The star-studded lineup will include Jeff Beck, Derek Trucks, Vince Gill, Doyle Bramhall II, Gary Clark Jr., Buddy Guy, and many more.
Dallas, TX (March 29, 2019) -- Widely considered one of the worldās all-time greatest guitarists and known amongst his peers as a great collaborator, Eric Clapton announced today the fifth installment of the Crossroads Guitar Festival. The Festival, which has become legendary in its own right for hosting performances and impromptu collaborations from the worldās most legendary guitar players, will take place September 20-21 in the city that hosted the first-ever Crossroads Guitar Festival, Dallas Texas. See full listing below of artists performing.
Clapton will gather the past, present and future of guitar music onto one stage for an unparalleled musical event. All profits from the Festival will benefit The Crossroads Centre in Antigua, a treatment and education facility founded by Clapton for chemically dependent persons.
Since its inception, Claptonās vision for the Crossroads Guitar Festival has been to create an event where his friends and contemporaries can have fun and perform together for the benefit of a good cause. This yearās Festival will feature two-nights of musical performances with once-in-a-lifetime guitar collaborations. Known as pioneers in their field, the roster of artists spans old and new. The audience can expect unrivaled entertainment, brilliant guitar work, surprise guests and impromptu jams that are the hallmark of these performers.
The first Crossroads Guitar Festival, in June 2004 at the Cotton Bowl in Dallas, was an unprecedented collection of guitar icons from blues, rock and contemporary music. The sold-out show was chronicled in a 2-disc DVD that has since gone on to become one of the worldās top-selling music DVDās. The Crossroads Guitar Festival 2007 and 2010 were the second and third such concerts by Clapton and were staged at Toyota Park in Chicago. Both Festivals were filmed for DVDs and met similar acclaim and achieved multi-platinum status. The fourth Crossroads Guitar Festival in 2013 brought the worldās best guitar players to the worldās most famous arena, Madison Square Garden in New York and met with huge critical acclaim.
In addition to the concerts, the Guitar Center Festival Village will be featured on Victory Plaza adjacent to the arena. Some of the worldās best guitar and gear manufacturers, including Ernie Ball, Fender, Gibson, Martin, PRS, and more, will host interactive exhibits where guitar enthusiasts can plug in and play new products and classic favorites. In addition, Guitar Center Festival Village Stage Presented by Ernie Ball will host master guitar clinics and solo performances by main stage artists, next generation guitar virtuosos, and special surprise guests. The Guitar Center Festival Village will be open from 12pm to 8pm each day and is free to all ticket holders.
Tickets for the Crossroads Guitar Festival may be purchased as follows: CitiĀ® cardmembers will have first access to purchase presale tickets beginning Tuesday, April 2 at 10am CT through Wednesday, April 3 at 10pm CT. Presale tickets will be available through Citi EntertainmentSM. For complete details, please visit www.citientertainment.com. General Public On-Sale will begin Friday, April 5th at 10am CT via www.ticketmaster.com.
For more info: www.ericclapton.com or www.crossroadsguitarfestival.com. Donations to the Centre can be made via the donation button on the website.
CURRENT CROSSROADS FESTIVAL ARTIST LISTING
(Note: Two Different Nights of Music. Not All Artists Will Perform Both Nights but Eric Clapton Will Perform Both Nights.)
- Alan Darby
- Albert Lee
- Andy Fairweather Low
- Billy Gibbons
- Bonnie Raitt
- Bradley Walker
- Buddy Guy Band
- Daniel Santiago
- Derek Trucks
- Doyle Bramhall II
- Eric Clapton
- Gary Clark Jr.
- Gustavo Santaolalla
- James Bay
- Jeff Beck
- Jerry Douglas
- Jimmie Vaughan
- Joe Walsh
- Jonny Lang
- Keb Mo
- Kurt Rosenwinkel
- Los Lobos
- Pedro Martins
- Peter Frampton
- Robert Cray
- Robert Randolph
- Sheryl Crow
- Sonny Landreth
- Susan Tedeschi
- Tom Misch
- Vince Gill
For more information:
Crossroads Guitar Festival
Selenium, an alternative to silicon and germanium, helps make an overdrive of great nuance and delectable boost and low-gain overdrive tones.
Clever application of alternative materials that results in a simple, make-everything-sound-better boost and low-gain overdrive.
Might not have enough overdrive for some tastes (although thatās kind of the idea).
$240 street
Cusack Project 34 Selenium Rectifier Pre/Drive Pedal
cusackmusic.com
The term āselenium rectifierā might be Greek to most guitarists, but if it rings a bell with any vintage-amp enthusiasts thatās likely because you pulled one of these green, sugar-cube-sized components out of your ampās tube-biasing network to replace it with a silicon diode.
Thatās a long-winded way of saying that, just like silicon or germanium diodesāaka ārectifiersāāthe lesser-seen selenium can also be used for gain stages in a preamp or drive pedal. Enter the new Project 34 Selenium Rectifier Pre/Drive from Michigan-based boutique maker Cusack, named after the elementās atomic number, of course.
An Ounce of Pre-Vention
As quirky as the Project 34 might seem, itās not the first time that company founder Jon Cusack indulged his long-standing interest in the element. In 2021, he tested the waters with a small 20-unit run of the Screamer Fuzz Selenium pedal and has now tamed the stuff further to tap levels of gain running from pre-boost to light overdrive. Having used up his supply of selenium rectifiers on the fuzz run, however, Cusack had to search far and wide to find more before the Project 34 could launch.
