Exactly how does this glowing bottle affect your tone?
I'm often asked about tube rectification in guitar amplifiers. For many players, it's a subject that could stand a little deeper scrutiny from an engineering and design perspective. First, keep in mind that a tube rectifier is not an audio amplifying device. If no audio signal passes through it, how does it affect an amplifier's sound? Let's have a look.
Your amplifier's preamp and power tubes require a DC voltage to operate. The amplifier's power transformer converts the incoming AC line voltage to the levels required. The power supply rectifier, whether of the vacuum tube or silicon diode variety, converts the AC voltage to DC. That DC voltage is filtered and then sent along to the various amplifying stages to do their specific tasks.
The hard-working power supply must be able to deliver the amplifier's maximum continuous rated power for an extended period of time. Most well-engineered amplifiers can operate continuously at full power for hundreds of hours without generating sufficient heat to injure the operator or cause a component to fail. Even so, things do heat up.
A rectifier tube in a typical tube-rectified power supply: R1 and R2 represent the internal copper resistance in the transformer's primary winding, and R3 and R4 represent the same in the transformer's secondary winding. RA represents the tube's internal resistance between the anodes and the cathode. In a silicon-rectified power supply, RA is much lower and therefore produces less heat loss.
When you play at low volumes, you're not placing a great demand on your amplifier's power supply. At gig volume, however, you start drawing significant power from it. When you run the unit for several hours straight, the copper wire in the power transformer gets hot. Copper wire, being an imperfect conductor, exhibits resistance to current flow, and this inherent resistance causes the wire to heat up as the power demand increases. The resistance of a given length of wire is fixed, which means something has to give when the temperature goes up, and that something is voltage. As your power transformer heats up, the voltage it produces decreases. In a typical amp this decrease isn't large, but it's noticeable.
When we introduce a tube rectifier into the equation, the effect of heat-induced voltage loss is exaggerated. The reason is that the rectifier also has some internal resistance that contributes to a total drop of as much as 50 volts under full load. That's a lot. Silicon diodes overtook vacuum-tube rectifiers long ago because they were much less expensive and assembly was less labor intensive. But there was another reason: They're more efficient, due to low internal resistance. That difference in internal resistance means silicon and vacuum tube rectifiers are generally not directly interchangeable. Using a plug-in silicon device in place of a tube rectifier can cause excess DC to appear at the filter capacitors.
When you play at low volumes, you're not placing a great demand on your amplifier's power supply. At gig volume, however, you start drawing significant power from it.
A tube rectifier may make the cut when the goal is to produce a vintage-correct reproduction amp. Even though we can engineer a similar amount of voltage sag into the power transformer, purists may see the absence of the original part as a cop-out to save money, when, in fact, it may simply result in a more reliable, maintenance-free design. However, inducing sag into the transformer design can cause the temperature in the power transformer to increase more rapidly over time, in which case a larger, heavier, and more expensive part may be required to manage this drawback. In some cases, getting a power transformer design to conform to modern regulatory limitations can be simplified by using a tube rectifier to provide an easier path to safety compliance. We often see reissue amps that differ in performance from the originals simply because they have to clear regulatory hurdles that were non-existent at the time the originals were created. A crafty engineer can often find workarounds to such obstacles, and clever application of transformer technology and tube rectification are valuable tools in the kit.
In my experience, the most practical use of a tube rectifier is in dual-voltage power supplies, where a high- and low-power mode is required. For the high-power mode, a large, stable power transformer is necessary to meet maximum performance parameters. The downside? A high-capacity power transformer tends to yield stiffer performance when not running at or near maximum potential, such as in a low-power mode. This is where the tube rectifier really shines: It can be used to exaggerate the voltage sag in a power supply that would otherwise exhibit an unforgiving feel.
Whether the design objective is aesthetic, practical, or genuinely novel, it's good to have choices. Besides the satisfaction of seeing more glowing tubes humming away in our amplifiers, it's nice to know that players appreciate the extra effort involved in creating new designs around these familiar bottles.
[Updated 10/14/21]
- Everything You Ever Wanted to Know About Output Tubes - Premier ... ›
- How Tube Amps Work - Premier Guitar ›
- Ask Amp Man: Restoring a Deluxe Reverb's Magic - Premier Guitar ›
Featuring dual-engine processing, dynamic room modeling, and classic mic/speaker pairings, this pedal delivers complete album-ready tones for rock and metal players.
Built on powerful dual‑engine processing and world‑class UAD modeling, ANTI 1992 High Gain Amp gives guitarists the unmistakable sound of an original "block letter" Peavey 5150 amplifier* – the notorious 120‑watt tube amp monster that fueled more than three decades of modern metal music, from Thrash and Death Metal, to Grunge, Black Metal, and more.
"With UAFX Dream, Ruby, Woodrow, and Lion amp emulators, we recreated four of the most famous guitar amps ever made," says UA Sr. Product Manager Tore Mogensen. "Now with ANTI, we're giving rock and metal players an authentic emulation of this punishing high gain amp – with the exact mic/speaker pairings and boost/noise gate effects that were responsible for some of the most groundbreaking modern metal tones ever captured."
