
The author standing next to a Richardson gunstock lathe purchased from Gibson’s Kalamazoo factory. It was used to make six necks at a time at Gibson in the 1950s and 1960s.
Keep your head down and put in the work if you want to succeed in the gear-building business.
The accelerated commodification of musical instruments during the late 20th century conjures up visions of massive factories churning out violins, pianos, and, of course, fretted instruments. Even the venerable builders of the so-called “golden age” were not exactly the boutique luthier shops of our imagination.
Most likely, the majority of the workers who toiled in those facilities were not necessarily end users of the product. But despite the preponderance of private-equity interests at the top of the music-biz food chain, there have always been musicians down in the trenches.
Today, if you’re employed in the business of creating musical gear, more than ever, you are likely to be a musician. A positive shift in consumer attitudes about small brands, often operated by musicians, has added to this as well. With many players thinking that building pedals, guitars, or amps is a dream job, I thought I’d share what I think it takes.
In many ways, building gear is very similar to being a musician. In the beginning, you have to learn any way you can. You might go to school to get an introduction to machining, electronics, or woodworking to get a leg up. There are instrument-building schools as well, but be advised that you may be only learning one way to do something—their way. An alternate route is to learn from a successful person or enterprise—and I don’t mean viewing videos. When I am asked about how to “get into the business,” my advice is to find a job working for a reputable, successful company that is doing what you like, and stay there for at least three years and learn everything you can. I didn’t do that, but sometimes wish I had—it would have saved me a lot of misery. I learned on the job but luckily had two secret weapons: massive curiosity and the willingness to admit when I didn’t know something.
It takes a bit of an ego to succeed at most anything, but I know firsthand that it can also hinder your progress. A little knowledge can be dangerous. There’s a delicate balance between being confident and being humble enough to shut up and take advantage of the information that’s right in front of you. Arrogance seeks to surround itself with people who will lick boots, but smart people aren’t afraid to work in the shadow of those who are more accomplished. There have been numerous studies that show that when college roommates are chosen at random, the roommate whose GPA is lower will often study harder and raise their own average by a significant amount. The old saying goes something like: You can’t learn anything if you’re the one doing the talking.
Similarly, if, as a musician, you play with people who are better, you have to step up as opposed to just coasting along. It’s humbling to be at the bottom, but humility can be the best way forward. I’ve taken a lot of entry-level jobs at machine shops and factories, and the education served me well. The best advice here is to show that you are eager to learn, not how much you know.
“When I am asked about how to 'get into the business,' my advice is to find a job working for a reputable, successful company that is doing what you like, and stay there for at least three years and learn everything you can.”
Perhaps you’ve heard the story of someone who started out sweeping the floor who eventually rose to the top. Maybe in today’s corporate world, where a degree might be considered more desirable than actual experience, this isn’t a good strategy, but I can tell you that a lot of menial jobs afford you a perspective that will come in handy later. Pay attention to everything.
At one job assembling precision equipment, the supervisor asked me to report to the loading dock to fill in for a couple weeks. Instead of grousing about being demoted to a lower rung, I decided to learn how that department worked. I focused on doing well, learning, and gathering information about shipping and receiving. The shipping guys were happy to pawn off responsibilities on the “new” guy. That knowledge helped immeasurably when I had my own business. The very same scenario presented itself in a succession of industrial and creative jobs. In essence, I was being paid to go to school. People will share their expertise if you show respect for it—and that costs you nothing.
Regardless of what you’re trying to learn, it’s a better education to be a wide-eyed small fish in a big pond than a big fish in your own little puddle. The same goes for any job. Start in a position where you aren’t expected to know everything. This is where pride may derail you, but remember, you’re there to learn, and they’ll be watching. The smart money is on doing a great job sweeping that floor without a trace of complaint, because the way you do anything is the way you’ll do everything.
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Wampler Pedals releases the Brent Mason signature ReWired pedal.
Brent Mason’s career as a session guitarist spans over five decades, making him one of the most recorded musicians in history. His unparalleled talent has graced more than 1,000 albums, playing with and contributing to chart-topping hits from icons like Alan Jackson, Brooks & Dunn, Vince Gill, George Jones, Dolly Parton, Blake Shelton, Shania Twain, and many others. A Grammy winner and Musicians Hall of Fame inductee, Brent has also earned twelve Guitarist of the Year awards from the Academy of Country Music, two CMA® Musician of the Year titles, and was named one of the top ten session guitarists ever by Guitar World magazine.
