drybell

DryBell is pleased to announce the latest evolution of their highly praised modern classic: The Vibe Machine V-3!

The main difference between V-3 and V-2 is in the modulation EQ. V-2 modulates just a slight part of your main tone (mid-range focused modulation), while V-3 blends in nicely with your main tone and modulates it without changing the EQ. V-3 has a wider modulation and brings you more depth. V-3 has its own colorful magic going on.

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Is this pint-sized, painstaking Uni-Vibe clone the be all and end all for vintage modulation aficionados?


The guys at DryBell in Croatia are nothing if not hardcore—their sole product so far, the V-1 Vibe Machine chorus/vibrato, took four years to develop. Like the original Shin-ei/Univox Uni-Vibe, it features four photocells, though the enclosure is smaller. Painstaking research identified common traits of stellar Uni-Vibe specimens and led to a proprietary matching technology that measures about two dozen photocell parameters. And an exclusive cell-sourcing partnership ensures every V-1 meets exacting specs.

The meticulous standards pay off, big time. The V-1 doesn’t just serve up delightfully warm and swirly chorus and subtle-to-disorienting vibrato with the granular dimensionality vintage snobs crave, it comes incredibly close to matching the supernatural magic of an old organ’s mechanical vibrato sound. And talk about extras: An expression-pedal input enables real-time control of speed, internal jumpers let you engage a Leslie-style ramp-up/ramp-down function and/or an output buffer, a bright/original switch caters to old-school and modern tone tastes, and three trim pots let you tweak output volume and the range and symmetry of the effect’s swell. A true home run.

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