When this guitar builder couldn’t find the EVH-style guitar he wanted, his solution was to create one—designed with a quilted maple top and tremolo system inspired by the legend.
My “super strat with a twist” project began in 2021, as I wasn’t happy with my heavily modified Wolfgang Special. I was looking for more versatility, better comfort (less weight, more contours), as well as a more old-school EVH-style vibe. I soon realized that no such guitar existed, and that I would have to build one.
The name “Coffee,” which is laser-engraved on the headstock, was inspired by the look of the roasted parts of the guitar, because the color reminds me of an old coffee pot. My original vision was that when I have the blues, I can grab my Coffee, and everything will feel good again.
Coffee is equipped with a Schaller LockMeister 6 tremolo and EVH D-Tuna.
The roasted swamp ash Warmoth Soloist body has a quilted maple top (with copperhead dye and gloss), with a belly cut, forearm contour, and contoured heel. The Warmoth Warhead maple neck (roasted maple, no finish) has a 24.75″ scale length with a 12–16″ fretboard radius and 6150 stainless-steel frets. The tremolo system is made up of a non-recessed EVH-style Schaller LockMeister 6 equipped with an EVH D-Tuna.
There is only one pickup, a Pariah Pasadena White humbucker, located in the bridge position, and wood-mounted. However, one of the things that makes this guitar special is the rest of the hardware, which includes a 3-way super switch and three pots, as well as a separate “mini-pot” component. The knobs are MeisterWorks Luminlay knobs.
“Damn good coffee—and hot, too!” —Agent Cooper, Twin Peaks
The main pots (excluding the mini-pot), available only in position 3 in the 3-way switch, are as follows: a master volume (Seymour Duncan Yngwie Speed Pot 500K, with added treble bleed), a no-load master tone (500K), and a no-load spin-a-split “tone” (500K). The spin-a-split is stepless and controls the output of the second coil of the humbucker.
The preset positions of the 3-way super switch (for the single pickup) are:
1. Solo/Rhythm: There is only a fixed 500K resistor to tame the tone a bit, before the signal goes to the output jack.
2. Bluesy Solo: The signal goes to the output jack through a “mini-pot” component (Schatten Pickups Thumbwheel Controls), hidden in the guitar cavity. The mini-pot has the volume on 10, and the tone on 5.
3. Rhythm/Clean: The three main pots are in use, and I can use the volume knob, the tone knob, and the “spin-a-split” knob to adjust the tone.HeGe had the name of his guitar laser-etched onto its headstock.
A special solution? Sure, but it allows me to create a wide variety of sounds, and the presets are easy to use. As an example, the switching solution and the presets mean that if I set a specific sound in position 3, I can play “Hot for Teacher” by switching between position 1 and position 3, or “Still Got the Blues” by switching between position 2 and position 3. Only proper guitar skills have to be added! Or, if I want to play Coffee like a “normal” guitar, I´ll just stay in position 3 and fiddle with the knobs.
The guitar weighs 7.8 pounds, which, compared to my old guitar’s weight of 11.9, is very comfortable—and it sounds great! All in all, I am incredibly pleased with the outcome!
“Damn good coffee—and hot, too!”—Agent Cooper, Twin Peaks- Reader Guitar of the Month: The Beecaster ›
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Nashville's historic Gruhn Guitars give PG an exclusive look at a very early amp that is a piece of rock history that preceded the heralded JTM45. Amp builder and reverb aficionado Eric Borash of Ebo Sounds shares his expertise on this rare amp's lineage, while John Bohlinger plugs in Dan Auerbach's old '60s ES-335 to test it out.
Beetronics FX Tuna Fuzz pedal offers vintage-style fuzz in a quirky tuna can enclosure.
With a single "Stinker" knob for volume control and adjustable fuzz gain from your guitar's volume knob, this pedal is both unique and versatile.
"The unique tuna can format embodies the creative spirit that has always been the heart of Beetronics, but don’t let the unusual package fool you: the Tuna Fuzz is a serious pedal with great tone. It offers a preset level of vintage-style fuzz in a super simple single-knob format. Its “Stinker” knob controls the amount of volume boost. You can control the amount of fuzz with your guitar’s volume knob, and the Tuna Fuzz cleans up amazingly well when you roll back the volume on your guitar. To top it off, Beetronics has added a cool Tunabee design on the PCB, visible through the plastic back cover."
The Tuna Fuzz draws inspiration from Beetronics founder Filipe's early days of tinkering, when limitedfunds led him to repurpose tuna cans as pedal enclosures. Filipe even shared his ingenuity by teachingclasses in Brazil, showing kids how to build pedals using these unconventional housings. Although Filipe eventually stopped making pedals with tuna cans, the early units were a hit on social media whenever photos were posted.
Tuna Fuzz features include:
- Single knob control – “Stinker” – for controlling output volume
- Preset fuzz gain, adjustable from your guitar’s volume knob
- 9-volt DC operation using standard external power supply – no battery compartment
- True bypass switching
One of the goals of this project was to offer an affordable price so that everyone could own a Beetronicspedal. For that reason, the pedal will be sold exclusively on beetronicsfx.com for a sweet $99.99.
For more information, please visit beetronicsfx.com.
What are Sadler’s favorite Oasis jams? And if he ever shares a bill with Oasis and they ask him onstage, what song does he want to join in on?
Once the news of the Oasis reunion got out, Sadler Vaden hit YouTube hard on the tour bus, driving his bandmates crazy. The Jason Isbell and the 400 Unit guitarist has been a Noel Gallagher mega-fan since he was a teenager, so he joined us to wax poetic about Oasis’ hooks, Noel’s guitar sound, and the band’s symphonic melodies. What are Sadler’s favorite Oasis jams? And if he ever shares a bill with Oasis and they ask him onstage, what song does he want to join in on?
Check out the Epiphone Noel Gallagher Riviera Dark Wine Red at epiphone.com
EBS introduces the Solder-Free Flat Patch Cable Kit, featuring dual anchor screws for secure fastening and reliable audio signal.
EBS is proud to announce its adjustable flat patch cable kit. It's solder-free and leverages a unique design that solves common problems with connection reliability thanks to its dual anchor screws and its flat cable design. These two anchor screws are specially designed to create a secure fastening in the exterior coating of the rectangular flat cable. This helps prevent slipping and provides a reliable audio signal and a neat pedal board and also provide unparalleled grounding.
The EBS Solder-Free Flat Patch Cable is designed to be easy to assemble. Use the included Allen Key to tighten the screws and the cutter to cut the cable in desired lengths to ensure consistent quality and easy assembling.
The EBS Solder-Free Flat Patch Cable Kit comes in two sizes. Either 10 connector housings with 2,5 m (8.2 ft) cable or 6 connectors housings with 1,5 m (4.92 ft) cable. Tools included.
Use the EBS Solder-free Flat Patch Cable Kit to make cables to wire your entire pedalboard or to create custom-length cables to use in combination with any of the EBS soldered Flat Patch Cables.
Estimated Price:
MAP Solder-free Flat Patch Cable Kit 6 pcs: $ 59,99
MAP Solder-free Flat Patch Cable Kit 10 pcs: $ 79,99
MSRP Solder-free Flat Patch Cable Kit 6 pcs: 44,95 €
MSRP Solder-free Flat Patch Cable Kit 10 pcs: 64,95 €
For more information, please visit ebssweden.com.