āToday they are usually relegated to just a few larger industrial and military applications,ā Cusack reports, ābut after over a year of searching we finally located what we needed to make another pedal. While they are a very expensive component, they certainly do have a sound of their own.ā
The control interface comprises gain, level, and a traditional bright-to-bassy tone knob, the range of which is increased exponentially by the 3-position contour switch: Up summons medium bass response, middle is flat response with no bass boost, and down is maximum bass boost. The soft-touch, non-latching footswitch taps a true-bypass on/off state, and power requires a standard center-negative 9V supply rated at for least 5 mA of current draw, but you can run the Project 34 on up to 18V DC.
Going Nuclear
Tested with a Telecaster and an ES-355 into a tweed Deluxe-style 1x12 combo and a 65 Amps London head and 2x12 cab, the Project 34 is a very natural-sounding low-gain overdrive with a dynamic response and just enough compression that it doesnāt flatten the touchy-feely pick attack. The key adjectives here are juicy, sweet, rich, and full. Itās never harsh or grating.
āThe gain knob is pretty subtle from 10 oāclock up, which actually helps keep the Project 34 in character.ā
Thereās plenty of output available via the level control, but the gain knob is pretty subtle from 10 oāclock up, which actually helps keep the Project 34 in character. Settings below there remain relatively cleanāamp-setting dependent, of courseāand from that point on up the overdrive ramps up very gradually, which, in amp-like fashion, is heard as a slight increase in saturation and compression. The pedal was especially fantastic with the Telecaster and the tweed-style combo, but also interacted really well with humbuckers into EL84s, which certainly canāt be said for all overdrives.
The Verdict
Although I almost hate to use the term, the Project 34 is a very organic gain stage that just makes everything sound better, and does so with a selenium-driven voice thatās an interesting twist on the standard preamp/drive. For all the variations on boost and low/medium-gain overdrive out there itās still a very welcome addition to the market, and definitely worth checking outāparticularly if youāre looking for subtler shades of overdrive.
Some of us love drum machines and synths, and others donāt, but we all love Billy.
Billy Gibbons is an undisputable guitar force whose feel, tone, and all-around vibe make him the highest level of hero. But thatās not to say he hasnāt made some odd choices in his career, like when ZZ Top re-recorded parts of their classic albums for CD release. And fans will argue which era of the bandās career is best. Some of us love drum machines and synths and others donāt, but we all love Billy.
This episode is sponsored by Magnatone
An '80s-era cult favorite is back.
Originally released in the 1980s, the Victory has long been a cult favorite among guitarists for its distinctive double cutaway design and excellent upper-fret access. These new models feature flexible electronics, enhanced body contours, improved weight and balance, and an Explorer headstock shape.
A Cult Classic Made Modern
The new Victory features refined body contours, improved weight and balance, and an updated headstock shape based on the popular Gibson Explorer.
Effortless Playing
With a fast-playing SlimTaper neck profile and ebony fretboard with a compound radius, the Victory delivers low action without fret buzz everywhere on the fretboard.
Flexible Electronics
The two 80s Tribute humbucker pickups are wired to push/pull master volume and tone controls for coil splitting and inner/outer coil selection when the coils are split.
For more information, please visit gibson.com.
Gibson Victory Figured Top Electric Guitar - Iguana Burst
Victory Figured Top Iguana BurstThe SDE-3 fuses the vintage digital character of the legendary Roland SDE-3000 rackmount delay into a pedalboard-friendly stompbox with a host of modern features.
Released in 1983, the Roland SDE-3000 rackmount delay was a staple for pro players of the era and remains revered for its rich analog/digital hybrid sound and distinctive modulation. BOSS reimagined this retro classic in 2023 with the acclaimed SDE-3000D and SDE-3000EVH, two wide-format pedals with stereo sound, advanced features, and expanded connectivity. The SDE-3 brings the authentic SDE-3000 vibe to a streamlined BOSS compact, enhanced with innovative creative tools for every musical style. The SDE-3 delivers evocative delay sounds that drip with warmth and musicality. The efficient panel provides the primary controls of its vintage benchmarkāincluding delay time, feedback, and independent rate and depth knobs for the modulationāplus additional knobs for expanded sonic potential.
A wide range of tones are available, from basic mono delays and ā80s-style mod/delay combos to moody textures for ambient, chill, and lo-fi music. Along with reproducing the SDE-3000's original mono sound, the SDE-3 includes a powerful Offset knob to create interesting tones with two simultaneous delays. With one simple control, the user can instantly add a second delay to the primary delay. This provides a wealth of mono and stereo colors not available with other delay pedals, including unique doubled sounds and timed dual delays with tap tempo control. The versatile SDE-3 provides output configurations to suit any stage or studio scenario.
Two stereo modes include discrete left/right delays and a panning option for ultra-wide sounds that move across the stereo field. Dry and effect-only signals can be sent to two amps for wet/dry setups, and the direct sound can be muted for studio mixing and parallel effect rigs. The SDE-3 offers numerous control options to enhance live and studio performances. Tap tempo mode is available with a press and hold of the pedal switch, while the TRS MIDI input can be used to sync the delay time with clock signals from DAWs, pedals, and drum machines. Optional external footswitches provide on-demand access to tap tempo and a hold function for on-the-fly looping. Alternately, an expression pedal can be used to control the Level, Feedback, and Time knobs for delay mix adjustment, wild pitch effects, and dramatic self-oscillation.
The new BOSS SDE-3 Dual Delay Pedal will be available for purchase at authorized U.S. BOSS retailers in October for $219.99. To learn more, visit www.boss.info.