AudioTubeWorks Announces the Ti.Lay Delay Pedal

Two types of delay modes and up to 680 ms of delay time.

Athens, Greece (February 20, 2015) -- Adding to the company’s well-established line of boutique guitar products, AudioTubeWorks has unveiled the Ti.Lay. delay pedal. Offering two types of delay modes, Tape and Analogue, plus up to 680 ms of delay time.

Tape simulates the characteristics of the old school tape echoes, with internal trimmer to adjust the saturation like changing tape size! Analogue simulates the warmth of well known analogue delay pedals.


  • 100% Handmade
  • True bypass on/off switch
  • Mix, Time, Repeats controls
  • Toggle switch for “Tape” - “Analogue”
  • Internal trimmer for tape saturation level
  • External 9-12V standard dc jack
  • Internal 9V battery clip

Suggested retail price is $180.

For more information:

A compact pedal format preamp designed to offer classic, natural bass tone with increased tonal control and extended headroom.

Read MoreShow less

In their corner, from left to right: Wilco’s Pat Sansone (guitars, keys, and more), drummer Glenn Kotche, Jeff Tweedy, bassist John Stirratt, guitarist Nels Cline, and keyboardist Mikael Jorgensen.

Photo by Annabel Merhen

How Jeff Tweedy, Nels Cline, and Pat Sansone parlayed a songwriting hot streak, collective arrangements, live ensemble recording, and twangy tradition into the band’s new “American music album about America.”

Every artist who’s enjoyed some level of fame has had to deal with the parasocial effect—where audiences feel an overly intimate connection to an artist just from listening to their music. It can lead some listeners to believe they even have a personal relationship with the artist. I asked Jeff Tweedy what it feels like to be on the receiving end of that.

Read MoreShow less

Luthier Maegen Wells recalls the moment she fell in love with the archtop and how it changed her world.

The archtop guitar is one of the greatest loves of my life, and over time it’s become clear that our tale is perhaps an unlikely one. I showed up late to the archtop party, and it took a while to realize our pairing was atypical. I had no idea that I had fallen head-over-heels in love with everything about what’s commonly perceived as a “jazz guitar.” No clue whatsoever. And, to be honest, I kind of miss those days. But one can only hear the question, “Why do you want to build jazz guitars if you don’t play jazz?” so many times before starting to wonder what the hell everyone’s talking about.

Read MoreShow less