Squier by Fender adds 15 new models to their Vintage Modified line.
Scottsdale, AZ (August 4, 2013) -- Squier by Fender is proud to welcome 15 new models to the Vintage Modified family. From upgrades to fretless basses, to left-handed models and Fender’s classic Vintage Modified Bass VI, Squier’s arsenal of new products offers something for everyone. New and upgraded models include:
Vintage Modified Cabronita Telecaster. The Squier Vintage Modified Cabronita Telecaster rocks a welcome shot of high-powered Cabronita attitude in an already-cool Vintage Modified Telecaster. Two full-voiced and stylish Fideli’Tron humbucking pickups more than get the job done, with three-way toggle pickup switching and a single knurled-chrome master volume knob for a distinctive look. Available in Black.
Vintage Modified Cabronita Telecaster with Bigsby. Squier’s Vintage Modified Cabronita Telecaster with Bigsby offers a Fideli’Tron humbucking neck pickup and standard single-coil Telecaster bridge pickup with three-way toggle pickup switching, a single knurled-chrome master volume knob, and a Bigbsy-licensed B50 vibrato tailpiece. Available in Black.
Vintage Modified Cabronita Precision Bass. The Squier Vintage Modified Precision Bass comes out swinging with pulse-pounding tone, sultry-yet-simple style and a welcome dose of feisty Cabronita attitude. Might have something to do with its single powerful Fideli’Tron humbucking bass pickup. Available in Black.
Vintage Modified Precision Bass V. Squier now delivers pure P Bass power and extended range with the Vintage Modified Precision Bass V. It’s Squier’s first true five-string model, with a wealth of vintage-style touches combined with modded features including a Fender-designed split single-coil Precision Bass pickup and a comfortable “modern C” neck profile. Available in Candy Apple Red, Olympic White and 3-Color Sunburst.
Vintage Modified Precision Bass Fretless. Squier proudly presents its first-ever fretless Precision Bass model, the sleek Vintage Modified Precision Bass Fretless. It delivers the knockout punch of a Fender-designed split single-coil Precision Bass pickup, combined with the deliciously slippery tone and feel of a 9.5”-radius fretless ebonol fingerboard (with white inlaid fret lines so you can easily find your way around). Available in 3-Color Sunburst.
Vintage Modified Precision Bass PJ. Squier gives you the best of both worlds–Precision and Jazz–with the Vintage Modified Precision Bass PJ. Its sleek Precision Bass form features the sonically powerful and tonally versatile combination of a punchy Fender-designed split single-coil Precision Bass middle pickup and a growling single-coil Jazz Bass bridge pickup with ceramic magnets. Available in Candy Apple Red, Lake Placid Blue, and 3-Color Sunburst.
Vintage Modified Bass VI. Squier brings you the welcome return of a long-vanished Fender classic in the deeply satisfying form of the Vintage Modified Bass VI six-string bass. The original model of 1961-1975 has provided distinctively voiced low end for everyone from the Beatles to the Black Keys, Cream to the Cure, and many others.
The Vintage Modified Bass VI delivers authentically vintage-style look and tone, with a few modern touches such as a comfortable “modern C” neck profile and 9.5” fingerboard radius (the originals were 7.25”), and three custom Jaguar single-coil pickups with notched “claw” shielding rings (reverse-wound/reverse-polarity middle pickup). Available in Black, Olympic White and 3-Color Sunburst.
Vintage Modified Jaguar Bass V Special. Squier’s most versatile Jaguar bass model is even more versatile now, with the extended range of the Vintage Modified Jaguar Bass V Special five-string model. Features include a sleek offset-waist body, slim fast-action maple neck with “modern C” profile, 9.5”-radius rosewood fingerboard with 20 medium jumbo frets, booming Fender®-designed split single-coil Precision Bass® V middle pickup and growling Fender-designed single-coil Jazz Bass V bridge pickup, active bass-boost circuit for extra low-end power, and more. Available in Black, Crimson Red Transparent and 3-Color Sunburst.
