The new series champions unique and interesting tonewoods by incorporating them into Fender's most popular electric instrument designs.
Hollywood, CA (January 20, 2017) -- Fender Musical Instruments Corporation (FMIC) announces the launch of its 2017 Fender Limited Edition Exotic Collection at Winter NAMM 2017 in Anaheim, CA. Alongside the release of Fender’s 2017 American Professional series of guitars and basses, the Exotic Collection includes expanded offerings for some of Fender’s most-popular electric instruments: American Professional, American Elite, and American Vintage models – all built with a variety of unique woods such as rescued mahogany, shedua, Malaysian blackwood and reclaimed pine.
The American Vintage, American Elite, and American Professional series are reflections of Fender’s 70 years of knowledge, craftsmanship, and experience creating iconic instruments. The Limited Edition Exotic Collection features fresh iterations of the Telecaster, Stratocaster, Jazzmaster, and Jazz bass models using rare and exotic woods for a unique look and tone. Committed players get the exceptional sonic and aesthetic qualities of extraordinary tonewoods, plus great features from the American Vintage, American Elite, and the new American Professional series, which pairs Fender’s iconic models with new modern, player-centric features designed for artists across all musical genres.
Highlights of the 2017 Limited Edition Exotic Collection include the 2017 Limited Edition Shedua Top Stratocaster, which balances the traditional Strat sound with the rich-toned okoume body and shedua top; the 2017 Limited Edition Malaysian Blackwood Telecaster 90 featuring an elegant Malaysian blackwood top; as well as the 2017 Limited Edition American Professional Jazz Bass FMT with an eye-catching figured-maple top.
In the true spirit of Fender’s early years and the original prototype instruments fashioned from pine, the company has come full circle with three new pine models: the Limited Edition American Professional Pine Jazzmaster, Limited Edition American Vintage ’59 Pine Stratocaster, and Limited Edition American Professional Pine Telecaster. These limited edition pine guitars contain body wood that dates back more than 100 years when it was part of the Buckstaff Furniture Company’s facility in Oshkosh, WI and later reclaimed, cooked, and transformed into an instrument. All three models come with a limited edition neck plate with a laser-engraved Fender logo on the headstock and a hardshell case.
A departure from Fender’s traditional tone wood choices, the Limited Edition American Professional Mahogany Stratocaster, Limited Edition American Elite Mahogany Tele Thinline and Limited Edition American Professional Mahogany Tele Deluxe ShawBucker juxtapose traditional sounds with the rich tone and warm look of mahogany. All models include a limited edition neck plate and a hardshell case.
“The 2017 Limited Edition Exotic Collection is the perfect way to build on the success of our American Professional, American Elite, and American Vintage guitars,” said Justin Norvell, Vice President Electric Guitars, Basses, and Accessories. “These unique instruments are tailored to players looking for a distinct tone quality and look.”
NEW 2017 Limited Edition Exotic Collection: Launching monthly beginning April 2017
2017 Limited Edition Malaysian Blackwood Telecaster 90 – $1,999.99
The 2017 Limited Edition Malaysian Blackwood Telecaster enhances the traditional Telecaster style with the elegant look of a Malaysian blackwood top. The new limited-edition guitar features two JP-90 single-coil pickups and is topped by 22 narrow-tall frets and a 9.5”-radius maple fretboard that is ideal for most playing styles. Other highlights of the model include a custom string-through-body short-plate Tele bridge that features compensated brass saddles, a Limited Edition neck plate and a hardshell case.
