Keep your head down and put in the work if you want to succeed in the gear-building business.
The accelerated commodification of musical instruments during the late 20th century conjures up visions of massive factories churning out violins, pianos, and, of course, fretted instruments. Even the venerable builders of the so-called “golden age” were not exactly the boutique luthier shops of our imagination.
Most likely, the majority of the workers who toiled in those facilities were not necessarily end users of the product. But despite the preponderance of private-equity interests at the top of the music-biz food chain, there have always been musicians down in the trenches.
Today, if you’re employed in the business of creating musical gear, more than ever, you are likely to be a musician. A positive shift in consumer attitudes about small brands, often operated by musicians, has added to this as well. With many players thinking that building pedals, guitars, or amps is a dream job, I thought I’d share what I think it takes.
In many ways, building gear is very similar to being a musician. In the beginning, you have to learn any way you can. You might go to school to get an introduction to machining, electronics, or woodworking to get a leg up. There are instrument-building schools as well, but be advised that you may be only learning one way to do something—their way. An alternate route is to learn from a successful person or enterprise—and I don’t mean viewing videos. When I am asked about how to “get into the business,” my advice is to find a job working for a reputable, successful company that is doing what you like, and stay there for at least three years and learn everything you can. I didn’t do that, but sometimes wish I had—it would have saved me a lot of misery. I learned on the job but luckily had two secret weapons: massive curiosity and the willingness to admit when I didn’t know something.
It takes a bit of an ego to succeed at most anything, but I know firsthand that it can also hinder your progress. A little knowledge can be dangerous. There’s a delicate balance between being confident and being humble enough to shut up and take advantage of the information that’s right in front of you. Arrogance seeks to surround itself with people who will lick boots, but smart people aren’t afraid to work in the shadow of those who are more accomplished. There have been numerous studies that show that when college roommates are chosen at random, the roommate whose GPA is lower will often study harder and raise their own average by a significant amount. The old saying goes something like: You can’t learn anything if you’re the one doing the talking.
Similarly, if, as a musician, you play with people who are better, you have to step up as opposed to just coasting along. It’s humbling to be at the bottom, but humility can be the best way forward. I’ve taken a lot of entry-level jobs at machine shops and factories, and the education served me well. The best advice here is to show that you are eager to learn, not how much you know.
“When I am asked about how to 'get into the business,' my advice is to find a job working for a reputable, successful company that is doing what you like, and stay there for at least three years and learn everything you can.”
Perhaps you’ve heard the story of someone who started out sweeping the floor who eventually rose to the top. Maybe in today’s corporate world, where a degree might be considered more desirable than actual experience, this isn’t a good strategy, but I can tell you that a lot of menial jobs afford you a perspective that will come in handy later. Pay attention to everything.
At one job assembling precision equipment, the supervisor asked me to report to the loading dock to fill in for a couple weeks. Instead of grousing about being demoted to a lower rung, I decided to learn how that department worked. I focused on doing well, learning, and gathering information about shipping and receiving. The shipping guys were happy to pawn off responsibilities on the “new” guy. That knowledge helped immeasurably when I had my own business. The very same scenario presented itself in a succession of industrial and creative jobs. In essence, I was being paid to go to school. People will share their expertise if you show respect for it—and that costs you nothing.
Regardless of what you’re trying to learn, it’s a better education to be a wide-eyed small fish in a big pond than a big fish in your own little puddle. The same goes for any job. Start in a position where you aren’t expected to know everything. This is where pride may derail you, but remember, you’re there to learn, and they’ll be watching. The smart money is on doing a great job sweeping that floor without a trace of complaint, because the way you do anything is the way you’ll do everything.
- The Case for Composite Materials in Guitar Building ›
- The Building Blocks of the Blues ›
- The Truth About Guitar-Building Videos ›
From full-size to mini, these six pedals deliver funky “chickas,” screaming, fuzz-infused lead tones, and more.
The variations on a classic stompbox bring you tonal versatility and more!
Xotic XW-2 Wah Pedal
The Xotic XW-2 Wah Pedal is a high-quality, versatile stomp that creates a ’70s-style “throaty” wah sound.
xotic.us
Sonicake FlipWah
The FlipWah combo pedal combines a classic wah and active volume pedal in one, with a footswitch to select between the two modes. A Q knob adds even more versatility.
sonicake.com
$79 street
McCon-O-Wah McWah
The McWah-2B delivers classic tone with modern upgrades. Handwired, adjustable, and durable, it features a custom pot and true bypass for optimal sound. Inspired by the original, legendary wah pedal.
mcconowah.com
$428 street
Dunlop Jerry Cantrell Rainier Fog Cry Baby Wah
This Cry Baby signature model complements Jerry Cantrell’s sound with a dark, punchy voice, a wide sweep, and a control on the side for fine-tuning the toe-down frequency.