Vintage Modified Jazz Bass. Upgraded for 2013, Squier’s Vintage Modified Jazz Bass delivers great traditional Jazz Bass style and performance, with dual Fender-designed pickups and a slim “C”-shaped maple neck with a vintage-tint gloss finish. Other features include a 9.5”-radius rosewood fingerboard with 20 medium jumbo frets, tortoiseshell pickguard, four-saddle bridge, chrome control knobs and hardware, and open-gear tuners. Also available for left-handed players as the Vintage Modified Jazz BassLeft-Handed model. Available in 3-Color Sunburst and Olympic White.
Vintage Modified Jazz BassFretless. Upgraded for 2013, Squier’s Vintage Modified Jazz Bass Fretless fuses the slippery sound of an upright and the sleek style of an electric, with dual Fender-designed pickups and a slim “C”-shaped maple neck with a vintage-tint gloss finish. Available in 3-Color Sunburst.
Vintage Modified Jazz BassV. Upgraded for 2013, Squier’s five-string Vintage Modified Jazz Bass V has a handsome natural-finish soft maple body and one-piece maple neck with sharp-looking black binding and block inlays on the 20th-fret maple fingerboard. Other features include dual Fender-designed single-coil Jazz Bass pickups, vintage-tint gloss neck finish, three-ply pickguard, five-saddle bridge and chrome hardware and tuners. Available in Natural and Olympic White.
Vintage Modified Jazz Bass ‘70s. Upgraded for 2013, Squier’s Vintage Modified Jazz Bass ‘70s returns you to a great period in Jazz Bass history, with dual Fender-designed pickups and a slim “C”-shaped maple neck with a vintage-tint gloss finish. Other features include a black-bound 9.5”-radius maple fingerboard with 20 medium jumbo frets and stylish block inlays, three-ply black pickguard, four-saddle bridge, knurled chrome control knobs and open-gear tuners. Also available for left-handed players as the Vintage Modified Jazz Bass ‘70s Left-Handed model. Available in Olympic White, Candy Apple Red, and Natural.
Vintage Modified Jazz Bass ’77. Upgraded for 2013, Squier’s Vintage Modified Jazz Bass ’77 returns you to the age of funk and the dawn of punk with sleekly offset agathis (Black and Three-Color Sunburst finishes) and soft maple (Amber finish) bodies, dual Fender-designed pickups and a slim “C”-shaped maple neck with a vintage-tint gloss finish. Available in Black, Amber and 3-Color Sunburst.
For more information:
Fender
From his first listen, Brendon Small has been a lifetime devotee and thrash-metal expert, so we invited him to help us break down what makes Slayer so great.
Slayer guitarists Kerry King and Jeff Hanneman formed the original searing 6-string front line of the most brutal band in the land. Together, they created an aggressive mood of malcontent with high-velocity thrash riffs and screeching solos that’ll slice your speaker cones. The only way to create a band more brutal than Slayer would be to animate them, and that’s exactly what Metalocalypse (and Home Movies) creator Brendon Small did.
From his first listen, Small has been a lifetime devotee and thrash-metal expert, so we invited him to help us break down what makes Slayer so great. Together, we dissect King and Hanneman’s guitar styles and list their angriest, most brutal songs, as well as those that create a mood of general horribleness.
This episode is sponsored by EMG Pickups.
Use code EMG100 for 15% off at checkout!
Learn more: emgpickups.com
Katana-Mini X is designed to deliver acclaimed Katana tones in a fun and inspiring amp for daily practice and jamming.
Evolving on the features of the popular Katana-Mini model, it offers six versatile analog sound options, two simultaneous effects, and a robust cabinet for a bigger and fuller guitar experience. Katana-Mini X also provides many enhancements to energize playing sessions, including an onboard tuner, front-facing panel controls, an internal rechargeable battery, and onboard Bluetooth for streaming music from a smartphone.
While its footprint is small, the Katana-Mini X sound is anything but. The multi-stage analog gain circuit features a sophisticated, detailed design that produces highly expressive tones with immersive depth and dimension, supported by a sturdy wood cabinet and custom 5-inch speaker for a satisfying feel and rich low-end response. The no-compromise BOSS Tube Logic design approach offers full-bodied sounds for every genre, including searing high-gain solo sounds and tight metal rhythm tones dripping with saturation and harmonic complexity.