Key Features:
- A complete emulation of the early '90s 120‑watt tone monster that defined new genres of modern metal
- Powerful UAFX dual-engine delivers the most authentic emulation of the amp ever placed in a stompbox
- Complete album‑ready sounds with built‑in noise gate, TS‑style overdrive, and TC‑style preamp boost
- Groundbreaking Dynamic Room Modeling derived from UA's award-winning OX Amp Top Box
- Six classic mic/speaker pairings used on decades of iconic metal and hard rock records
- Professional presets designed by the guitarists of Tetrarch, Jeff Loomis, and The Black Dahlia Murder
- UAFX mobile app lets you access hidden amp tweaks and mods, choose overdrive/boost, tweak noise gate, recall and archive your presets, download artist presets, and more
- Timeless UA design and craftsmanship, built to last decades
For more information, please visit uaudio.com.
- YouTube
The legendary Queen guitarist shared an update on his social media that he noted as a "little health hiccup." "The good news is I can play guitar,” he said.
Brian May revealed that he was rushed to a hospital after suffering a minor stroke and temporarily losing control of his left arm. In a message to his fans, May addresses the events of the past week:
“They called it a minor stroke, and all of a sudden out of the blue, I didn’t have any control of this arm. It was a little scary, I have to say. I had the most fantastic care and attention from the hospital where I went, blue lights flashing, the lot, it was very exciting. I might post a video if you like.”
“I didn’t wanna say anything at the time because I didn’t want anything surrounding it, I really don’t want sympathy. Please don’t do that, because it’ll clutter up my inbox, and I hate that. The good news is I’m OK.”
An Inspired by Gibson Custom recreation of the guitar that Jimi customized and played extensively from 1967-1969.
As part of the Epiphone Inspired by Gibson Custom Collection, the Epiphone Jimi Hendrix “Love Drops” Flying V is now available at Authorized Epiphone dealers and worldwide on www.epiphone.com.
“Jimi’s artistic expression was all-encompassing. It went far beyond creating magical music and expanded into another dimension of art that allowed us to see the beauty of his music,” says Janie Hendrix, Sister of Jimi and President and CEO of Experience Hendrix LLC & Authentic Hendrix LLC. “When he hand-painted his Flying V, which was an expression of his love for his instrument and his music. With the Epiphone series, Gibson has recreated Jimi’s artwork beautifully! We are excited to partner with them! Seeing Jimi’s handiwork come alive in this spectacular collection is extremely gratifying.”
The Epiphone Jimi Hendrix “Love Drops” Flying V with custom hardshell guitar case.
Originally a Sunburst, Jimi Hendrix customized his Ebony-refinished Gibson Flying V with striking psychedelic graphics that he hand-painted on the original guitar, which are carefully recreated here on the Flying V. As a fitting tribute to one of the world’s most legendary and famous lefty guitar players, the Epiphone Jimi Hendrix “Love Drops” Flying V is available in right and left-handed versions. The Jimi Hendrix “Love Drops” Flying V also features a mahogany body, a one-piece mahogany neck with a Rounded C profile, a laurel fretboard, and 22 medium jumbo frets.
An Inspired by Gibson Custom logo and reproduction of Jimi’s signature adorn the back of the 1967-style Flying V headstock. Epiphone Deluxe tuners anchor the strings at the headstock, while a short Maestro Vibrola anchors them at the other end. The electronics are first-rate, with a pair of Gibson Custombucker humbucker pickups wired to CTS potentiometers, a Mallory tone capacitor, and a Switchcraft 3-way pickup select switch and 1/4” output jack. An Epiphone hardshell guitar case with Inspired by Gibson Custom and Authentic Hendrix™ logos is also included.
Learn more: www.epiphone.com.
Introducing the new Seymour Duncan Billy Gibbons signature offerings: The Hades Gates Humbucker set for a mid-forward punch with extra heat, and the Red Devil for Tele, capturing his hot Texas tone.
Billy Gibbons Red Devil for Tele
When Seymour Duncan first introduced the Signature Billy Gibbons Red Devil set, his fiery sound was captured in Strat-sized humbucker pickups. Now, that hot Texas tone is available as a drop-in replacement bridge pickup for any Telecaster wielding guitarist.
Approved by Reverend Willie G himself, the Red Devil for Tele is built with an Alnico 5magnet, 4 conductor cable, and a hot wind that drives amps and pedals harder than a traditional vintage humbucker. Whether you’re looking for cutting leads, tight pinch harmonics, or thick rhythm tones, it’s all at your fingertips with the Red Devil for Tele.
Billy Gibbons Hades Gates Pickup Set
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.From scorching lead guitar to his own line of hot sauces, Billy Gibbons has never been afraid of a little extra heat. The Pearly Gates pickup set from his coveted 1959 Les Paul has been a favorite among P.A.F. purists for decades. For the Reverend, some guitars in his collection benefitted from additional output to deliver his signature sound.
This demand for a hotter wind forged The Hades Gates humbucker set – a fiery take on the mid-forward, punchy sound Billy is known for. Alnico 2 magnets and this added output drive your amp into some hot, blue, and righteous territory.
Hades Gates Humbuckers are hand-built in Santa Barbara, California with 4-conductor cables and short mounting legs.
For more information, please visit seymourduncan.com.