The Ultimate Metallica
By Ross Halfin
Chronicle Books
While he’s also shot
Iron Maiden, Def
Leppard, the Clash,
and the Sex Pistols—
all when they were
in their prime—Ross
Halfin’s most important
contributions to
rock photography are
his iconic shots of Metallica. With the help
of his Olympus OM-2 and Nikon D3S, Halfin
has captured almost every move Metallica
has made onstage and off throughout their
legendary career. From the scrappy, denim
jacket days to the “I can’t believe they cut
their hair” years to the current lineup’s
mixing of Tom Waits-inspired attitude and
old-school thrash, everything is captured
in this 232-page hardcover. The showcased
images include spectacular live shots at epic
concerts like England’s Monsters of Rock
in ’87, as well as intriguing liner notes and
magazine covers. But the real mojo lies in
the candid photographs that only Halfin
could’ve taken: As the unofficial fifth member
of Metallica, he took shots of the band
at their highest peaks and lowest valleys.
The end result is a collection of intimate
visuals you’ll not find anywhere else. Halfin’s
most compelling images aren’t those from
the stage, but when the four horsemen let
their guard down behind the scenes.
Other than the love-hate foreword by Lars Ulrich and the complimentary afterword by Kirk Hammett, the book is short on context or explanation from Halfin. But with photos like these, there’s not much more to be said.
By Ross Halfin
Chronicle Books
While he’s also shot
Iron Maiden, Def
Leppard, the Clash,
and the Sex Pistols—
all when they were
in their prime—Ross
Halfin’s most important
contributions to
rock photography are
his iconic shots of Metallica. With the help
of his Olympus OM-2 and Nikon D3S, Halfin
has captured almost every move Metallica
has made onstage and off throughout their
legendary career. From the scrappy, denim
jacket days to the “I can’t believe they cut
their hair” years to the current lineup’s
mixing of Tom Waits-inspired attitude and
old-school thrash, everything is captured
in this 232-page hardcover. The showcased
images include spectacular live shots at epic
concerts like England’s Monsters of Rock
in ’87, as well as intriguing liner notes and
magazine covers. But the real mojo lies in
the candid photographs that only Halfin
could’ve taken: As the unofficial fifth member
of Metallica, he took shots of the band
at their highest peaks and lowest valleys.
The end result is a collection of intimate
visuals you’ll not find anywhere else. Halfin’s
most compelling images aren’t those from
the stage, but when the four horsemen let
their guard down behind the scenes.
Other than the love-hate foreword by Lars Ulrich and the complimentary afterword by Kirk Hammett, the book is short on context or explanation from Halfin. But with photos like these, there’s not much more to be said.
BOOKS
Don’t Shoot! I’m the Guitar Man
By Buzzy Martin
Buzzy Martin has some
cojones. Martin wasn’t
the first to enter San
Quentin State Prison’s
walls with a guitar—
Johnny Cash cut his
classic album there on
February 24, 1969—but
he literally transformed
lives on a weekly basis,
offering a few moments
of true joy and healing
comfort in a world where those things are at a
premium, if they exist at all. Music hath charms,
they say, to soothe the savage beast, and Martin’s
tale is a witness to that.
Don’t Shoot! I’m the
Guitar Man
is a story you’d never want to live, but
you can’t stop reading it, either.
Pulling no punches about the painful realities of rage, violence, rape, and prison commerce, he describes the extreme regimentation, the stink, and the overwhelming sense of Groundhog Day futility with clear and vivid language. You truly get a sense of the place and of the struggle Martin has within himself, knowing this is probably the most dangerous thing he will ever do, yet knowing it’s also one of the most rewarding and important.
Throughout, we track the progression of the classes, from the rather peaceful and cooled-out “lifers” who’ve accepted their fate to those in what’s called the “H-Unit,” housing one of the most troubled prison populations that teeters on insanity and hell daily. We go with his band to a concert at “The Q” and get his take on the prison bands, some of which are terrifically talented. It’s a genuine roller coaster, and through it all Martin sees over and over the transformative power of guitar and song. It’s soon to be a major motion picture, so watch for that, but in the meantime, reading Don’t Shoot! I’m the Guitar Man will serve as inspiration to treasure each day that we’re free, and to be grateful for the small miracle of regular string changes. —GDP
List $15.00
buzzymartin.com
VIDEOS
Stones in Exile
From the supposed
censorship of Elvis’
vivacious hips to the
heated PRMC Senate
hearing in 1985,
rock ’n’ roll and the
government have
often butted heads.
