ESP Unveils 2014 Models—Including James Hetfield and Alex Skolnick Signature Axes
The James Hetfield Iron Cross in Snow White finish, available as both an ESP model and a more budget conscious LTD version.
Los Angeles, CA (January 13, 2014) -- Some of ESP’s most high-profile endorsees have helped create new ESP, E-II, and LTD Signature Series guitars and basses that are making their debut at the 2014 Winter NAMM Show.
Matt Maciandaro, ESP President, says “ESP’s artist endorsees are among the most respected and influential musicians in contemporary music, and our Signature Series models offer the look, feel, and sound that they specify in their own instruments.”
Perhaps the most highly anticipated new Signature Series model for 2014 is the James Hetfield (Metallica) Iron Cross in Snow White finish, available as both an ESP model and a more budget conscious LTD version. Metallica’s other guitar player Kirk Hammett, along with ESP and Lugosi Enterprises, adds his name to the LTD KH-WZ White Zombie, a new limited edition addition to the LTD Graphic Series. Acclaimed multi-genre virtuoso guitarist Alex Skolnick (Testament, AST) has helped design the ESP Alex Skolnick and LTD AS-1 guitars, making their debut at NAMM. Both guitars are available in Silver Sunburst finish, while the LTD version is also available in Lemon Drop with a flamed maple top.
ESP is now offering the signature guitar of legendary Rolling Stones guitarist Ron Wood in an affordable LTD version for the first time with the LTD Ron Wood, available in 3-Tone Burst and Black finishes. Dillinger Escape Plan guitarist Ben Weinman gets his first LTD Signature model for 2014 with the BW-1, a semi-hollow guitar with a flamed maple top and an EverTune bridge. An EverTune bridge is also on the 7-string LTD signature model of Ken Susi (Unearth), the KS-7. ESP player Will Adler (Lamb of God) has had updates to the finishes of his signature models, the ESP Will Adler Warbird and the LTD SE Warbird, and Frédéric Leclercq of DragonForce has a new signature bass, the FL-204.
ESP’s new E-II brand is coming out of the shoot with new Signature models. Bassist Doris Yeh and guitarist Jesse Liu of Chthonic have new signature models with the E-II DYD-5 and the E-II JL-7 respectively. Elias Viljanen (Sonata Arctica) also has an E-II signature model, the 7-string EV-7.
ESP’s popular line of LTD guitars and basses got a multitude of new additions for the 2014 NAMM Show.
“Since its introduction in 1996, LTD has become the bread-and-butter of many ESP dealers across the country and around the world,” says Jeff Moore, ESP Senior Vice President. “While many players aspire to own our higher-end ESP brands, our LTD models for beginning, intermediate, and advanced musicians offer the pricing that they can afford, with very little compromise in tone or playability.” For 2014, ESP is offering 20 new LTD models. The ARC Series, brand new for 2014, offers chambered bodies for acoustic/electric players, and includes the ARC-12S (12-string), ARC-6S (6-string), and ARC-6N (6-string nylon) models. The EC-200 is an affordable single cutaway model in the popular EC Series offered in Tobacco Sunburst, Black Satin, and Vintage White Satin finishes. The new EC-331 and EC-331FR models are now available in popular finish choices of Black, Snow White, and Black Satin, and include ESP-Designed active pickups. The EC-401VF and EC-1000T/CTM now include DiMarzio PAF 36th Anniversary pickups, the first time that DiMarzio pickups are being offered on a standard production LTD model.
In more LTD news, the new TE-406 and TE-407 models are modern updates on a classic shape, both offered in an exciting Black Satin finish with all black components and EMG active pickups. The new MH-207 and MH-337 (Black Satin finish) offer affordable choices in 7-string guitars. Finally, a big batch of new left-handed LTD models including the EC-407 (7-string), H-308 (8-string), MH-417 (7-string), EC-1000FM, MH-103QM, MH-350NT, ST-213, and V-50 are available for the first time.
ESP Guitars has announced that their new ESP Original and E-II brands will become available in the US in 2014. The availability of ESP Original and E-II brands in the USA also allows the company to have a consistent set of products available around the world, something that ESP customers have requested for years.
“We now have five tiers of product lines for our customers,” says Eric Oppenheimer, ESP Product Manager. “On top are our famous ESP Custom Shop guitars. Our new ESP Original line is for customers who want the level of quality found in our custom guitars, but at a price point possible with production model instruments. Our new ESP USA line is built in our new North Hollywood factory. ESP EII is a new brand built in our Japan manufacturing facility, featuring some of the new designs used in the Original line along with some classic ESP shapes. Finally, our wide range of LTD guitars and basses offer amazing value in high quality instruments.”
