Paul Gilbert on Zep, Samantha Fish on Tom Petty, Marty Friedman on Sabbath, and more players share stories of how and when the guitar rocked their worlds.
10. Destroy Boys' Violet Mayugba on Fugazi's "Furniture"
Premier GuitarHow a fateful ride to school opened this riot grrrl punker's eyes to a life beyond the power chord.
9. Sammy Boller on Ozzy Osbourne's "Crazy Train"
Premier GuitarThe instrumental phenom "blames" Randy Rhoads' pyrotechnics and the iconic music video for sparking his move to electric guitar.
8. Alex Skolnick on Van Halen's "I'm the One"
Premier GuitarTestament's shredder recollects how EVH's swinging, sneering ripper redirected him down the path of a hard-rock lead guitarist.
7. Imogen Clark on Led Zeppelin's "Over the Hills and Far Away"
Premier GuitarThe Aussie indie rocker connects how being raised on a healthy diet of Zep—including her father performing in a cover band—influenced her to combine gentle folk stylings with the need to rock.
6. Fat Mike on RKL's "Blocked Out"
Premier GuitarNOFX 's comedic leader and low-end anchor recalls the ripping bass line that motivated him to be a better player.
5. Myles Kennedy on Led Zeppelin's "Whole Lotta Love"
Premier GuitarFind out why Jimmy Page's playing saved the Alter Bridge frontman and Slash collaborator from a life of selling shoes like Al Bundy.
4. My Chemical Romance's Frank Iero on Black Flag's "Rise Above"
Premier GuitarThe MCR rocker remembers being sucked into Greg Ginn's diagonal riffs from a friend's mixtape and retells creeping out the punk-rock legend.
3. Samantha Fish on Tom Petty & the Heartbreakers' "American Girl"
Premier GuitarThe blues-rock star revisits the American storyteller's song that spoke to her as budding songwriter and showed her the magic of layering and mixing memorable guitar parts.
2. Marty Friedman on Black Sabbath's "Into the Void"
Premier GuitarThe former Megadeth lead guitarist and shredmeister remembers being dumbstruck by Tony Iommi's imposing sound.
1. Paul Gilbert on Led Zeppelin's "Heartbreaker"
Premier GuitarThe Mr. Big shred hero vividly recalls "the best day of his guitar existence" and illustrates how the whole body needs to work in unison to match Pagey's vibrato.
The shift to 3D printing allows for intricate detailing and tighter tolerances, ensuring each nut meets exact specifications.
The process begins with powdered metal, which is precisely 3D printed into the desired shape using advanced metal printing technology. After printing, the parts are depowdered and cleaned before undergoing a sintering process—an advanced heat treatment—during which the parts achieve full density and hardness. Lastly, the nuts are CNC “kiss-cut” to exacting specifications for consistency and control of the fit before receiving a premium electroplating finish.
“Floyd Rose has always been synonymous with innovation, and by embracing this incredible new technology we are able to continue that legacy,” said Andrew Papiccio, president of AP International Music Supply of which Floyd Rose is a division. “The accuracy and flexibility of the new 3D printing method will allow us to make a more consistent piece while also giving us full control of the manufacturing right here in the USA.”
Initially, the 3D-printed locking nuts will be available in ten classic sizes with a 10” radius, with plans to expand the range to accommodate various fretboard radii in Spring 2025. This augmentation will offer players more options for customizing their setups to match a wide variety of fretboard curvatures.
To get a sneak peek at the new Floyd Rose USA Series, come visit us at NAMM in booth 5734 in Hall D.