However, that feud
has helped create
some of the world’s
most soulful music.
A perfect example is the Rolling Stones’
Exile On Main Street
, which Mick Jagger,
Keith Richards, Bill Wyman, Charlie Watts,
and Mick Taylor recorded in France, as tax-evading
British expats.
Stones in Exile picks you up and makes you an honorary member of the 1971 Rolling Stones, who were living in Richards’ Villefranche-sur-Mer mansion. Whether it’s how Watts, Richards, and saxophonist Bobby Keys built song parts during all-night jams at Villa Nellcote or how Jagger’s lyrics for “Tumbling Dice” were ignited after a conversation he had with an African-American housekeeper, director Stephen Kijak opens the vaults to tell the story of how this classic album unfolded.
Piecing together rare and unseen footage from these 1971 sessions, photos from resident photographer Dominique Tarlé, clips from the notorious Cocksucker Blues , and sound bites of all the Stones and their entourage from the ’70s to the present, Kijak presents a documentary that is as raw and powerful as the album it’s spotlighting. He gives a no-holds-barred depiction of a band that was in overdrive in all facets of their lives. In addition to the 60-minute feature, it has over 90 minutes of bonus footage, interviews, and commentary from the likes of Sheryl Crow, record producer Don Was, Jack White, and Martin Scorsese.
For veteran Stones fans or someone looking to dip their toes into some brown sugar, Stones in Exile is a great option to explore how this classic album made it to the presses. —CK
List $14.99
eaglerockent.com
Classic Albums: Paranoid
One wonders
what more can
be said about
Black Sabbath’s
monumental 1970
album,
Paranoid
.
As possibly the
most influential
heavy metal album
of all time, the
record has been
poked, prodded,
and dissected for
decades by critics and musicians hoping to
discover the secret of its lasting impact. Eagle
Vision’s successful
Classic Albums
series,
which has profiled such great albums as Meat
Loaf’s
Bat Out of Hell
and Queen’s
A Night
at the Opera
, attempts to close the gap of
understanding by getting the perspective of
the band members themselves.
Offering 90 minutes of intimate conversation and vintage footage, the DVD creates a moving portrait of each band member. Rather than gather the band together to comment on and relay recording stories, the director profiles each member separately in a unique setting. Guitarist Tony Iommi is given free rein to explain how he plays many of the albums immortal riffs, with close shots of his battled fingers expertly flying up and down the fretboard. The segments with Geezer Butler are some of the most entertaining, with vintage footage of him rocking out on stage in the early ’70s, segued with him interviewed in present day. Viewers will most certainly enjoy the moments with Tom Allom, the album’s engineer, as he plays back individual tracks from the original master tapes to reveal just how intricate and brilliant the songwriting really was. These interviews, plus couch-side discussions with Ozzy and commentary from Black Flag vocalist Henry Rollins, make the DVD a requirement for Sabbath fans and metal lovers alike. —JW
List $14.95
eaglerockent.com
Don’t Shoot! I’m the Guitar Man
By Buzzy Martin
Buzzy Martin has some
cojones. Martin wasn’t
the first to enter San
Quentin State Prison’s
walls with a guitar—
Johnny Cash cut his
classic album there on
February 24, 1969—but
he literally transformed
lives on a weekly basis,
offering a few moments
of true joy and healing
comfort in a world where those things are at a
premium, if they exist at all. Music hath charms,
they say, to soothe the savage beast, and Martin’s
tale is a witness to that.
Don’t Shoot! I’m the
Guitar Man
is a story you’d never want to live, but
you can’t stop reading it, either.