2017 Limited Edition Shedua Top Stratocaster – $1,999.99
The 2017 Limited Edition Shedua Top Stratocaster tempers the traditional Strat sound with the rich tone and warm look of an okoume body with a shedua top. The limited-edition model features three of Fender’s brand-new V-Mod single-coil pickups, a new treble-bleed tone circuit and a new modern “Deep C”-shaped neck profile that feels just right in the player’s hand. The limited-edition guitar also includes narrow-tall frets, a Limited Edition neck plate and a hardshell case.2017 Limited Edition American Professional Jazz Bass FMT – $1,999.99
The new 2017 Limited Edition American Professional Jazz Bass combines modern features with a stunning figured maple top to create an instrument that looks as beautiful as it sounds. The new model features brand-new V-Mod single-coil Jazz Bass pickups, a slim “Modern C”-shaped neck and 20 narrow-tall frets that provide comfortable playing feel and perfect intonation. Other features include a four-saddle HiMass Vintage string-through-body bridge with nickel-plated brass saddles, a Limited Edition neck plate and a hardshell case.
2017 Limited Edition American Professional Mahogany Stratocaster – $1,999.99
A departure from Fender’s traditional tone wood choices, the 2017 Limited Edition American Professional Mahogany Stratocaster tempers the traditional Strat sound with the rich tone and warm look of mahogany. The new limited model features three of Fender’s brand-new V-Mod single-coil pickups, a new treble-bleed tone circuit and new modern “Deep C”-shaped neck profile and narrow-tall frets. Other features include a Limited Edition neck plate and a hardshell case.
2017 Limited Edition American Elite Mahogany Tele Thinline – $1,999.99
The new 2017 Limited Edition American Elite Mahogany Tele Thinline tempers the traditional Telecaster bite with the rich sound and warm look of mahogany. The model features a single 4th Gen Noiseless single-coil Telecaster bridge pickup and a fat-sounding ShawBucker Special Wind humbucking neck pickup (coil-splittable via the S-1 switch) for noise-free, high-output tone. The Elite Suspension Bridge is a unique design with a screwless mount that increases the vibration transfer, driving the top for nearly endless sustain and lively response. The new model also features a compound-profile neck that sports a 9.5”-14” compound-radius maple fretboard, 22 medium jumbo frets, a Limited Edition neck plate and a hardshell case.
2017 Limited Edition American Professional Mahogany Tele Deluxe ShawBucker – $1,999.99
The 2017 Limited Edition American Professional Mahogany Tele Deluxe ShawBucker tempers the traditional Tele bite with rich sound and the warm look of mahogany. The new model features a pair of fat-sounding ShawBucker humbucking pickups, 22 narrow-tall frets and a 9.5”-radius maple fingerboard that is ideal for most playing styles. The new model also features a Limited Edition neck plate and a hardshell case.
2017 Limited Edition American Vintage ’59 Pine Stratocaster – $1,999.99
Fender’s original prototype instruments were fashioned from pine and now, with the 2017 Limited Edition American Vintage ’59 Pine Stratocaster, the company has come full circle. The new limited model features three American Vintage ’59 single-coil Strat pickups, 21 narrow-tall frets and a 9.5”-radius maple fretboard that is ideal for most playing styles. The model also includes a Limited Edition neck plate with a laser engraved logo on the headstock and a hardshell case.
2017 Limited Edition American Professional Pine Telecaster – $1,999.99
The 2017 Limited Edition American Professional Pine Telecaster contains body wood that began its functional life over 100 years ago as part of the Buckstaff Furniture Company’s facility in Oshkosh, WI before it was reclaimed, cooked, and fashioned into an instrument. The new limited-edition model also features a single American Vintage ’64 Gray-bottom single-coil Tele pickup, a Lollar Charlie Christian single-coil neck pickup, 22 narrow-tall frets and a 9.5”-radius maple fretboard. The new model also features a three-saddle string-through-body Tele bridge that features compensated brass saddles. The model also includes a Limited Edition neck plate with a laser engraved logo on the headstock and a hardshell case.
2017 Limited Edition American Professional Pine Jazzmaster – $1,999.99
The new Limited Edition American Professional Pine Jazzmaster is truly unique, thanks to its grain, knotholes, and man-made imperfections. Features in the new limited-edition model include a pair of V-Mod single-coil Jazzmaster pickups, 22 narrow-tall frets, a 9.5”-radius maple fretboard and an improved tremolo and bridge that incorporate a screw-in arm and brass Mustang saddles. The model also includes a Limited Edition neck plate with a laser engraved logo on the headstock and a hardshell case.