Brian Wampler’s journey with Brent Mason began way back around 2004, when he’d make weekend trips to Nashville just to watch Brent play. Inspired by Brent’s incredible talent and effortless touch, Brian set out to craft a signature pedal that would become the cornerstone of Brent’s sound. The Overdrive channel perfectly captures Brent’s iconic rhythm tones, offering everything from crystal-clear light dirt to a punchy, muscular Overdrive. The Distortion channel screams with rich harmonics, making it ideal for solos - whether used on its own or stacked with the Overdrive for maximum impact.
An Iconic Tone, Reimagined
With two fully independent circuits, the ReWired gives you access to both classic Overdrive and powerful Distortion channels that have been tweaked to Brent’s exact specs. The Overdrive side is perfect for rhythm and Chicken Pickin’ - built for warmth and maximum clarity, staying true to Brent's iconic sound. The Distortion channel is a perfect lead tone and offers a weighty “British” Plexi-like punch. The ReWired also features an order switch that allows the stacking direction to be changed on-the-fly without the hassle of changing cables.
Dual inputs and Outputs
The ReWired can be connected with a single mono input and output cable, just like a regular guitar pedal, or you can connect each channel independently (very useful when used with a loop switcher!). You can even connect a pedal in between both channels - try adding a compressor or an EQ if you want to sculpt your tone further.
Fat Blends
The ReWired incorporates our unique “Fat” circuit control onto each channel as separate knobs. This allows you to dial in just the right amount of low end thump and presence into your rig - helping tame big speaker cabs or enhance smaller ones. The Overdrive channel also has Brent’s signature blend control, allowing you to tune the amount of drive to your liking.
ReWired - for ALL players
This is not a guitar pedal to be bought and put in a case and admired - but with its exclusive new Prime Silver finish (a nod to Brent’s infamous ‘67 Telecaster) and custom graphics we wouldn’t blame you if you did. The Wampler ReWired is designed to be at the heart of your rig. It sounds great with every guitar and amp we’ve tried it with and covers so many genres of music with ease. It comes with Wampler’s standard no fuss 5 Year guarantee and is built from the highest grade components to withstand the rigors of practice and gigging for years to come. The Wampler Brent Mason ReWired Signature Overdrive and Distortion - Rewire Your Sound Today Built in the U.S.A. with high-grade components selected for superior sound and response, premium finish and controls Dual Independent Overdrive and Distortion channels Independent Level, Gain, Tone and Fat controls for both channels, Blend Control for Overdrive channel Channel Order switch with two pairs of Input and Output jacks Power draw: 35mA at 9V and 40mA at 18V. 9-18v power jack - DC supply only, do not exceed 18v DC, battery Included Includes Limited 5-Year Warranty Dimensions: 5” x 4.5” x 2.4″ (88.9mm x 114.3mm x 58.0mm)
The Wampler ReWired carries a street price of $279.97. For more information visit https://www.wamplerpedals.com/
The body shape of this 6-string seems surprisingly ergonomic, but that perception changes when you hold its neck!
Originally priced at $25 and tagged for the student market, this guitar built at the Kawai factory sounds surprisingly good, but its neck is a “husky” fit.
Recently, I celebrated a birthday—and let me tell you, after 50 I just feel thankful for a shot at another day. I’m at the point in life where I wake up with injuries, like random bruises or sore joints after a good night of sleep. What the heck! As part of being over 50, I find it necessary to keep up on my vaccinations and health things, and in my recent travels, I was surprised to learn that so many people have a birthday around the same time as me. It started with various phlebotomists, doctors, and nurses. Then it continued with people at work and social media messages. I never really thought about it before, but I did some research and, in fact, more babies are born in September than in any other month! My birthday is October 6, but according to my dear mom, I was two weeks late (as usual).
And so it goes that I pondered this proliferation of Virgos and Libras, and my hypothesis came into focus. Were we all the result of our parents’ Christmas and New Year’s celebrations?! I have to say, there was a camaraderie discovered among my fellow party babies when I presented my findings to them. Now, being born in the early ’70s also had me thinking of the culture of the times. Hippie life was fading as young people started to realize they had to get a job, and alas, long hair and beards were being replaced by staid 9-to-5 gigs that could slowly suck the life out of you. So, given the cultural mores of that era, I thought that this month I should write about the Sorrento Swinger.
