The latest addition to the X series lineup of compact pedals powered by advanced Multi-Dimensional Processing (MDP) technology.
The NS-1X is designed to intelligently silence noise without affecting the natural tone and playing feel of a guitar or bass. Speedy processing and versatile operation modes deliver superior performance for a wide range of scenarios, from gentle noise reduction for general stage and studio setups to ultra-fast gating for heavy rhythm styles and other techniques that rely on high-gain tones. Background noise can be problematic with guitar and bass, particularly in high-gain setups. The proprietary MDP approach in the NS-1X delivers fast, transparent operation in every application, eliminating the unnatural attack and decay artifacts that can be introduced with standard noise suppression systems. High-speed digital technology analyzes the input signal on multiple levels in real time, enabling ultra-detailed processing that provides the optimum noise reduction for any playing style or performance venue. The NS-1X features multiple operation modes to suit various setups: Reduction—This mode provides gentle noise suppression and natural note decay with all pickup types, including low-output single coils. Gate—Ideal for high-gain players, this mode immediately silences the sound when no signal is present.
Mute—This mode turns the pedal’s bypass setting into a convenient mute switch for changing instruments, tuning, and set breaks. The NS-1X will operate in either Reduction or Gate mode when the pedal switch is off, assignable using a simple power-up procedure. The NS-1X offers intuitive operation with Threshold, Decay, and Damp knobs to fine-tune the performance of the selected mode. There’s also a Reduction indicator that dynamically displays the current noise suppression status. Along with standard input and output connectors, the NS-1X features a send/return loop for enhanced performance with distortions, overdrives, and other noise-producing pedals. Thanks to its advanced digital processing and wide frequency response, the NS-1X provides outstanding results with standard guitars and basses and extended-range instruments with additional strings. It’s also an excellent noise suppression solution for keyboards and other types of electronic instruments.
The NS-1X features multiple operation modes to suit various setups: Reduction—This mode provides gentle noise suppression and natural note decay with all pickup types, including low-output single coils. Gate—Ideal for high-gain players, this mode immediately silences the sound when no signal is present. MDP provides a lightning-fast response that no other noise reduction pedal can deliver, ensuring a natural playing feel and punchy note attack for percussive djent riffs, sweep picking, and legato tapping techniques. Mute—This mode turns the pedal’s bypass setting into a convenient mute switch for changing instruments, tuning, and set breaks. The NS-1X will operate in either Reduction or Gate mode when the pedal switch is off, assignable using a simple power-up procedure. The NS-1X offers intuitive operation with Threshold, Decay, and Damp knobs to fine-tune the performance of the selected mode. There’s also a Reduction indicator that dynamically displays the current noise suppression status. Along with standard input and output connectors, the NS-1X features a send/return loop for enhanced performance with distortions, overdrives, and other noise-producing pedals. Thanks to its advanced digital processing and wide frequency response, the NS-1X provides outstanding results with standard guitars and basses and extended-range instruments with additional strings. It’s also an excellent noise suppression solution for keyboards and other types of electronic instruments.
BOSS NS-1X Noise Suppressor | Noise No More
The new NS-1X Noise Suppresor is available now for purchase at authorized US BOSS retailers for $199.99. To learn more about the NS-1X and other BOSS X series pedals, visit www.boss.info.
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StewMac International House of Overdrive Pedal Kit, With Bare Enclosure
The IHOO is based on the Crowther Hot Cake, an overdrive that became available around 1976. It was one of the earliest hand-made boutique effects pedals available. The circuit was designed to be what is now referred to as a “transparent” overdrive. An effect that enhances the player's sound while keeping the original tone intact.
This circuit has undergone many changes since its inception, and we have further expanded on the design by returning to an earlier version most revered by players and removing the buffer, which resulted in a reworked circuit that is true bypass but still retains the charm of the design.
We also include the original LM741 IC chip found in the originals, as well as the TL071 that is found in later versions so you can experiment with which IC best suits your playing style.
“Skunk” Baxter has had an interesting career. The Washington, D.C.-born musician was one of Steely Dan’s founding members in the early 1970s, and played on some of their most iconic numbers, like Can’t Buy a Thrill’s’ “Reelin’ in the Years” and “Do It Again,” or Pretzel Logic’s “Rikki Don’t Lose That Number.” Then, he moved on to join the Doobie Brothers, from roughly 1974 to 1979, where he fatefully invited Michael McDonald into the band. After that stint, he became a go-to session player for artists like Rod Stewart, Joni Mitchell, Dolly Parton, and Donna Summer, and a touring performer for Elton John and Linda Ronstadt, among others.
That was just the beginning. Baxter’s interest and background in electronics, science, and recording technology gained him a position in the U.S. defense industry. Turns out, a lot of digital music gear shared similar principles with emergent defense tech. “Basically, a radar is just an electric guitar on steroids,” says Baxter, noting the same four fundamental forces at work over everything in our universe.
Wong and Baxter trades notes on how to navigate studio sessions (“Just shut the hell up,” offers Baxter), early conversions of pitch into digital signals, and how Baxter cut his solo on Donna Summer’s “Hot Stuff” on a $25 guitar. And can mediating between artists and producers feel like high-stakes hostage negotiations? Sometimes. Tune in.
Wong Notes is presented by DistroKid.
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RAB Audio ProRak SRS1 Guitar Studio Racking System
