The iconic Precision bass has served as the blueprint for countless manufacturers since it was first introduced by Fender in 1951, and for good reason. But no matter who built your P-style axe, dropping in a new pickup like the 10 we’ve rounded up is a pain-free and effective mod for brewing vintage tones.
SEYMOUR DUNCAN
SPB-1 Vintage
These pickups feature handground alnico 5 rod magnets and a vintage coil wind to aid in producing the smooth tone of a late-’50s Precision.
$75 street
NORDSTRAND AUDIO
NP4V Vintage
Available with alnico 3 or 5 magnets, these vintage-correct versions of the company’s P4 design have a lower magnet load for a softer, smoother, and warmer output.
$123 street
nordstrandaudio.com
BARE KNUCKLE
’58 Split Coil P
Scatter wound by hand with 42AWG plain enamel wire, these alnico 5 pickups offer a tone reminiscent of later-’50s Ps, with strong bass, controlled highs, and slightly scooped mids.
$115 street
bareknucklepickups.co.uk
ARCANE-INC.
P-Bass 57’ Experience
These period-correct pickup clones are handwound using select materials, including tuned, non-staggered alnico magnets and era-correct wire of the right gauge and type.
$130 street
arcaneinc.com
RIO GRANDE
Vintage P Bass
Using alnico 5 magnets, 42-gauge copper wire, and the company’s “tonal enhancement,” these pickups were designed to maintain the output, presence, and deep sound of the originals.
$138 street
riograndepickups.com
LINDY FRALIN
P-Bass Replacements
These alnico 5 pickups are handwound to vintage specifications for fat, round, and punchy classic sound, yet are designed to offer modern power.
$140 street
AGUILAR
AG 4P-60
Using the company president’s personal ’63 and ’64 Precisions as a study guide, these pickups employ all-period-correct parts to deliver the ideal amount of midrange and deep support.
$109 street
WILDE PICKUPS
P-46
Developed by Bill Lawrence, these pickups come standard with four conductor wires and feature his multi-pole-piece system, which will accommodate 4-,5-, and 6-string basses.
$60 street
wildepickups.com
BARTOLINI
8SU
Cast in epoxy to remove unwanted feedback and microphonics, these P-style replacement pickups are voiced to deliver deep tones with plenty of lows and low-mids.
$124 street
EMG
GZR-P
Developed with Geezer Butler to deliver the bassist’s early Black Sabbath tone, these solderless pickups employ alnico 5 pole pieces and custom-wound coils for punch and grit.
$109 street
Revv G3 Purple Channel Preamp/Overdrive/Distortion Pedal - Anniversary Edition
The Revv G3 revolutionized high gain pedals in 2018 with its tube-like response & tight, clear high gain tones. Suddenly the same boutique tones used by metal artists & producers worldwide were available to anyone in a compact pedal. Now the G3 returns with a new V2 circuit revision that raises the bar again.
If 3 Were 6
With six times the controls found on the 1 and 2 versions (if you discount the original’s on/off slider switch,) the LPB-3’s control complement offers pre-gain, boost, mid freq, bass, treble, and mid knobs, with a center detent on the latter three so you can find the midpoint easily. A mini-toggle labeled “max” selects between 20 dB and 33 dB of maximum gain, and another labeled “Q” flips the resonance of the mid EQ between high and low. Obviously, this represents a significant expansion of the LPB’s capabilities.
More than just a booster with a passive tone, the LPB-3 boasts a genuine active EQ stage plus parametric midrange section, comprising the two knobs with shaded legends, mid freq and mid level. The gain stages have also been reimagined to include a pre-gain stage before the EQ, which enables up to 20 dB of input gain. The boost stage that follows the EQ is essentially a level control with gain to allow for up to 33 dB of gain through the LPB-3 when the “max” mini toggle is set to 33dB
A slider switch accessible inside the pedal selects between buffered or true bypass for the hard-latch footswitch. An AC adapter is included, which supplies 200mA of DC at 9.6 volts to the center-negative power input, and EHX specifies that nothing supplying less than 120mA or more than 12 volts should be used. There’s no space for an internal battery.
Power-Boosted
The LPB-3 reveals boatloads of range that betters many linear boosts on the market. There’s lots of tone-shaping power here. Uncolored boost is available when you want it, and the preamp gain knob colors and fattens your signal as you crank it up—even before you tap into the massive flexibility in the EQ stage.
“The preamp gain knob colors and fattens your signal as you crank it up—even before you tap into the massive flexibility in the EQ stage.”
I found the two mid controls work best when used judiciously, and my guitars and amps preferred subtle changes pretty close to the midpoint on each. However, there are still tremendous variations in your mid boost (or scoop, for that matter) within just 15 or 20 percent range in either direction from the center detent. Pushing the boost and pre-gain too far, particularly with the 33 dB setting engaged, can lead to some harsh sounds, but they are easy to avoid and might even be desirable for some users that like to work at more creative extremes.
The Verdict
The new LPB-3 has much, much more range than its predecessors, providing flexible preamp, boost, and overdrive sounds that can be reshaped in significant ways via the powerful EQ. It gives precise tone-tuning flexibility to sticklers that like to match a guitar and amp to a song in a very precise way, but also opens up more radical paths for experimentalists. That it does all this at a $129 price is beyond reasonable.
Electro-Harmonix Lpb-3 Linear Power Booster & Eq Effect Pedal Silver And Blue