Nine new ESP Original models are being announced at the 2014 Winter NAMM Show: the Eclipse CTM (See Thru Black Sunburst and Reindeer Blue), FRX (Liquid Metal Silver and Black), FRX CTM (See Thru Black Cherry Sunburst and See Thru Black Sunburst), Horizon NT CTM (Tea Sunburst), Horizon FR CTM (Faded Blue), Mystique FR (Black), Mystique NT CTM (Tea Sunburst, Marine Blue, and See Thru Black Cherry), Stream (Black and 2 Tone Burst), and Stream CTM (See Thru Black Cherry and Marine Blue).
The E-II Series includes 36 new models of guitars and basses in a wide variety of finishes. Many of the E-II models offer premier-quality features and components, such as quilted and flamed maple tops, Seymour Duncan, DiMarzio, and EMG pickups, and original Floyd Rose bridges. Many of the E-II models are being offered in finishes that were previously only available in ESP’s international markets.
ESP has added new models to their line of high-quality basses for 2014, debuting new 4-, 5-, and 6-string instruments under their ESP Original, E-II, and LTD brands. The debut of the new ESP Original line includes the Stream and Stream CTM basses. The ESP Original Stream is a bolt-on bass at 34” scale with a white ash body, a maple/walnut/paduak neck, and rosewood fingerboard. It includes Hipshot tuners and bridge, EMG 35J (bridge) and EMG 35P4 (neck) pickups, and is available in Black and 2-Tone Burst finishes. The Stream CTM adds a flamed maple top and comes in Marine Blue and See Thru Black Cherry.
ESP’s new E-II brand, also debuting at NAMM 2014, includes several new basses. The AP-4 (4-string) and AP-5 (5-string) are bolt-on basses at 34” scale, and offers a white ash body and maple neck with rosewood fingerboard. Components includes Gotoh tuners and bridge, and Seymour Duncan SMB-4d (AP-4) and SMB-5d (AP-5) pickups with active EQ. Available finishes for the AP-4 include See Thru Black, See Thru White, and Tobacco Sunburst. The ESP Stream bass is also being offered in an E-II version, with a similar specification at a more affordable price, and is available in Black and Snow White finishes. Also, the E-II Stream FM provides the bass in a flamed maple top with See Thru Black finish. The E-II Vintage-4 PJ/M (maple fingerboard, black finish) and E-II Vintage-4 PJ/R (rosewood fingerboard, 3-Tone Burst finish) are a classic bolt-on basses with alder bodies and maple necks. They includes Gotoh tuners and a Seymour Duncan SPB-2 pickup set.
In the LTD range, ESP is releasing the RB-1004, RB-1005, and RB-1006 (4-/5-/6-string, respectively) basses. Designed with the advice of legendary bass player Rocco Prestia (Tower of Power), these are affordable basses with high quality and excellent versatility for almost every style and genre of music. LTD’s new Stream-204 is the most economical version of the stylish Stream bass series. LTD is also making their B-205SM and B-206SM available in left-handed versions for the first time.
For more information:
ESP Guitars
PG contributor Tom Butwin demos seven direct boxes — active and passive — showing off sound samples, features, and real-world advice. Options from Radial, Telefunken, Hosa, Grace Design, and Palmer offer solutions for any input, setting, and budget.
Grace Design m303 Active Truly Isolated Direct Box
The Grace Design m303 is an active, fully isolated DI box, delivering gorgeous audio performance for the stage and studio. Our advanced power supply design provides unbeatable headroom and dynamic range, while the premium Lundahl transformer delivers amazing low-end clarity and high frequency detail. True elegance, built to last.
Rupert Neve Designs RNDI-M Active Transformer Direct Interface
Compact design, giant tone. The RNDI-M brings the stunning tone & clarity of its award-winning counterparts to an even more compact and pedalboard-friendly format, with the exact same custom Rupert Neve Designs transformers and discrete FET input stage as the best-selling RNDI, RNDI-S and RNDI-8.
Telefunken TDA-1 1-channel Active Instrument Direct Box
The TDA-1 phantom powered direct box uses high-quality components and classic circuitry for rich, natural sound. With discrete Class-A FET, a European-made transformer, and a rugged metal enclosure, it delivers low distortion and a broad frequency response. Assembled and tested in Connecticut, USA, for reliable performance and superior sound.
