Covid caused a huge uptick in guitar sales and repair requests. If you're considering trying to fix it yourself rather than wait in line, here's a simple rule of thumb to keep in mind.
The COVID pandemic clobbered many of our favorite pastimes but proved to be a boon for the sales of some things, especially musical instruments. But while guitars, unlike bicycles (another pandemic fave), can be shipped without any significant disassembly, that doesn't necessarily mean it's smooth sailing once the box arrives and you pull a new, or at least new-to-you, instrument out of its case.
You did your homework, you found the right guitar at the right price, and it arrived with no visible damage. Whew! And yet after a quick tuning, something obviously isn't right.... Now what? If you're lucky, a local guitar repair technician can look at the instrument and help you determine if there's something faulty or if the problem is simply a matter of adjusting it to suit your playing style. But while finding the right guitar was a lot harder than it would've been in 2019, finding a repair tech with enough time to help you may be even more difficult. What happened?
Welcome to another unexpected wrinkle of now: A lot of us have more money to buy stuff, but if you buy something that needs fixing and you can't fix it yourself, those newly memorized mantras about patience may be put to the test. The ratio of stuff needing fixing to people who can fix things is seriously out-of-whack.
One of the reasons is that the recent dramatic uptick in people playing guitars has far outstripped any increase in the number of people being trained to work on them. This mismatch is made worse by the fact that even learning how to diagnose guitar repair issues takes considerably longer than the time it took all those COVID-trapped souls to find their dream rig online and have it delivered. Others didn't have to buy anything but a set of strings because they pulled a long-neglected guitar out of the closet, or, worse yet, the attic or garage, only to discover that their 6-string vehicle for trips down memory lane was no longer drivable.
Guitar repair techs are often one part mechanic and two parts psychologist: They're good at what they do because they understand both you and your instruments.
And while I hate to make dire predictions, a quick survey of lutherie and guitar repair schools doesn't indicate that "Guitar Repair Tech" is high on anybody's YOLO list of alternative occupations. That means the long delays of getting your guitar repaired is probably not going to improve anytime soon, and the same holds true for amplifiers. (I'm using the term "repair tech" instead of "luthier" because many people assume luthiers only build guitars.)
Those readers familiar with the online world of guitar repair videos are probably asking, "What about YouTube?" While it's true that some excellent diagnosis and instruction is available online, the DIY movement isn't for everyone and not all the guitars needing help fit that category. Bringing your brother's Seagull acoustic back from purgatory is one thing, but dad's Martin D-28? The former seems like a fitting guitar for testing YouTube-instructed setup skills, but with the D-28 it's probably best to find a repair tech with experience working on Martin guitars.
A simple safety test to keep you from getting in over your head and doing real damage is this: If you're altering a replaceable part on a guitar, such as the bridge saddle on an acoustic, or if you're making an adjustment that can be reversed, such as to the truss rod, go for it. However, if you're disturbing glue joints or a major part of the guitar, slow down. Taking the saddle out of the bridge on an acoustic guitar and altering or replacing it is one thing, but trying to reglue a loose or cracked bridge can result in real damage. (My rule of thumb is that those who have paid someone else to restring their guitar are probably not candidates for learning even the most basic setup that requires only screwdrivers and Allen wrenches, such as on a Strat.)
Yet a long-term solution to delays for instrument repair is going to require a more basic adjustment, and that's in how people who fix things are regarded by society at large. While luthiers who build guitars get lots of respect, those who repair instruments do not, even though guitar repair techs often have a tougher job.
This is because while the guitars they work on may be very similar, the people playing them often vary widely. Yngwie Malmsteen and Ry Cooder approach the Fender Stratocaster with very different goals (and very different strings), and acoustic guitarists have an equally far-ranging approach to playing instruments that are remarkably similar despite different woods and body shapes. Favorite guitar repair techs are often one part mechanic and two parts psychologist: They're good at what they do because they understand both you and your instruments. Only when repair techs get more respect, and better pay, will there be enough of them to meet demand.