Katana-Mini X features versatile amp characters derived from the stage-class Katana amp series. Clean, Crunch, and Brown amp types are available, each with a tonal variation accessible with a panel switch. One variation is an uncolored clean sound for using Katana-Mini X with an acoustic-electric guitar or bass. Katana-Mini X comes packed with powerful tools to take music sessions to the next level. The onboard rechargeable battery provides easy mobility, while built-in Bluetooth lets users jam with music from a mobile device and use the amp as a portable speaker for casual music playback.
For quiet playing, it’s possible to plug in headphones and enjoy high-quality tones with built-in cabinet simulation and stereo effects. Katana-Mini X features a traditional analog tone stack for natural sound shaping using familiar bass, mid, and treble controls. MOD/FX and REV/DLY sections are also on hand, each with a diverse range of Boss effects and fast sound tweaks via single-knob controls that adjust multiple parameters at once. Both sections can be used simultaneously, letting players create combinations such as tremolo and spring reverb, phaser and delay, and many others.
Availability & Pricing The new BOSS Katana-Mini X will be available for purchase at authorized U.S. Boss retailers in December for $149.99. For the full press kit, including hi-res images, specs, and more, click here. To learn more about the Katana-Mini X Guitar Amplifier, visit www.boss.info.
Snark releases its most compact model ever: the Crazy Little Thing rechargeable clip-on headstock tuner.
Offering precise tuning accuracy and a super bright display screen, the Crazy Little Thing is approximately the size of your guitar pick – easy to use, unobtrusive and utterly dependable.
Housed in a sturdy shell, the Crazy Little Thing can be rotated for easy viewing from any angle, and its amazingly bright display makes it perfect for the sunniest outdoor stages or the darkest indoor studios. You can clip it to the front of your headstock or on the back of your headstock for extra-discreet usage – and you can easily adjust the display to accommodate your preference.
As the newest addition to Snark’s innovative line of headstock tuners, the Crazy Little Thing is rechargeable (no batteries!) and comes with a USB-C cable/adapter for easy charging. Its display screen includes a battery gauge, so you can easily tell when it’s time to recharge.
The Crazy Little Thing’s highly responsive tuning sensor works great with a broad range of instruments, including electric and acoustic guitar, bass, ukulele, mandolin and more. It also offers adjustable pitch calibration: its default reference pitch is A440, but also offers pitch calibration at 432Hz and 442 Hz.
Snark’s Crazy Little Thing rechargeable headstock tuner carries a street price of $21.99. For more information visit snarktuners.com.
Trey Anastasio unveils plans for a special solo acoustic run starting in March, 2025.
The tour gets underway March 8, 2025 at Springfield, MA’s Symphony Hall and then visits US theatres and concert halls through early April. Real-time presales begin Wednesday, December 4 exclusively via treytickets.shop.ticketstoday.com. All remaining tickets will go on sale to the general public on Friday, December 6 – please check venues for on-sale times. For complete details, please see trey.com/tour.
TREY ANASTASIO - SOLO ACOUSTIC TOUR 2025
MARCH
8 – Springfield, MA – Symphony Hall
9 – Boston, MA – Wang Theatre at Boch Center
11 – Wilkes-Barre, PA – The F.M. Kirby Center
12 - Rochester, NY - Kodak Hall at Eastman Theatre
14 – Columbus, OH – Mershon Auditorium
15 – Milwaukee, WI – Riverside Theater
16 – Nashville, IN – Brown County Music Center
18 – Chicago, IL – Orchestra Hall
19 – Kansas City, MO – Uptown Theatre
21 – New Orleans, LA – Saenger Theatre
22 – Birmingham, AL – Alabama Theatre
23 – Nashville, TN – Ryman Auditorium
26 – Orlando, FL – Walt Disney Theater at Dr. Phillips Center for the Performing Arts
28 – Clearwater, FL – Ruth Eckerd Hall
29 – Savannah, GA – Johnny Mercer Theatre
30 – Charleston, SC – Gaillard Auditorium
APRIL
1 – Knoxville, TN – Tennessee Theatre
2 – Greenville, SC - Peace Concert Hall
4 – Washington, DC – Warner Theatre
5 - Red Bank, NJ - Count Basie Center for the Arts
More info: TREY.COM.