Hosa SideKick Active Direct Box
The Hosa SideKick DIB-445 Active DI delivers clear, strong signals for live and studio use. Ideal for guitars, basses, and keyboards, it minimizes interference over long runs. Features include a pad switch, ground lift, and polarity flip. With a flat frequency response and low noise, it ensures pristine audio.
Radial JDI Jensen-equipped 1-channel Passive Instrument Direct Box
The Radial JDI preserves your instrument’s natural tone with absolute clarity and zero distortion. Its Jensen transformer delivers warm, vintage sound, while its passive design eliminates hum and buzz. With a ruler-flat response (10Hz–40kHz) and no phase shift, the JDI ensures pristine sound in any setup.
Radial J48 1-channel Active 48v Direct Box
The Radial J48 delivers exceptional clarity and dynamic range, making it the go-to active DI for professionals. Its 48V phantom-powered design ensures clean, powerful signal handling without distortion. With high headroom, low noise, and innovative power optimization, the J48 captures your instrument’s true tone—perfect for studio and stage.
Palmer River Series - Ilm
The Palmer ilm, an upgraded version of the legendary Palmer The Junction, delivers studio-quality, consistent guitar tones anywhere. This passive DI box features three analog speaker simulations, ensuring authentic sound reproduction. Its advanced filter switching mimics real guitar speaker behavior, making it perfect for stage, home, or studio recording sessions.
Learn more from these brands!
Delicious, dynamic fuzz tones that touch on classic themes without aping them. Excellent quality. Super-cool and useful octave effect.
Can’t mix and match gain modes.
$349
Great Eastern FX Co. Focus Fuzz Deluxe
Adding octave, drive, and boost functions to an extraordinary fuzz yields a sum greater than its already extraordinary parts.
One should never feel petty for being a musical-instrument aesthete. You can make great music with ugly stuff, but you’re more likely to get in the mood for creation when your tools look cool. Great Eastern FX’s Focus Fuzz Deluxe, an evolution of their très élégantFocus Fuzz, is the sort of kit you might conspicuously keep around a studio space just because it looks classy and at home among design treasures likeRoland Space Echoes, Teletronix LA-2As, andblonde Fender piggyback amps. But beneath the FFD’s warmly glowing Hammerite enclosure dwells a multifaceted fuzz and drive that is, at turns, beastly, composed, and unique. Pretty, it turns out, is merely a bonus.
Forks in the Road
Though the Cambridge, U.K.-built FFD outwardly projects luxuriousness, it derives its “deluxe” status from the addition of boost, overdrive, and octave functions that extend an already complex sound palette. Unfortunately, a significant part of that fuzzy heart is a Soviet-era germanium transistor that is tricky to source and limited the original Focus Fuzz production to just 250 units. For now, the Focus Fuzz Deluxe will remain a rare bird. Great Eastern founder David Greaves estimates that he has enough for 400 FFDs this time out. Hopefully, the same dogged approach to transistor sourcing that yielded this batch will lead to a second release of this gem, and on his behalf we issue this plea: “Transistor hoarders, yield your troves to David Greaves!”
The good news is that the rare components did not go to waste on compromised craft. The FFD’s circuit is executed with precision on through-hole board, with the sizable Soviet transistor in question hovering conspicuously above the works like a cross between a derby hat and B-movie flying saucer. If the guts of the FFD fail to allay doubts that you’re getting what you paid for, the lovingly designed enclosure and robust pots and switches—not to mention the pedal’s considerable heft—should take care of whatever reticence remains.
Hydra in Flight
Just as in the original Focus Fuzz, the fuzz section in the Deluxe deftly walks an ideal path between a germanium Fuzz Face’s weight and presence, a Tone Bender’s lacerating ferocity, and the focus of a Dallas Rangemaster. You don’t have to strain to hear that distillate of elements. But even if you can’t easily imagine that combination, what you will hear is a fuzz that brims with attitude without drowning in saturation. There’s lots of dynamic headroom, you’ll feel the touch responsiveness, and you’ll sense the extra air that makes way for individual string detail and chord overtones. It shines with many different types of guitars and amps, too. I was very surprised at the way it rounded off the sharp edges made by a Telecaster bridge pickup and AC15-style combo while adding mass and spunk. The same amp with a Gibson SG coaxed out the Tony Iommi-meets-Rangemaster side of the fuzz. In any combination, the fuzz control itself, which boosts gain while reducing bias voltage (both in very tasteful measure) enhances the vocabulary of the guitar/amp pairing. That range of color is made greater still by the fuzz’s sensitivity to guitar volume and tone attenuation and touch dynamics. Lively clean tones exist in many shades depending on your guitar volume, as do rich low-gain overdrive sounds.