- Becoming a Guitar Tech - Premier Guitar āŗ
- Gear Nannies: The Life of a Guitar Tech - Premier Guitar āŗ
- 12 Things Guitar Techs Need to Know - Premier Guitar āŗ
- 12 Things Guitar Techs Need to Know - Premier Guitar āŗ
- Spend More Time Playing Your Dang Guitars and Less Time Fixing āEm - Premier Guitar āŗ
With advanced controls, full MIDI integration, and expression pedal compatibility, the Elipse is designed for guitars, bass, synthesizers, vocals, and vintage keyboards.
Powered by Kernomās patented Analog Morphing Core technology, the Kernom ELIPSE isnāt just another modulation pedal. With the innovative MOOD control, musicians can seamlessly morph between iconic modulation effects, from rhythmic tremolos and lush choruses to jet-like flangers and swirling phasers. The addition of the SWIRL control introduces a unique phaser-blend for rich, multidimensional textures.
Key Features
Iconic effects and more
The ELIPSE offers a wide range of modulation effects, including tremolo, harmonic tremolo, rotary speaker, vibrato, chorus, tri-chorus, flanger, phaser, and Univibe.
Innovative controls
MOOD Knob: Seamlessly transition between effects, creating rich, hybrid sounds.
SWIRL Control: Blend a slow phaser with other effects for multidimensional textures and get that āfat tonesā youāve always dreamed of, enhanced by an analog drive circuit for reacher harmonics.
Creative Modulation Tools
Advanced controls like SHAPE, MIX, and DEPTH let you tailor waveforms, blend dry/wet signals, and adjust intensity to craft your perfect tone.
Full MIDI integration
Save up to 128 presets, control all parameters via MIDI CC (including Tap Tempo and MIDI Clock), and sync with your DAW or MIDI controller.
Manage your presets and settings with the MIDI Controller Companion software.
Expression pedal
Morph between presets in real time for unparalleled dynamic expression during performances or studio sessions.
Perfect with other instruments
Built for versatility, the ELIPSE excels with guitars, bass, synthesizers, vocals and vintage keyboards. Its input stage is designed to handle both instrument and line-level signals seamlessly.
The rugged aluminum casing ensures reliability in any environment.
The Kernom ELIPSE will be available starting January 21, 2025, at a retail price of $369 (MAP). ELIPSE will be available globally beginning January 21, 2025.
Experience the ELIPSE at NAMM 2025āvisit us at booth #5439.
For more information, please visit kernom.com.
Tone Demo | Kernom ELIPSE Modulation Effect - YouTube
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.Leveraging 3D printing technology, the new Floyd Rose Original locking nuts are designed to deliver unmatched precision and consistency, replacing the traditional ālost waxā casting method that dominated for decades.
The shift to 3D printing allows for intricate detailing and tighter tolerances, ensuring each nut meets exact specifications.
The process begins with powdered metal, which is precisely 3D printed into the desired shape using advanced metal printing technology. After printing, the parts are depowdered and cleaned before undergoing a sintering processāan advanced heat treatmentāduring which the parts achieve full density and hardness. Lastly, the nuts are CNC ākiss-cutā to exacting specifications for consistency and control of the fit before receiving a premium electroplating finish.
āFloyd Rose has always been synonymous with innovation, and by embracing this incredible new technology we are able to continue that legacy,ā said Andrew Papiccio, president of AP International Music Supply of which Floyd Rose is a division. āThe accuracy and flexibility of the new 3D printing method will allow us to make a more consistent piece while also giving us full control of the manufacturing right here in the USA.ā
Initially, the 3D-printed locking nuts will be available in ten classic sizes with a 10ā radius, with plans to expand the range to accommodate various fretboard radii in Spring 2025. This augmentation will offer players more options for customizing their setups to match a wide variety of fretboard curvatures.
To get a sneak peek at the new Floyd Rose USA Series, come visit us at NAMM in booth 5734 in Hall D.
With flexible voltage adjustments, precise control, customizable protection, compact design, and affordable pricing at $299, the Brownie is the ultimate solution for optimizing tone and safeguarding your gear.