jimdunlop.com
Dunlop CBJ95 Cry Baby Junior Wah Pedal
The Cry Baby Junior Wah features front-mounted jacks and an 8" housing for clean configurations on the world’s most popular boards.
jimdunlop.com
Dunlop Cry Baby Daredevil Fuzz Wah Pedal
A collaboration with Daredevil Pedals, this Cry Baby Wah combines the bright, aggressive vocality of a modded Cry Baby Wah with a custom fuzz circuit that’s downright gnarly.
jimdunlop.com
Leveraging 3D printing technology, the new Floyd Rose Original locking nuts are designed to deliver unmatched precision and consistency, replacing the traditional “lost wax” casting method that dominated for decades.
The shift to 3D printing allows for intricate detailing and tighter tolerances, ensuring each nut meets exact specifications.
The process begins with powdered metal, which is precisely 3D printed into the desired shape using advanced metal printing technology. After printing, the parts are depowdered and cleaned before undergoing a sintering process—an advanced heat treatment—during which the parts achieve full density and hardness. Lastly, the nuts are CNC “kiss-cut” to exacting specifications for consistency and control of the fit before receiving a premium electroplating finish.
“Floyd Rose has always been synonymous with innovation, and by embracing this incredible new technology we are able to continue that legacy,” said Andrew Papiccio, president of AP International Music Supply of which Floyd Rose is a division. “The accuracy and flexibility of the new 3D printing method will allow us to make a more consistent piece while also giving us full control of the manufacturing right here in the USA.”
Initially, the 3D-printed locking nuts will be available in ten classic sizes with a 10” radius, with plans to expand the range to accommodate various fretboard radii in Spring 2025. This augmentation will offer players more options for customizing their setups to match a wide variety of fretboard curvatures.
To get a sneak peek at the new Floyd Rose USA Series, come visit us at NAMM in booth 5734 in Hall D.
With flexible voltage adjustments, precise control, customizable protection, compact design, and affordable pricing at $299, the Brownie is the ultimate solution for optimizing tone and safeguarding your gear.
AmpRx, the trusted name behind the industry-renowned BrownBox, has unveiled its newest innovation: The Brownie, a voltage-optimizing power supply for modern amps and the first of its kind.
Designed by AmpRx co-owner and CEO Cassandra Sotos (2024 NAMM Female Entrepreneur of the Year), the Brownie provides unparalleled control, flexibility, and protection specifically for modern tube amplifiers by allowing the player to both increase and decrease voltage with volt-by-volt precision.
Priced at $299, the Brownie offers an affordable and essential solution for protecting your investment in your high-quality tube amp. It allows you to optimize your tone and safeguard your gear from variations in voltage by givingthe ultimate advantage: knowing exactly what you’re feeding your amp.
Known as the secret weapon of touring professionals, AmpRx products have been spotted on stage with bands like the Red Hot Chili Peppers, Lynyrd Skynyrd, Zac Brown Band, Iron Maiden, and many more. AmpRx is now bringing its game-changing technology to an even broader audience with this compact, affordable, and versatile product. Try the Brownie for yourself and discover exactly why artists, amp designers, and technicians rely on AmpRx to provide consistent sound, performance, and extend the life of their gear.
The Brownie will be available January 20th, 2025, presented at NAMM Global Media Day and on display at Booth #5630.
WHAT MAKES THE BROWNIE SPECIAL? Building on the success of the flagship BrownBox, the Brownie offers key innovations tailored for modern amplifiers:
- Flexible Voltage Adjustments: The Brownie is the first in the AmpRx line to both decrease and increase voltage, providing optimal performance for modern tube amps (often at 117-120V).
- Precise Control: Adjust voltage in ultra-precise -1V increments when decreasing, and by +3V or +5Vwhen increasing, allowing musicians to fine-tune their tone with precision.
- Customizable Protection: The Brownie ensures safe operation, putting control directly in the player's hands, and includes two fuse options: 2A for smaller setups and 4A for larger setups, ensuring compatibility with diverse gear.
- Compact and Portable Design: Smaller and lighter than the original BrownBox, the Brownie is perfect for musicians seeking portability, durability, and streamlined functionality. It can even fit on a pedalboard or in a backpack.
- Wide Accessibility: At just $299, the Brownie offers professional-grade voltage control at a price point that’s accessible to musicians everywhere.
Email sales@brownbox.rocks to order and stop by NAMM Booth #5630 to see the Brownie in action, talk with the owners, team and artists, and see exactly why so many people insist onAmpRx products when they make music.
For more information, please visit brownbox.rocks.