Stevensville, MD (November 18, 2015) -- PRS Guitars recently added two new baritone guitars, the new SE 277 Semi Hollow Soapbar and the SE 277, to its bevy of more affordable guitar model options. Tuned B to B, two and a half steps below standard, the two new baritones offer a taut muscular low end, with powerful aggressive tones and flexibility of going from chimey clean, to warm depth, to articulate tonal hostility.
Named for its baritone 27.7” scale length neck, the SE 277 Semi Hollow Soapbar takes the traditional mahogany back, maple top platform to new territories with its chambered back, f-hole, and dual soapbar pickup configuration. The semi-hollow body provides increased acoustic resonance and clarity while the soapbars deliver a balance of transparent, uncompressed clean tones and thick growl.
For guitarists who are comfortable with more traditional appointments, PRS has introduced the SE 277, which features the same 27.7” baritone scale length as its semi-hollow brother but with a solid body and PRS SE dual humbucking pickups. The SE 277 covers the spectrum of sound from sparkling highs, to surf-rock jangle, to heavy down-tuned aggression.
Baritone guitars are known to hold a unique position in the mix. When asked to describe the sweet spot where these baritones reside, PRS demonstrator Bryan Ewald responded, “These two baritone guitars land somewhere in between the bass and guitar registers. Guitarists can play them to add a different sound to the mix and to fatten up rhythm tracks. Bass players can use them to create texture and tonal tenacity.”
“These guitars are a perfect fit for everything from country to surf rock to metal,” Rich Hannon, PRS Artist Relations. “They are comfortable to play with a shred-worthy feel and handle alternate tunings like a beast.”
Additional specifications for both the SE 277 Semi Hollow Soapbar and SE277 include a beveled maple top with flame maple veneer, mahogany back, 22-fret maple neck with rosewood fingerboard with bird inlays, PRS-designed plate-style bridge, PRS-designed tuners, volume and tone with a 3-way toggle pickup switch.
For more information:
PRS
Billy Gibbons is an undisputable guitar force whose feel, tone, and all-around vibe make him the highest level of hero. But that’s not to say he hasn’t made some odd choices in his career, like when ZZ Top re-recorded parts of their classic albums for CD release. And fans will argue which era of the band’s career is best. Some of us love drum machines and synths and others don’t, but we all love Billy.
This episode is sponsored by Magnatone
Originally released in the 1980s, the Victory has long been a cult favorite among guitarists for its distinctive double cutaway design and excellent upper-fret access. These new models feature flexible electronics, enhanced body contours, improved weight and balance, and an Explorer headstock shape.
A Cult Classic Made Modern
The new Victory features refined body contours, improved weight and balance, and an updated headstock shape based on the popular Gibson Explorer.
Effortless Playing
With a fast-playing SlimTaper neck profile and ebony fretboard with a compound radius, the Victory delivers low action without fret buzz everywhere on the fretboard.
Flexible Electronics
The two 80s Tribute humbucker pickups are wired to push/pull master volume and tone controls for coil splitting and inner/outer coil selection when the coils are split.
For more information, please visit gibson.com.
Gibson Victory Figured Top Electric Guitar - Iguana Burst
Released in 1983, the Roland SDE-3000 rackmount delay was a staple for pro players of the era and remains revered for its rich analog/digital hybrid sound and distinctive modulation. BOSS reimagined this retro classic in 2023 with the acclaimed SDE-3000D and SDE-3000EVH, two wide-format pedals with stereo sound, advanced features, and expanded connectivity. The SDE-3 brings the authentic SDE-3000 vibe to a streamlined BOSS compact, enhanced with innovative creative tools for every musical style. The SDE-3 delivers evocative delay sounds that drip with warmth and musicality. The efficient panel provides the primary controls of its vintage benchmark—including delay time, feedback, and independent rate and depth knobs for the modulation—plus additional knobs for expanded sonic potential.
A wide range of tones are available, from basic mono delays and ’80s-style mod/delay combos to moody textures for ambient, chill, and lo-fi music. Along with reproducing the SDE-3000's original mono sound, the SDE-3 includes a powerful Offset knob to create interesting tones with two simultaneous delays. With one simple control, the user can instantly add a second delay to the primary delay. This provides a wealth of mono and stereo colors not available with other delay pedals, including unique doubled sounds and timed dual delays with tap tempo control. The versatile SDE-3 provides output configurations to suit any stage or studio scenario.
Two stereo modes include discrete left/right delays and a panning option for ultra-wide sounds that move across the stereo field. Dry and effect-only signals can be sent to two amps for wet/dry setups, and the direct sound can be muted for studio mixing and parallel effect rigs. The SDE-3 offers numerous control options to enhance live and studio performances. Tap tempo mode is available with a press and hold of the pedal switch, while the TRS MIDI input can be used to sync the delay time with clock signals from DAWs, pedals, and drum machines. Optional external footswitches provide on-demand access to tap tempo and a hold function for on-the-fly looping. Alternately, an expression pedal can be used to control the Level, Feedback, and Time knobs for delay mix adjustment, wild pitch effects, and dramatic self-oscillation.
The new BOSS SDE-3 Dual Delay Pedal will be available for purchase at authorized U.S. BOSS retailers in October for $219.99. To learn more, visit www.boss.info.