Premier Guitar features affiliate links to help support our content. We may earn a commission on any affiliated purchases.

Fishman Fission Bass Powerchord FX Pedal Review

Fishman Fission Bass Powerchord FX Pedal Review

The Fishman Fission Bass Powerchord FX does some funky things by building grinding, root-fifth chords from single notes.





The Fishman Fission Bass Powerchord FX does some funky things by building grinding, root-fifth chords from single notes. It’s the kind of sound that makes it virtually impossible to not start ripping out fat riffs that are both bass lines and crunchy power-chord rhythms all at once.

Unlike most sub-octave pedals, Fishman’s Fission Bass generates pitches above the note you’re playing. By engaging the Octave Up/Effect On footswitch, you get the fundamental plus a note an octave above it. Combine the first and second footswitches, and the Fission creates a fifth above your note—along with the upper octave. With the first and third switches engaged, you get the fundamental, the upper octave, and a fifth above that octave.

But wait—there’s more. If you engage all three footswitches, the Fission creates notes one and two octaves above your fundamental, and then throws in a fifth between the two octaves. Sweet! Some bassists have compared the Fission to the legendary, out-of- production Akai UniBass, which is often fondly referred to as a “rhythm guitarist in a box.” It’s an appropriate description for the Fission Bass Powerchord, too—especially when dialing in the Overdrive control. Just imagine playing in a power trio when it’s time for a guitar solo: Rather than leaving the guitarist to fill all the space around the bass line, simply kick in the Fission Bass and you can lay down a rich foundation for the guitarist to riff on.

Nuclear Fission
It’s interesting that a pedal like this comes from Fishman, a company best known for natural-sounding acoustic gear. But they’ve clearly done their homework. The Fission delivers the company’s usual quality in a sturdy metal case. And the four knobs, three footswitches, and three jacks feel durable and reliable. Happily, the 9V battery lives underneath, and there’s a snap-off lid and slip-in contacts—so there are no battery leads to get pulled out of the circuit board. It was also nice to see instruction details printed on the bottom of the box, which is very useful unless you decide to attach the Fission to your pedalboard. Setting up the Fission seemed daunting, initially, but the manual’s Quick Start section made things easy. It suggests setting the Noise Gate and Overdrive controls to 9 o’clock, turning Tone all the way up, and keeping Effect Level all the way down. A stealthy, Trim knob on the right panel governs gain—just play normally and adjust it until the clip light only blinks on occasion. All of that done, it’s a simple task to tweak possibilities and blend in the desired effect with the dry signal.

The Verdict
With a solid signal level, the Fission Bass tracked very well. It was fun playing classic, sustain-filled power-trio riffs, too. While the overdrive sounded a touch digital on its own, it would blend acceptably within a band setting. In all, the Fission Bass Powerchord FX is a quality effect that can quickly easily help you expand your role as a bassist.
Buy if...
you’re looking to expand your musical palette and love the idea of letting your bass fill more sonic space.
Skip if...
you’re playing in a thick mix and need a focused, conventional sound.
Rating...


Street $279 - Fishman - fishman.com

<<< Previous Review: Ibanez TS9B Bass Tube Screamer
Next Review: Fuchs Plush FX Jersey Thunder >>>

No matter what (or where) you are recording, organizing your files will save you hours of time.

A well-organized sample library is crucial for musicians, producers, and sound designers. It enables smoother workflows, saves time, and nurtures creativity by providing easy access to the perfect sounds.

Greetings, and welcome! Last month, I began the first of a multi-part Dojo series centered around field recording and making your own sound libraries by focusing on the recording process. This time, I’m going to show you ways to organize and create a library from the recordings you’ve made. We discover things by noticing patterns in nature, and we create things by imposing our own patterns back into nature as well. This is exactly what you’re doing by taking the uncontrolled, purely observant recordings you’ve made in the natural world and prepping them as raw material for new patterned, controlled forms of musical expression. Tighten up your belts, the Dojo is now open.

Read MoreShow less

This versatile ramping phaser is distinguished by a fat voice, vibrato section, and practical preamp.

Uncommonly thick phaser voice. Useful range of ramping effects. The practical preamp section can be used independently. Nice vibrato mode.

Visually cluttered design. Some ramping effects can be difficult to dial in with precision.

$249

Beetronics FX
beetronicsfx.com

4.5
4.5
4
4.5

The notion behind a ramping phaser predates the phaser pedal by many moons—namely in the form of thetwo-speed Leslie rotating speaker. A Leslie isn’t a phaser in the strictest sense, though the physics behind what the listener perceives are not dissimilar, and as any phaser devotee can tell you, there are many audible similarities between the two. At many phase rates and intensities, a phaser stands in convincingly for a Leslie, and the original king of phasers, theUniVibe was conceived as a portable alternative to rotary speakers.

Read MoreShow less

David Gilmour, making sounds barely contained by the walls of Madison Square Garden.

Photo by Emma Wannie/MSGE

The voice of the guitar can make the unfamiliar familiar, expand the mind, and fill the heart with inspiration. Don’t be afraid to reach for sounds that elevate. A host of great players, and listening experiences, are available to inspire you.

In late fall, I had the good fortune of hearing David Gilmour and Adrian Belew live, within the same week. Although it’s been nearly two months now, I’m still buzzing. Why? Because I’m hooked on tone, and Gilmour and Belew craft some of the finest, most exciting guitar tones I’ve ever heard.

Read MoreShow less

With 350W RMS, AMP TONE control, and custom Celestion speaker, the TONEX is designed to deliver "unmatched realism."

Read MoreShow less