
One of the most ubiquitous pedals ever made has inspired generations of offshoots.
The little green box has graced the pedalboards of so many guitar legends. Here are 10 options across this subsection of variation and innovation, ranging from budget-friendly reproductions to over-the-top, all-in-one affairs.
Wampler Moxie Overdrive Pedal
This mini monster was inspired by the now sought after TS10 (thanks, John Mayer!) and features two different EQ settings via the voice switch and additional MOSFET gain via the fat switch. Featuring the classic 4558 chip, it can be powered with an 18-volt adapter for increased headroom.
JHS Bonsai
Having trouble deciding what Screamer to grab? Why not get the “greatest hits?” Josh Scott nabbed his favorites and faithfully recreated nine variations in a single stomp—warts and all.
Emerson Custom Scranton Screamer
Stick it to those geeks in Utica with this Dundie-winning overdrive that features an active 2-band EQ plus two different clipping modes (symmetrical and asymmetrical).
Origin Effects Halcyon Green Overdrive
The real twist in this circuit is the addition of the company’s adaptive circuitry, which adjusts the dirt voicing to the dynamic aspects of your playing. Based on the classic TS808, it also features an alternate mod mode aimed at boosting already cranked high-gain amps.
EarthQuaker Devices Plumes Small Signal Shredder
Dubbed a “small signal shredder,” this pedal offers the Trinity of Screamer controls (level, tone, and gain), but throws in a three-position toggle that allows you to move from no clipping to either LED or asymmetrical silicon for a looser feel.
Maxon OD808
The original designers of the 808 circuit offer up a faithful reissue full of that trademark compression and low-end cut. It also uses the same JRC4558 chip and has a lower noise floor than the original—useful for when you’re pushing high-gain stacks that are cranked to the gills.
Electro-Harmonix East River Drive Classic Overdrive
Pedal legend Mike Matthews’ take on a Screamer-style circuit is this wildly affordable and dead-simple overdrive that stays faithful to the roots of the original but tweaks the sound to give it a unique edge.
Way Huge Green Rhino MkV
A new, smaller version of Jeorge Tripps’ classic interpretation offers up two new controls for fine tuning your tone. The freq knob cuts or boosts either 100Hz or 500Hz while curve helps tame any harsh high end.
MOOER Green Mile Electric Guitar Overdrive Pedal
This extremely affordable Screamer-style pedal not only will save you space on your pedalboard, but it comes equipped with two different modes (hot and warm) to give you increased gain and presence.
Voodoo Lab Sparkle Drive Mod Overdrive Pedal
Featuring a unique clean level control, Voodoo Lab’s flagship overdrive offers three different gain modes that go from vintage 808-style to more modern hi-gain fare.
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Orange Amplification announces the arrival of its new Babies: the newly analogue designed Dual Baby, Tour Baby and Gain Baby guitar amps, plus the O Tone combo.
The Babies
Each lightweight, studio grade 100W, twin channel, Class A/B, solid state amp weighs only 3kg and is compact, reliable and tour ready. Watch the launch video here.
The 2-channel, Tour Baby guitar amp is incredibly versatile in a variety of playing situations. The onboard studio grade VCA compressor of Tour Baby’s refined clean channel, offers pristine clean tones with active or passive pickups. It provides a consistent dynamic range and low noise in extreme settings without the need for separate pedals. It includes precise bass and treble EQ controls.
The naturally voiced dirty channel of this tone machine allows players to easily get that sought after ‘point of breakup’ sound . A custom voiced presence control and powerful 3-band EQ control means the Tour Baby’s tone can be shaped to cut-through the mix. Add to that a footswitchable volume control, that provides a stage-friendly volume boost option for live applications. Watch the Tour Baby video here.
The Gain Baby clean channel is the same as that of the Tour Baby with its integrated VCA Compressor to alleviate the need for an additional stomp box and incorporates bass and treble EQ controls to dial in a desired frequency. The compressor provides smooth, transparent compression for dynamic control without compromising tone.
Four distinct stages are available on the high gain channel allowing players to dial in their preferred level of crunch and saturation. Like the Dual Baby, Gain Baby’s Tight Switch operates as a bright switch, boosting the upper mid at lower gain levels, to give shredding solos a little something extra. Volume control is footswitchable, the buffered FX allows effects from pedals to be patched in and the onboard 3-band EQ allows tone to be tweaked even further.
With multiple output options such as a balanced XLR output with no Cab Sim, as well as dual speaker outputs, the Gain Baby is equally comfortable on stage or in the studio. Watch the Gain Baby video here.
The Dual Baby is a powerhouse in a pint-sized package. It’s simple A and B channel design offers duelling tones and alternating rhythm opportunities. Channel A mimics the rich responsive tones of the Orange flagship Rockerverb amps in a reliable solid-state design. From clean to classic crunch to full-on saturation, there is no shortage of Orange mojo. The brand-new Tubby Switch, which boosts the bottom end early in the signal path, offers a much ‘rounder’ tone when playing clean or when searching for just the right ‘dirty-clean’ sound.
Channel B allows players to dial in the desired level of grit, with ample saturation and a valve-like high-gain tone, unheard of in any other solid-state unit. The ‘bright boost’ of the Tight Switch gives the amp spring and bounce and raises the top end at lower gain levels for players who want to tighten up, shred and play blistering solos with plenty of cut. The 3-band sweepable EQ presence control allows frequencies to be tweaked, shimmer added and mids that sit perfectly in the mix to be dialled in. Watch the Dual Baby video here.