AmpRx, the trusted name behind the industry-renowned BrownBox, has unveiled its newest innovation: The Brownie, a voltage-optimizing power supply for modern amps and the first of its kind.
Designed by AmpRx co-owner and CEO Cassandra Sotos (2024 NAMM Female Entrepreneur of the Year), the Brownie provides unparalleled control, flexibility, and protection specifically for modern tube amplifiers by allowing the player to both increase and decrease voltage with volt-by-volt precision.
Priced at $299, the Brownie offers an affordable and essential solution for protecting your investment in your high-quality tube amp. It allows you to optimize your tone and safeguard your gear from variations in voltage by givingthe ultimate advantage: knowing exactly what youāre feeding your amp.
Known as the secret weapon of touring professionals, AmpRx products have been spotted on stage with bands like the Red Hot Chili Peppers, Lynyrd Skynyrd, Zac Brown Band, Iron Maiden, and many more. AmpRx is now bringing its game-changing technology to an even broader audience with this compact, affordable, and versatile product. Try the Brownie for yourself and discover exactly why artists, amp designers, and technicians rely on AmpRx to provide consistent sound, performance, and extend the life of their gear.
The Brownie will be available January 20th, 2025, presented at NAMM Global Media Day and on display at Booth #5630.
WHAT MAKES THE BROWNIE SPECIAL? Building on the success of the flagship BrownBox, the Brownie offers key innovations tailored for modern amplifiers:
- Flexible Voltage Adjustments: The Brownie is the first in the AmpRx line to both decrease and increase voltage, providing optimal performance for modern tube amps (often at 117-120V).
- Precise Control: Adjust voltage in ultra-precise -1V increments when decreasing, and by +3V or +5Vwhen increasing, allowing musicians to fine-tune their tone with precision.
- Customizable Protection: The Brownie ensures safe operation, putting control directly in the player's hands, and includes two fuse options: 2A for smaller setups and 4A for larger setups, ensuring compatibility with diverse gear.
- Compact and Portable Design: Smaller and lighter than the original BrownBox, the Brownie is perfect for musicians seeking portability, durability, and streamlined functionality. It can even fit on a pedalboard or in a backpack.
- Wide Accessibility: At just $299, the Brownie offers professional-grade voltage control at a price point thatās accessible to musicians everywhere.
Email sales@brownbox.rocks to order and stop by NAMM Booth #5630 to see the Brownie in action, talk with the owners, team and artists, and see exactly why so many people insist onAmpRx products when they make music.
For more information, please visit brownbox.rocks.
Designed by Obeid Khan, this amp is designed to offer versatile tone control for classic amp sounds.
Magnatone LLC has introduced the StarliteReverb, a 1x8ā combo that offers 5 watts of sweet-toned Class A power.
This amp is designed to capture the sound of classic long-pan spring reverb authenticity, thanks to the use of an Accutronics Digi-Log Reverb. Carefully optimized gain stages ensure the reverb seamlessly integrates with the ampās natural sound, preserving the true classic tone of Magnatone amps.
- Output wattage: 5 watts, Class A
- Three control knobs: Volume, Tone and Reverb
- Magnatone Custom 8" Ceramic Magnet, Made by WGS in the USA
- Street Price: $1799
Obeid Khan, Magnatoneās engineer and tube amp guru, designed this model based on the success of the original Starlite model, and it uses the same classic single-ended amp with a 6V6 power tube. Khanās unique tone control knob enables players to achieve classic āblack-panel or tweedā tones with just a single knob.
Ted Kornblum, President & CEO of Magnatone LLC says āThe Starlite Reverb is an amp much bigger than its size and power rating. When you put a microphone on it, itās all you need!ā TheStarlite Reverb blends analog tube warmth and lush reverb resulting in a subtle depth and modulation that adds dimension to your tone.
The Starlite Reverb is available to pre-order now in a 1x8ā combo or with the matching 1x12ā or 2x10ā extension speaker cabinet. Shipping begins mid-2025.
For more information, please visit magnatoneusa.com.