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Tools for the Task: Recording Interfaces

Svelte and user-friendly interfaces that make digital recording a snap.

Putting together a simple recording rig that can yield stellar tracks has never been easier, more affordable, and less space-hoggish. We’ve rounded up a few interfaces that can help transfer your ideas between instrument and computer.

Scarlet Solo

A sleek, light, USB-powered interface with phantom power that’s small enough to fit in a gigbag or backpack and tough enough for travel.

FOCUSRITE
$99

AudioBox iTwo

This portable, bus-powered USB 2.0 interface for iPad audio and MIDI has a pair of combo mic/line/instrument inputs with class-A mic preamps.

PRESONUS
$159

UR12

A compact, powerful, and portable interface featuring D-PRE mic preamps, 24-bit/192 kHz converters, and a loopback function for easy live-internet recording.

STEINBERG
$99

UH-7000

This 4-channel pro-level USB mic preamp/audio interface was designed for low noise and high-quality audio. It resides in a rugged, half-rack-sized enclosure.

TASCAM
$399

M-Track Plus

This compact, user-friendly bus-powered USB interface accommodates most input sources. It comes bundled with light versions of Cubase, Ableton Live, and Waves Audio plug-ins.

M-AUDIO
$149

Apollo Twin Solo

This 2x6 Mac Thunderbolt audio interface allows seamless tracking though Universal Audio’s Realtime UAD plug-in processing.

UNIVERSAL AUDIO
$699

Studio Connect Lightning

This audio/MIDI interface for iPad features a front-panel stereo headphone/monitor jack.

GRIFFIN TECHNOLOGY
$149

iRig PRO

A pocket-sized yet full-featured audio/MIDI interface for iPhone, iPad, and Mac. Also available: the new iRig HD-A for Android devices.

IK MULTIMEDIA
$150

The two-in-one “sonic refractor” takes tremolo and wavefolding to radical new depths.

Pros: Huge range of usable sounds. Delicious distortion tones. Broadens your conception of what guitar can be.

Build quirks will turn some users off.

$279

Cosmodio Gravity Well
cosmod.io

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Know what a wavefolder does to your guitar signal? If you don’t, that’s okay. I didn’t either until I started messing around with the all-analog Cosmodio Instruments Gravity Well. It’s a dual-effect pedal with a tremolo and wavefolder, the latter more widely used in synthesis that , at a certain threshold, shifts or inverts the direction the wave is traveling—in essence, folding it upon itself. Used together here, they make up what Cosmodio calls a sonic refractor.

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The author in the spray booth.

Does the type of finish on an electric guitar—whether nitro, poly, or oil and wax—really affect its tone?

There’s an allure to the sound and feel of a great electric guitar. Many of us believe those instruments have something special that speaks not just to the ear but to the soul, where every note, every nuance feels personal. As much as we obsess over the pickups, wood, and hardware, there’s a subtler, more controversial character at play: the role of the finish. It’s the shimmering outer skin of the guitar, which some think exists solely for protection and aesthetics, and others insist has a role influencing the voice of the instrument. Builders pontificate about how their choice of finishing material may enhance tone by allowing the guitar to “breathe,” or resonate unfettered. They throw around terms like plasticizers, solids percentages, and “thin skin” to lend support to their claims. Are these people tripping? Say what you will, but I believe there is another truth behind the smoke.

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Featuring a preamp and Dynamic Expansion circuit for punch and attack, plus switchable amp simulations.

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Photo by Chuck Brueckmann

Creed extend their sold-out Summer of ’99 Tour with 23 additional dates.

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