famous Fender.
The Gibson EB-6 was announced in 1959 and came into the world in 1960, not with a dual-horn body but with that of an elegant ES-335. They looked stately, with a thin, semi-hollow body, f-holes, and a sunburst finish. Our pick for this Vintage Vault column is one such first-year model, in about as original condition as you’re able to find today. “Why?” you may be asking. Well, read on....
When the EB-6 was introduced, the Bass VI was still a glimmer in Leo Fender’s eye. The real competition were the Danelectro 6-string basses that seemed to have popped up out of nowhere and were suddenly being used on lots of hit records by the likes of Elvis, Patsy Cline, and other household names. Danos like the UB-2 (introduced in ’56), the Longhorn 4623 (’58), and the Shorthorn 3612 (’58) were the earliest attempts any company made at a 6-string bass in this style: not quite a standard electric bass, not quite a guitar, nor, for that matter, quite like a baritone guitar.
The only change this vintage EB-6 features is a replacement set of Kluson tuners.
Photo by Ken Lapworth
Gibson, Fender, and others during this era would in fact call these basses “baritone guitars,” to add to our confusion today. But these vintage “baritones” were all tuned one octave below a standard guitar, with scale lengths around 30", while most modern baritones are tuned B-to-B or A-to-A and have scale lengths between 26" and 30".)
At the time, those Danelectros were instrumental to what was called the “tic-tac” bass sound of Nashville records produced by Chet Atkins, or the “click-bass” tones made out west by producer Lee Hazlewood. Gibson wanted something for this market, and the EB-6 was born.
“When the EB-6 was introduced, the Bass VI was still a glimmer in Leo Fender’s eye.”
The 30.5" scale 1960 EB-6 has a single humbucking pickup, a volume knob, a tone knob, and a small, push-button “Tone Selector Switch” that engages a treble circuit for an instant tic-tac sound. (Without engaging that switch, you get a bass-heavy tone so deep that cowboy chords will sound like a muddy mess.)
The EB-6, for better or for worse, did not unseat the Danelectros, and a November 1959 price list from Gibson hints at why: The EB-6 retailed for $340, compared to Dano price tags that ranged from $85 to $150. Only a few dozen EB-6 basses were shipped in 1960, and only 67 total are known to have been built before Gibson changed the shape to the SG style in 1962.
Most players who come across an EB-6 today think it was a response to the Fender Bass VI, but the former actually beat the latter to the market by a full year.
Photo by Ken Lapworth
It’s sad that so few were built. Sure, it was a high-end model made to achieve the novelty tic-tac sound of cheaper instruments, but in its full-voiced glory, the EB-6 has a huge potential of tones. It would sound great in our contemporary guitar era where more players are exploring baritone ranges, and where so many people got back into the Bass VI after seeing the Beatles play one in the 2021 documentary, Get Back.
It’s sadder, still, how many original-era EB-6s have been parted out in the decades since. Remember earlier when I wrote that our Vintage Vaultpick was about as original as you could find? That’s because the model’s single humbucker is a PAF, its Kluson tuners are double-line, and its knobs are identical to those on Les Paul ’Bursts. So as people repaired broken ’Bursts, converted other LPs to ’Bursts, or otherwise sought to give other Gibsons a “Golden Era” sound and look ... they often stripped these forgotten EB-6 basses for parts.
This original EB-6 is up for sale now from Reverb seller Emerald City Guitars for a $16,950 asking price at the time of writing. The only thing that isn’t original about it is a replacement set of Kluson tuners, not because its originals were stolen but just to help preserve them. (They will be included in the case.)
With so few surviving 335-style EB-6 basses, Reverb doesn’t have a ton of sales data to compare prices to. Ten years ago, a lucky buyer found a nearly original 1960 EB-6 for about $7,000. But Emerald City’s $16,950 asking price is closer to more recent examples and asking prices.
Sources: Prices on Gibson Instruments, November 1, 1959, Tony Bacon’s “Danelectro’s UB-2 and the Early Days of 6-String Basses” Reverb News article, Gruhn’s Guide to Vintage Guitars, Tom Wheeler’s American Guitars: An Illustrated History, Reverb listings and Price Guide sales data.
Some of us love drum machines and synths, and others don’t, but we all love Billy.
Billy Gibbons is an undisputable guitar force whose feel, tone, and all-around vibe make him the highest level of hero. But that’s not to say he hasn’t made some odd choices in his career, like when ZZ Top re-recorded parts of their classic albums for CD release. And fans will argue which era of the band’s career is best. Some of us love drum machines and synths and others don’t, but we all love Billy.
This episode is sponsored by Magnatone
An '80s-era cult favorite is back.
Originally released in the 1980s, the Victory has long been a cult favorite among guitarists for its distinctive double cutaway design and excellent upper-fret access. These new models feature flexible electronics, enhanced body contours, improved weight and balance, and an Explorer headstock shape.
A Cult Classic Made Modern
The new Victory features refined body contours, improved weight and balance, and an updated headstock shape based on the popular Gibson Explorer.
Effortless Playing
With a fast-playing SlimTaper neck profile and ebony fretboard with a compound radius, the Victory delivers low action without fret buzz everywhere on the fretboard.
Flexible Electronics
The two 80s Tribute humbucker pickups are wired to push/pull master volume and tone controls for coil splitting and inner/outer coil selection when the coils are split.
For more information, please visit gibson.com.