Pulling no punches about the painful realities of rage, violence, rape, and prison commerce, he describes the extreme regimentation, the stink, and the overwhelming sense of Groundhog Day futility with clear and vivid language. You truly get a sense of the place and of the struggle Martin has within himself, knowing this is probably the most dangerous thing he will ever do, yet knowing it’s also one of the most rewarding and important.
Throughout, we track the progression of the classes, from the rather peaceful and cooled-out “lifers” who’ve accepted their fate to those in what’s called the “H-Unit,” housing one of the most troubled prison populations that teeters on insanity and hell daily. We go with his band to a concert at “The Q” and get his take on the prison bands, some of which are terrifically talented. It’s a genuine roller coaster, and through it all Martin sees over and over the transformative power of guitar and song. It’s soon to be a major motion picture, so watch for that, but in the meantime, reading Don’t Shoot! I’m the Guitar Man will serve as inspiration to treasure each day that we’re free, and to be grateful for the small miracle of regular string changes. —GDP
List $15.00
buzzymartin.com
VIDEOS
Stones in Exile
From the supposed
censorship of Elvis’
vivacious hips to the
heated PRMC Senate
hearing in 1985,
rock ’n’ roll and the
government have
often butted heads.
However, that feud
has helped create
some of the world’s
most soulful music.
A perfect example is the Rolling Stones’
Exile On Main Street
, which Mick Jagger,
Keith Richards, Bill Wyman, Charlie Watts,
and Mick Taylor recorded in France, as tax-evading
British expats.
Stones in Exile picks you up and makes you an honorary member of the 1971 Rolling Stones, who were living in Richards’ Villefranche-sur-Mer mansion. Whether it’s how Watts, Richards, and saxophonist Bobby Keys built song parts during all-night jams at Villa Nellcote or how Jagger’s lyrics for “Tumbling Dice” were ignited after a conversation he had with an African-American housekeeper, director Stephen Kijak opens the vaults to tell the story of how this classic album unfolded.
Piecing together rare and unseen footage from these 1971 sessions, photos from resident photographer Dominique Tarlé, clips from the notorious Cocksucker Blues , and sound bites of all the Stones and their entourage from the ’70s to the present, Kijak presents a documentary that is as raw and powerful as the album it’s spotlighting. He gives a no-holds-barred depiction of a band that was in overdrive in all facets of their lives. In addition to the 60-minute feature, it has over 90 minutes of bonus footage, interviews, and commentary from the likes of Sheryl Crow, record producer Don Was, Jack White, and Martin Scorsese.
For veteran Stones fans or someone looking to dip their toes into some brown sugar, Stones in Exile is a great option to explore how this classic album made it to the presses. —CK
List $14.99
eaglerockent.com
Classic Albums: Paranoid
One wonders
what more can
be said about
Black Sabbath’s
monumental 1970
album,
Paranoid
.
As possibly the
most influential
heavy metal album
of all time, the
record has been
poked, prodded,
and dissected for
decades by critics and musicians hoping to
discover the secret of its lasting impact. Eagle
Vision’s successful
Classic Albums
series,
which has profiled such great albums as Meat
Loaf’s
Bat Out of Hell
and Queen’s
A Night
at the Opera
, attempts to close the gap of
understanding by getting the perspective of
the band members themselves.
Offering 90 minutes of intimate conversation and vintage footage, the DVD creates a moving portrait of each band member. Rather than gather the band together to comment on and relay recording stories, the director profiles each member separately in a unique setting. Guitarist Tony Iommi is given free rein to explain how he plays many of the albums immortal riffs, with close shots of his battled fingers expertly flying up and down the fretboard. The segments with Geezer Butler are some of the most entertaining, with vintage footage of him rocking out on stage in the early ’70s, segued with him interviewed in present day. Viewers will most certainly enjoy the moments with Tom Allom, the album’s engineer, as he plays back individual tracks from the original master tapes to reveal just how intricate and brilliant the songwriting really was. These interviews, plus couch-side discussions with Ozzy and commentary from Black Flag vocalist Henry Rollins, make the DVD a requirement for Sabbath fans and metal lovers alike. —JW
List $14.95
eaglerockent.com