Westlake Village, CA (January 21, 2016) -- Strymon, makers of no-compromise, ultra-high-quality effects pedals, announced today a compact power supply solution that delivers clean, rock-solid high-current power in a lightweight design that is expandable for growing pedalboards. Introducing: Ojai.
Ojai is the highest horsepower, most technologically advanced effects pedal power supply of its size. Ojai offers five high-current, individually isolated, ultra-low-noise outputs—each with its own dedicated regulator and custom transformer. Designed to meet the needs of today’s players, each output provides a staggering 500mA of current.
Ojai is part of an expandable system, perfect for those with growing pedalboards. If additional outputs are desired, a second Ojai (sold separately) can be connected to the 24V Thru jack, to power up to 10 high-current pedals at once. Ojai’s small chassis will fit just about anywhere on your pedalboard.
Ojai has automatic worldwide power compatibility built-in, when connected with the appropriate IEC cable, for use on any stage anywhere in the world. Whether it's plugged into 120V, 240V, 100V, or any variation in between, Ojai delivers clean, reliable power, even if the venue has dirty power. Ojai is designed so that the user doesn't have to think about any of this: It just works, hassle-free and worry-free.
Ojai's dual-stage topology, pre-regulated outputs, optically isolated feedback, and advanced multistage filtering result in a switching power supply that is actually quieter than linear units. In other words, Strymon cracked the code and developed a power supply that allows effects pedals to achieve their highest possible dynamic range.
Ojai is designed and built in the USA and housed in a compact, lightweight, and rugged anodized midnight blue aluminum chassis.
Pricing & Availability
Ojai will be available spring 2016 for $149 (US) and sold through the Strymon online store and authorized Strymon dealers.
Strymon, makers of no-compromise, ultra-high-quality effects pedals, announced today a new power supply solution that will change the way pedalboard enthusiasts power up. Introducing: Zuma.
Zuma is the highest horsepower, most technologically advanced effects pedal power supply of its kind. Zuma offers nine high-current, individually isolated, ultra-low-noise outputs—each with its own dedicated regulator and custom transformer. Designed to meet the needs of today’s players, each output provides a staggering 500mA of current. Two channels offer selectable 9, 12, or 18V output voltages.
Zuma has automatic worldwide power compatibility built-in, when connected with the appropriate IEC cable, for use on any stage anywhere in the world. Whether it's plugged into 120V, 240V, 100V, or any variation in between, Zuma delivers clean, reliable power, even if the venue has dirty AC power. Zuma is designed so that the user doesn't have to think about any of this: It just works, hassle-free and worry-free.
Zuma's dual-stage topology, pre-regulated outputs, optically isolated feedback, and advanced multistage filtering result in a switching power supply that is actually quieter than linear units. In other words, Strymon cracked the code and developed a power supply that allows effects pedals to achieve their highest possible dynamic range.
Zuma is also part of an expandable system, perfect for those with large pedalboards. With the addition of Strymon Ojai (sold separately) connected to Zuma’s 24V Thru jack, Zuma can power up to 14 high-current effects pedals at once.
Zuma is designed and built in the USA and housed in a lightweight and rugged anodized midnight blue aluminum chassis.
Pricing & Availability
Zuma will be available summer 2016 for $249 (US) and sold through the Strymon online store (www.strymon.net) and authorized Strymon dealers.
For more information:
Strymon
EBS BassIQ Blue Label Triple Envelope Filter Pedal
The EBS BassIQ produces sounds ranging from classic auto-wah effects to spaced-out "Funkadelic" and synth-bass sounds. It is for everyone looking for a fun, fat-sounding, and responsive envelope filter that reacts to how you play in a musical way.
Reverend Vernon Reid Totem Series Electric Guitar - Shaman
Silos features six presets, tap tempo, one full second of delay time, and three voices—two of which are styled after bucket-brigade and tape-delay sounds. In the $150 price category, it’s not unusual for a digital delay to leave some number of those functions out. And spending the same money on a true-analog alternative usually means warm, enveloping sounds but limited functionality and delay time. Silos, improbably perhaps, offers a very elegant solution to this can’t-have-it-all dilemma in a U.S.-made effect.
A More Complete Cobbling Together
Silos’ utility is bolstered by a very unintimidating control set, which is streamlined and approachable. Three of those controls are dedicated to the same mix, time, and repeats controls you see on any delay. But saving a preset to one of the six spots on the rotary preset dial is as easy as holding the green/red illuminated button just below the mix and preset knobs. And you certainly won’t get lost in the weeds if you move to the 3-position toggle, which switches between a clear “digital” voice, darker “analog” voice, and a “tape” voice which is darker still.
“The three voices offer discernibly different response to gain devices.”
One might suspect that a tone control for the repeats offers similar functionality as the voice toggle switch. But while it’s true that the most obvious audible differences between digital, BBD, and tape delays are apparent in the relative fidelity and darkness of their echoes, the Silos’ three voices behave differently in ways that are more complex than lighter or duskier tonality. For instance, the digital voice will never exhibit runaway oscillation, even at maximum mix and repeat settings. Instead, repeats fade out after about six seconds (at the fastest time settings) or create sleepy layers of slow-decaying repeats that enhance detail in complex, sprawling, loop-like melodic phrases. The analog voice and tape voice, on the other hand, will happily feed back to psychotic extremes. Both also offer satisfying sensitivity to real-time, on-the-fly adjustments. For example, I was tickled with how I could generate Apocalypse Now helicopter-chop effects and fade them in and out of prominence as if they were approaching or receding in proximity—an effect made easier still if you assign an expression pedal to the mix control. This kind of interactivity is what makes analog machines like the Echoplex, Space Echo, and Memory Man transcend mere delay status, and the sensitivity and just-right resistance make the process of manipulating repeats endlessly engaging.
Doesn't Flinch at Filth
EarthQuaker makes a point of highlighting the Silos’ affinity for dirty and distorted sounds. I did not notice that it behaved light-years better than other delays in this regard. But the three voices most definitely offer discernibly different responses to gain devices. The super-clear first repeat in the digital mode lends clarity and melodic focus, even to hectic, unpredictable, fractured fuzzes. The analog voice, which EQD says is inspired by the tone makeup of a 1980s-vintage, Japan-made KMD bucket brigade echo, handles fuzz forgivingly inasmuch as its repeats fade warmly and evenly, but the strong midrange also keeps many overtones present as the echoes fade. The tape voice, which uses aMaestro Echoplex as its sonic inspiration, is distinctly dirtier and creates more nebulous undercurrents in the repeats. If you want to retain clarity in more melodic settings, it will create a warm glow around repeats at conservative levels. Push it, and it will summon thick, sometimes droning haze that makes a great backdrop for slower, simpler, and hooky psychedelic riffs.
In clean applications, this decay and tone profile lend the tape setting a spooky, foggy aura that suggests the cold vastness of outer space. The analog voice often displays an authentic BBD clickiness in clean repeats that’s sweet for underscoring rhythmic patterns, while the digital voice’s pronounced regularity adds a clockwork quality that supports more up-tempo, driving, electronic rhythms.
The Verdict
Silos’ combination of features seems like a very obvious and appealing one. But bringing it all together at just less than 150 bucks represents a smart, adept threading of the cost/feature needle.
EarthQuaker Devices Silos Multi-generational Time Reflection Delay Pedal