The drive section is similarly dynamic, and also quite unique thanks to the always versatile focus control, which adds slight amounts of gain as well as high-mid presence. At advanced focus levels, the drive takes on a fuzzy edge with hints of Fender tweed breakup and more Black Sabbath/Rangemaster snarl. It’s delicious stuff with Fender single-coils and PAFs, and, just as with the fuzz, it’s easily rendered thick and clean with a reduction in guitar volume or picking intensity. The boost, meanwhile, often feels just as lively and responsive—just less filthy—lending sparkle and mass to otherwise thin and timid combo amp sounds.
Among this wealth of treats, the octave function is a star. It works with the fuzz, drive, or boost. But unlike a lot of octave-up effects, you needn’t approach it with caution. Though it adds plenty of the buzzing, fractured, and ringing overtones that make octave effects so wild and distinct, it doesn’t strip mine low end from the signal. The extra balance makes it feel more musical under the fingers and even makes many chords sound full and detailed—a trick few octave effects can manage. With the fuzz, the results are concise, burly, and articulate single notes that lend themselves to lyrical, melodic leads and power chords. In drive-plus-octave mode, there are many hues of exploding practice-amp trash to explore. The boost and the octave may be my favorite little gem among the FFD’s many jewels, though. Adding the octave to boosted signals with a generous heap of focus input yields funky, eccentric electric-sitar tones that pack a punch and are charged with character in their fleeting, flowering state.
The Verdict
It’s hard to imagine adding extra footswitches to the Focus Fuzz Deluxe without sacrificing its basic elegance and proportions, and without elevating its already considerable price. Certainly, there would be real utility in the ability to mix and match all three excellent gain modes. On the other hand, the output level differences between fuzz, drive, and boost are pretty uniform, meaning quick switches on the fly will shift texture and attitude dramatically without delivering an ear-frying 30 dB boost. And though it’s hard not be tantalized by sounds that might have been, from combining the fuzz and/or boost and drive circuits, the myriad tones that can be sourced by blending any one of them with the superbly executed octave effect and the varied, rangeful focus and output controls will keep any curious tone spelunker busy for ages. For most of them, I would venture, real treasure awaits.
Why is Tommy’s take on “Day Tripper” so hard? And what song would Adam Miller never play with him? Plus, we get Adam’s list of favorite Tommy Emmanuel records.
We call guitarist Adam Miller in the middle of the night in Newcastle, Australia, to find out what it’s like to play with Certified Guitar Player, Tommy Emmanuel. Miller tells us just how famous Tommy is in Australia, and what it was like hearing him play from a formative age. Eventually, Adam got to open for Emmanuel, and they’ve since shared the stage, so we get the firsthand scoop: Why is Tommy’s take on “Day Tripper” so hard? And what song would Miller never play with him? Plus, we get Adam’s list of favorite Tommy Emmanuel records.
Adam’s newly released trio album, Timing, is out now.
Plus, we’re talking about new recordings from Billy Strings and Bryan Sutton, as well as Brooklyn Mediterranean surf party band Habbina Habbina.
Peavey Electronics announces the Decade preamp pedal. The internet and social media have been abounding with chatter about the current recording secret of the modern-day guitar gods – the Peavey Decade practice amp.
The discontinued amp has reached unimaginable demands on the secondary markets. So much so that small pedal builders have made attempts to capitalize and duplicate the proprietary designs themselves. Tone chasers can now rejoice as the Decade preamp pedal now brings those highly sought after tones back to market in a small, compact footprint.
Guitar players will find a single input, single output preamp pedal straight forward and easy to navigate. Faithful to the original Decade circuitry (circa 1980), the control layout will be identical to the original amplifier. The GAIN section features PRE and POST controls. PREGAIN sets the gain of the input circuitry. POST GAIN sets the gain before the out. Built off the legendary Peavey Saturation patent, the new, switchable SATURATION allows tube-like sustain and overload at all volume levels, suitable for bedrooms, rehearsals, stadiums and apparently, those very expensive recording studios. The traditional BASS, MID, and HIGH equalization controls provide the tone shaping enhancements any guitar should require. Upgraded pedal features include an internal 24v supply from the standard 9v supply/battery and worldwide EMC/FCC compliance approval.
To learn more, visit online at www.Peavey.com
Street $199.99 USD