“Hippie life was fading as young people started to realize they had to get a job.”
Born around 1967—maybe in September—these Swingers hailed from the “crazy” design period of the Kawai Co. Kawai produced some of the coolest guitar designs from 1967 to ’69, and there were some very creative guitar designers there on the job. Kawai had poached some of the finest employees from the wreckage of the Shinko Gakki factory (Pleasant, Intermark, etc.) and through the purchase of the Teisco brand. In this era, Kawai usually used three different standard pickups and they all sound great, plus the units are always wired in series, which is just awesome.
For a 25-buck, Japan-made guitar from the ’70s, the Swinger has an elite-looking headstock—and, on this example, most of its tuners.
Now, the Swinger (and similar Kawai-made guitars) came from an era where U.S. importers would order small batches of instruments that were often unique and extremely gonzo. The guitars might have been destined for medium-sized music stores or direct-order catalogs, but whatever the case, the importer usually gave the guitars names. In this instance, it was Jack Westheimer who featured this model as an “exclusive” design. In Westheimer Corporation catalogs from the time, the Swinger carried the A-2T model name (there was another one-pickup model called the A-1) and sold wholesale for $25 in 1967! As the catalog mentioned, these were “priced for the teenaged trade.” This particular guitar featured the Sorrento badge, and was sold through some sort of music store that’s probably long out of business, but all the Swingers were the same.
The Swinger’s large mahogany neck (sans truss rod) is robust and beefy in all the nicest ways. Like, when I was a kid, I was considered a “husky” fit. That’s this neck: husky! The striped pickguard is a Teisco holdover and the controls are as simple as it gets. Two knobs (volume, tone) and two pickup selectors is all there is, but the beauty is in the body. That lower bout is shaped like some sort of 1969 lounge chair. The strap pin is totally in the wrong place, but the big bottom swoop is worth it. Yep, the Swinger was ready to bring in the dawn of the 1970s, but alas, the guitar came and went in a blink.
Hand-built in the USA, this pedal features original potentiometer values, True Bypass, and three unique modes for versatile distortion options. Commemorative extras included.
This limited-edition pedal is limited to a 1,974-piece run to commemorate the year of DOD’s start, 1974. The original OD250 put DOD on the map as “America’s Pedal” and continues to be an industry favorite today. Each pedal will have a serial-numbered Certificate of Authenticity, a commemorative laser-etched pedal topper, several commemorative guitar picks, and multiple commemorative stickers.
Hand-built in the USA, the DOD OD250 – 50th Anniversary Edition pedal boasts Gain and Level controls using the original potentiometer values and tapers giving the control knob the feel and range that DOD enthusiasts love. A three-position toggle switch features the OD250’s classic “SILICON” mode replicating that original sound. The “Ge/ASYM” mode uses a vintage Germanium diode for asymmetrical even-harmonic distortion. “LIFT” mode cuts the diode clipping from the signal path allowing for a clean boost or even a dirty boost when the vintage LM741 op-amp is clipped at higher gain settings. The DOD 250 also features True Bypass to maintain the integrity of your guitar tone.
This limited edition OD250 is outfitted in a stunning metal flake gray finish with classic yellow screenprint in a callback to the original OD250 of the 1970s. An etched aluminum badge on each unit commemorates this occasion. The DOD OD 250 – 50th Anniversary is ready to take its place among the historic DOD pedal lineup.
When John Johnson and “Mr. DOD” himself, David O. DiFrancesco set out to make DOD Electronics in Salt Lake City, Utah 50 years ago, they had no idea how enduring their legacy would be. Now 50 years later, DOD Electronics continues to be at the forefront of pedal technology. The DOD OD 250 – 50th Anniversary Pedal is an exceptional testament to DOD Electronics’ long–standing success.
Retail Price: $250.00
For more information, please visit digitech.com.
Want to know how tubes shape your tone? Join PG contributor Tom Butwin as he breaks down preamp vs. power tubes, tone tweaks, and biasing, in this ultimate beginner's guide to tube amps. From Fender cleans to Marshall grit, learn how to unlock the full potential of your amp!
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