Pack or rack any of the three Baby amps with included gig bag or an available rack ear kit. Each Baby is a mighty unit that delivers100-Watts into 8 ohms or 70-Watts into 16 ohms, to power any full-sized guitar amp with ease!
Check out the triplets, Dual Baby, Tour Baby and Gain Baby and all the other Orange products at
https://orangeamps.com/
The O Tone 40 Combo Amp
Watch the launch video here.
The single channel, 40-Watt Class A/B solid state combo has onboard tremolo and reverb controls, a buffered effects loop and plenty of punchy volume. With a distinctive clean tone, it is an ideal amp for any pedal set-up or a small venue workhorse for guitarists who are fond of warm, vintage tones.
The amp’s bias-wobbled, single-ended JFET tremolo circuit offers huge depth and breadth, delivering everything from grand sweeps to a staccato sonic character via insistent, whirling helicopter patterns. The effect is footswitchable, allowing for even more adaptability during performances.
Modelling a classic spring reverb, the O Tone 40 incorporates a digital reverb module to add a warm spaciousness to sounds, ranging from subtle shimmer to ethereal trails.
The combo’s fully buffered, low-impedance FX Loop allows for any number of effects and cables to be patched between the amp’s input and output sections without sacrificing tone, making it an excellent pedal platform.
The powerful volume of the 12” Voice of the World speaker, combined with the amazingly sweet tones and harmonic chimes of the new O Tone 40, makes it ideal for rock, country, blues and so many more music genres. A direct output is included to facilitate studio and live non-miked situations.
The amp is finished in trademark Orange Tolex with Orange’s signature basket- weave grill and Crest badge. Check out the O Tone 40 and all the other Orange products at https://orangeamps.com/
100 watts of clean-to-dirty power in a slim, light, 2-channel, tour-ready design that's as easy on the billfold as your back.
The 2-channel, Tour Baby guitar amp is incredibly versatile in a variety of playing situations. The onboard studio grade VCA compressor of Tour Baby’s refined clean channel, offers pristine clean tones with active or passive pickups. It provides a consistent dynamic range and low noise in extreme settings without the need for separate pedals. It includes precise bass and treble EQ controls.
The naturally voiced dirty channel of this tone machine allows players to easily get that sought after ‘point of breakup’ sound . A custom voiced presence control and powerful 3-band EQ control means the Tour Baby’s tone can be shaped to cut-through the mix. Add to that a footswitchable volume control, that provides a stage-friendly volume boost option for live applications.
From full-size to mini, these six pedals deliver funky “chickas,” screaming, fuzz-infused lead tones, and more.
The variations on a classic stompbox bring you tonal versatility and more!
Xotic XW-2 Wah Pedal
The Xotic XW-2 Wah Pedal is a high-quality, versatile stomp that creates a ’70s-style “throaty” wah sound.
xotic.us
Sonicake FlipWah
The FlipWah combo pedal combines a classic wah and active volume pedal in one, with a footswitch to select between the two modes. A Q knob adds even more versatility.
sonicake.com
$79 street
McCon-O-Wah McWah
The McWah-2B delivers classic tone with modern upgrades. Handwired, adjustable, and durable, it features a custom pot and true bypass for optimal sound. Inspired by the original, legendary wah pedal.
mcconowah.com
$428 street
Dunlop Jerry Cantrell Rainier Fog Cry Baby Wah
This Cry Baby signature model complements Jerry Cantrell’s sound with a dark, punchy voice, a wide sweep, and a control on the side for fine-tuning the toe-down frequency.
jimdunlop.com
Dunlop CBJ95 Cry Baby Junior Wah Pedal
The Cry Baby Junior Wah features front-mounted jacks and an 8" housing for clean configurations on the world’s most popular boards.
jimdunlop.com
Dunlop Cry Baby Daredevil Fuzz Wah Pedal
A collaboration with Daredevil Pedals, this Cry Baby Wah combines the bright, aggressive vocality of a modded Cry Baby Wah with a custom fuzz circuit that’s downright gnarly.
jimdunlop.com
Leveraging 3D printing technology, the new Floyd Rose Original locking nuts are designed to deliver unmatched precision and consistency, replacing the traditional “lost wax” casting method that dominated for decades.
The shift to 3D printing allows for intricate detailing and tighter tolerances, ensuring each nut meets exact specifications.
The process begins with powdered metal, which is precisely 3D printed into the desired shape using advanced metal printing technology. After printing, the parts are depowdered and cleaned before undergoing a sintering process—an advanced heat treatment—during which the parts achieve full density and hardness. Lastly, the nuts are CNC “kiss-cut” to exacting specifications for consistency and control of the fit before receiving a premium electroplating finish.
“Floyd Rose has always been synonymous with innovation, and by embracing this incredible new technology we are able to continue that legacy,” said Andrew Papiccio, president of AP International Music Supply of which Floyd Rose is a division. “The accuracy and flexibility of the new 3D printing method will allow us to make a more consistent piece while also giving us full control of the manufacturing right here in the USA.”
Initially, the 3D-printed locking nuts will be available in ten classic sizes with a 10” radius, with plans to expand the range to accommodate various fretboard radii in Spring 2025. This augmentation will offer players more options for customizing their setups to match a wide variety of fretboard curvatures.
To get a sneak peek at the new Floyd Rose USA Series, come visit us at NAMM in booth 5734 in Hall D.