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Join PG contributor Tom Butwin as he explores how this simple, yet essential, device can save your instrument from catastrophic damage. Discover the peace of mind provided by the Atlas C1.
The author’s well-loved Freeze pedals. The original raw-metal chassis seen here has been replaced with a white finish on later editions.
How this simple sustain stomp helped me bring one of my favorite David Lynch scenes to life and took me across oceans.
There’s a scene in David Lynch’sMulholland Drivewhere Naomi Watts and Laura Harring’s characters find themselves in a darkened, mostly empty theater. Against a backdrop of spooky, synthy chords, they breathlessly watch the night’s oddball emcee deliver an intense, cryptic soliloquy on recorded sound. A trumpet player slowly walks onto the stage, the two characters clutching each other. They—and you—get fully drawn into his muted, jazzy lines. Suddenly, he pulls his instrument away from the mic, throwing his hands in the air. But the solo continues. The narrator looks to the audience: “It’s all recorded.”
Like the best Lynch moments, it’s a thoroughly dramatic moment that needs to be experienced with all applicable senses. Words alone won’t do. This scene is meant to stick with you.
I had that scene in mind as I first plugged into an Electro-Harmonix Freeze. I wanted to play a note and have it keep going … and going … until the audience would see that those notes were just lingering in the air, my strings no longer vibrating, unsure what the effect is. The Freeze could do just that.
“This wasn’t some new iteration of some other effect—a crazy fuzz or a weird flanger. This was a new category.”
If you’ve never played one, the Freeze elegantly holds whatever you give it—a note, a chord, a pick scrape, or whatever else. For such an obvious effect to come out when it did felt so refreshingly groundbreaking. It represented new possibilities. This wasn’t some new iteration of some other effect—a crazy fuzz or a weird flanger. This was a new category.
There had already been ways to fake drones and sustained notes with loopers and delay pedals, but those inevitably had their quirks that ruined the illusion. David Cockerell, the designer of the Freeze, explains that loopers capture short bits of sound, apply an amplitude envelope, and play it back repeatedly. This can work to make sustained notes if the passage includes a whole number of cycles of the sound's fundamental pitch, but in most cases, you’ll hear a click when it repeats.
Back in the ’70s, the EHX team had worked on the idea for a sustain pedal. “At that time, the best I could do was intelligent-splice-single-cycle-looping,” recalls Cockerell. “This looked for a waveform match in the same way that guitar tuning meters do, and then endlessly played one cycle. It worked reasonably well for saxophone or other instruments with strictly harmonic overtones, but it was hopeless for guitar.”
”The pedal only requires one knob for volume, one toggle for latching or fast/slow swell modes, and a footswitch.”
Fast-forward to the early ’00s when DSP chips became available that could reproduce more complex sounds and overtones. While he was working on the EHX Hog with John Pisani, the company’s current-day chief engineer, the idea for a sustain pedal reared its head once again. Cockerell used an algorithm with a special provision that avoids freezing on a pluck transient, thus eliminating the risk of that pesky click. And the Freeze was born.
Released in 2010, the Freeze has a simple beauty. The pedal only requires one knob for volume, one toggle for latching or fast/slow swell modes, and a footswitch. Within, there’s such a wide range of subtlety: How you hit the pedal after your attack greatly affects the response. With the level setting, you can create subtle drones, much like an electronic shruti box, meant to subtly fill space. Or you can set it more obviously as you change chords, freeing up your hands. At higher volume settings in fast momentary mode, you can create glitchy stutter effects. And the way it interacts with other pedals opens up entirely new worlds.
I threw myself into the pedal not long after it hit the market, learning its nuances and eventually buying a second one to create a stereo effect. With my retuned 12-string Strat, I blasted my amps with drones, blowing a few speakers with abandon. Soon, the Freeze changed my approach to the guitar, and I released a series of solo drone and noise albums that took me across the U.S. and Europe. When I recognized Bill Frisell using one during a solo set, I’d bonded with the pedal so much that it was like a friend was sitting in with my favorite guitar player.
“I blasted my amps with drones, blowing a few speakers with abandon.”
There are plenty of pedals that have followed, adding more functionality. EHX’s Pico Deep Freeze, most obviously, but also the Gamechanger Plus, TC Electronic Infinite Sample, and the Chase Bliss Onward—enough that guitar sustain pedals have become their own class of effect. As fabulous as those pedals are, I still cherish the simplicity of the Freeze, a rare thing that leaves all the creative decisions on our side of the pedalboard.
PG's host straps on a prototype Tele to unleash the Knife Drop's horror and heft only to dismantle Jack White's Triplecaster in one accidental Bigsby bomb.
Two horns? It must be a Bison!
Our columnist links a few memories together to lead us to another obscure guitar model—one he remembers from his childhood and came to acquire as an adult.
Do you have any “click and stick” movies that you love? Like when you are channel surfing and see a movie that you’ve watched a lot, and then just watch it again? Lately, for me, it’s been the 2015 movie The Revenant. It’s a truly brutal tale of survival set in 1820s frontier America. My gosh, that movie just draws me in every time. There’s one scene where the main character goes flying off a cliff while riding a horse! He just sort of falls/rolls through a pine tree and lands in the snow … and he still survives! It’s crazy!
It makes me think about an old childhood friend who lived up the street from me. Jerry and his parents lived in an old house on their grandparents’ large plot of land. On one part of the land there was an old orchard filled with all types of fruit trees and pines, and I remember how we would climb to the top of the pines and just roll ourselves down the side, Revenant style! If you fell the right way, the branches would kind of gently let you down to the next, but if you hit it wrong and got in between the branches, you’d be wrecked. It’s like we enjoyed getting hurt, and, of course, when you’re young, you can snap right back. Ah, the days when pain really didn’t hurt. Now I wake up with injuries, for real.
“The action was way high and the fret ends were sharp. It was basically a painful affair.”
So why am I talking about my click-and-stick movie and stupid childhood escapades? Well, let’s get back to memories of my old friend Jerry. First, the house he lived in was so old that it had real wooden siding, but it hadn’t been painted in forever so the exterior took on a worn, faded, haunted house vibe. Second, his carpet was so tattered that it was being held together with duct tape. Lastly, I remember his dad had a cool, old electric guitar in the living room. His dad would let me play it sometimes, and I remember that it actually hurt to play! The action was way high and the fret ends were sharp. It was basically a painful affair. Not falling-out-of-a-tree painful, but as bad as it comes with guitars. It had the label “Conrad,” and young Frank didn’t realize that he’d be looking for that guitar again one day. I mean, it did have four pickups and lots of knobs and switches!
Made at the old Japanese Matsumoko factory in the ’60s, this Conrad Bison 1233 has four pickups and a 27" scale.
Years later, I would discover that his was a Conrad Bison guitar. The model came in a few different configurations, but the four-pickup design was designated as the 1233. Primarily featuring a lovely sunburst, these Bisons were made at the amazing old Matsumoku factory in Japan and were imported by the David Wexler Company that was based in Chicago. Matsumoku always had a good supply of aged wood, and many of the guitars made there are resonant and built well. The Bisons first appeared around 1966 and had a rather good run into the early ’70s.
Simple volume/tone knobs are paired with preset solo/rhythm switches that power alnico magnets. There’s an on/off switch for each pickup, and the sound really covers all the bases. Thumpy lows and crisp highs are all there. And, the pickups handle fuzz and distortion with ease. The Bisons also came in one- and two-pickup configurations with a normal scale, but the four-pickup ones have a longer, 27" scale, which is common for Matsumoku-made electrics.
So there it is: pain, survival, American frontier, Bison, haunted houses. It all sticks together like a duct-taped carpet. Click and stick, baby!